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"Footsteps in the Dark" is a 1941 film briskly directed by Lloyd Bacon. It stars Errol Flynn, Brenda Marshall, Alan Hale, Lee Patrick, Lucille Watson, Ralph Bellamy, Allen Jenkins, William Frawley, and Turhan Bey.

Flynn plays an investment broker leading a double life as a mystery writer, the author of a book called "Footsteps in the Dark." Only his chauffeur knows the truth. When he becomes involved in a real-life murder, his situation starts to create havoc at home.

This is a pretty good mystery story, though one can figure it out fairly quickly, and it's enlivened by a wonderful cast. Flynn is delightful and funny, particularly when he's disguised as a Texas oil man, Tex.

The unusual-looking Marshall is his frustrated wife and does a fine job, as does the tart-tongued Lucille Watson as his suspicious mother-in-law. Turhan Bey has a small part as a houseman, and he's very exotic. Hale and Frawley are the bumbling police.

All in all, good fun, and a nice departure for Flynn.

Errol Flynn is a very underrated actor when it comes to comedy. People just see him as a swashbuckler, dashing action hero. Not as a actor who could do any role from any type of genre. In Footsteps in the Dark he's very amusing and witty in his role as a person who lives a double life. In the day he's a insurance investigator, who goes by the name of Francis Warren and to his lovely wife a man who spends late nights at representative meetings. But in reality by night he's a crime solver/ murder investigator who what he sees he writes into his novels, and his latest book called by the same name of the film has raised eyebrows all over town and everyone is wondering who is this F.X. Pettijohn. When Francis' wife finds out the truth the sparks really begin to fly. Errol Flynn is absolutely hilarious in this role and Alan Hale, Brenda Marshall, William Frawley, and Ralph Bellamy do a fine job in backing up Errol. The movie has a lot of funny moments. Some of these include how Francis explains his way out of a jam with his wife and mother in-law. Others include Francis portrayal as a rich Texan named Tex, who Errol Flynn plays with a hick accent and an amusing cowboy walk, which can't be missed. Absolutely funny, it had me in tears. There is wrong thing though that i don't like about the film, and that is it's lack of crime solving clues and interrogation of suspects. It's not like Charlie Chan with it's clever crime solving. Their are a couple of clues here and there, but nothing clever though. Still the film is very delightful to watch and funny and I think it's much more entertaining to watch then other the Errol/ Brenda film they did together the year before this, The Sea Hawk. **1/2 out of ****

Enjoyable comedy mystery with Errol Flynn as a man who, unknown to his wife and mother-in-law, leads a double life as an amateur sleuth and writer of murder mysteries. I like this one a lot, which appears to place me in the minority here, judging by a quick glance at some of the reviews. Errol Flynn shows how well he can do with comedy in a nice change of pace for him that still plays to his strengths as a charming ladies man. Unlike some other reviewers, I don't see any reason for comparisons (positive or negative) to William Powell's Nick Charles from the Thin Man series, beyond the most superficial similarities. The great supporting cast includes Allen Jenkins, Ralph Bellamy, Lee Patrick, William Frawley, Roscoe Karns, Grant Mitchell, Lucille Watson, and Alan Hale. Nice seeing Hale in a slightly different role than usual as the police inspector frustrated by Flynn but relying on his help. It's what I would call the James Gleason role because he played those kinds of parts perfectly. Lovely Brenda Marshall plays Flynn's wife and, like Flynn, proves she can handle comedy quite well. It's a fun picture. It doesn't bring to the table anything particularly innovative for either the comedy or mystery genres but it gets the job done as lightweight entertainment. Flynn had a great run from about 1935 to 1945 where he made most of his classics. I've seen all of his films from this period and, in my opinion, there wasn't a stinker among them.

a hidden gem, shows the wide variety of skills errol flynn possessed but was not given credit for until much later. errol could really act, he had an excellent comedic touch and really makes this well written mystery a lot of fun. brenda marshall is her usual gorgeous self, shes a dream. the mystery is well crafted and this was good enough that they should have done a sequel. errol was type cast by the studio as a the prototype "super man" and "action hero", which he did better then anyone. what the studio prevented was errol doing comedy and other roles which he was marvelous at. the few comedy roles he was allowed to do in his career are superb. his star was brighter then most, but hidden by studio hacks were many of his varied talents.

It seems lots of people didn't like this film very much but I absolutely loved it. Flynn plays blue blood investment adviser Francis Monroe Warren II with blue blood clients, a blue blood wife, and a blue blood social life. All of this blue blood is making Francis feel tired and run down, so he leads a double life to spice things up. At night and at odd hours during the work day he concocts murder mysteries and covers his absences at home by telling his wife that he was at some board meeting. His most recent publication - under a pen name of course - has his wealthy friends aghast because he used them as characters in his book and only slightly changed their names. The town's whole social register is looking for the real name of this author so they can sue him for damages. Francis' antics begin to catch up with him when he is blackmailed by someone who knows about his double life.

Pretty soon Francis is involved in a real murder mystery involving stolen diamonds, a burlesque queen, threatening letters from an anonymous person, and clues that seem to point back to his own wife as a suspect. On top of everything, his wife and mother-in-law become suspicious of his behavior and have him followed, with the detective drawing all the wrong conclusions.

This is a very different kind of role for Flynn, but he brought to it all of the things that made his swashbuckling films such fun. As Robin Hood he was continually laughing in the face of danger, here he just grins at it, but he still seems to get the upper hand in every situation - always suave and in control. If you want to watch something that is just plain fun I highly recommend this one.