I 47 ronin ribelli

Though stately, impressive, and vaguely powerful at times, it nonetheless demands more patience than this viewer had. It's well filmed, but rather static and aloof. None of this is aided by its nearly 4 hour length.

I saw this film on the big screen when it was screened at a local theatre last summer. Needless to say, I went alone for this 3h40min marathon - I could not coax my wife to come! The "47 Ronin" is an epic film about this legendary Japanese story about how 47 masterless samurai plot to avenge their Lord's death. I won't expand on the plot here, but if you Google the topic or go to Wikipedia, it's a really fascinating story.

That this film is not for everyone is an understatement. It is slow moving, monumentally long and requires a lot of patience. But, the viewer is rewarded with incredibly genuine acting, beautiful and poetically shot scenes, and in the context of when the film was made, a window into WWII-era Japan. Telling to the wartime era this film was made in, the credits at the beginning of each Part give credit to the "Propaganda Department" (English translation).

Also poignant and disturbing, is the very serious and thoughtful portrayal of the Japanese practice of seppuku, or ritual suicide by slicing the stomach until the bowels spill out, then decapitation by a skilled swordsman.

Overall, I'm very glad I saw it - and would recommend it to others interested in this story. It's one of those movies that you only need to see once though.

Nearly four hours long, this film can task even the most dedicated samurai viewer. It has some really good acting, but that is lost for most in the pace.

It is a tale of the famous Ako Vendetta of 1702. I do not know how historically accurate it is, but it does give a glimpse into Japan's history.

It also gives a glimpse of hara-kiri; the ritual suicide by slicing the stomach until the bowels spill out, then decapitation by a skilled swordsman.

You are better served in seeing director Kenji Mizoguchi in the classic Sansho the Bailiff.

One needs to see a fair amount of Japanese film to realize that so much of it is cerebral. The talkiness of this film, and most of the Kurosawa films, is to be savored. What this one misses is a modicum of action. I am as patient as anyone, but after three-and-a-half hours of discussion, as a Westerner, I expect something visual. While the close-ups and the tight scene making are fine, we are made to wait so long for an event that we know is coming from the outset. It will be interesting to see what the new film with Keanu Reeves, set to come out in December of 2013, does with the same event. This film is about honor and an ancient code. It is the sunset of the Samurai and they are dealing with the only way to do what they must do and suffer the consequence. Apparently this was a commissioned work, produced during World War II. It is spars and simple. There are some shots outside, and these become so welcome, but we are quickly brought back into the discussion to the interior. Most critical events take place off-screen. I'm sure to a Japanese viewer, the breadth of the ultimate sacrifice is part of legend and they are a willing part of the experience.

Can we be honest?

This is WAY TOO LONG.

I'm a fan of japanese cinema and especially samurai films, but this 1941 flick was considered too long even by 1941 Japanese viewers.

There is no action the first two hours of this four-hour sanity test. It's just talking among courtiers with occasional nice cinematographic visuals of the grounds. Be forewarned: the ronin samurai are a dim afterthought here. This is almost exclusively about "government" bureaucrats scheming and infighting. In other words, this 4 hours is almost non-stop talking in medium shots.