Il diavolo si converte

It's so full of good, common sense, compassion, wit and joy, that I can barely believe it. How depressing that this masterpiece should never be shown on TV (to my knowledge). It is not the first time that Norman Krasna has drawn my attention. This man is a genius. He writes with a total, unflagging self-assurance and perfection. This movie just cannot be improved upon. There are really no faults in it. The humor is funny without being demeaning, there is not the slightest mistake in taste or judgment. What makes it even more astonishing is that it was made during war time, when patriotism tends to cause people to become sentimental. This movie doesn't spare its country one whit. It does not include some "bad apples" among the workers. On the contrary, it implies that those who are usually referred to as bad apples are in fact the good ones! This movie is very much in the spirit of Frank Capra, and his rooting for the little man, but it outdoes Capra at his own game. There is more Capra in this movie than in all Capra movies put together. Krasna doesn't just root for the underdog, he fights his battles and he WINS! (1990 diary entry).

This film is under the radar for one reason only: character actors Charles Coburn and Spring Byington step from behind the shadow of the leads and take a bite out of the script themselves, and man, what a bite. Not to say that Jean Arthur and Robert Cummings don't do their part, because they do, but the emphasis here is on the old folks for a change, and its a refreshing change. There's also a scene on Coney Island, back when it was the shizzle, and its a wonderful scene for warmly placing you there in the midst of a steaming humanity all trying to cool off. There's a Caprasque story impetus about the problems of the rich versus the poor, along with some liberal solutions to those problems, but what's really nice is about watching folks who are past redemption finding it at the most unexpected time of life. Hope for everyone here. Too bad its only a movie.

I saw this movie for the first time on TCM, during their run-up to the 2005 Oscars. I expected quaint, cute, pleasant. What I got was much more: strong writing and characters, believable performances, a sure hand of the director who knew how to make comedy work on-screen, an interesting story with plot twists. Even after more than six decades, this comedy still works well. Today's comedy directors and writers could learn a lot from this film: how to make the situations and characters work without shoving in the audience's face. Sam Wood gives the audience for this film some credit for intelligence, and lets the strength of the script and actors emerge. For the first time, I realized just what fine actors are Charles Coburn and Jean Arthur.

Charles Coburn was a funny man. I wish had more movies with him in them, as he usually makes me laugh. He did here, and this movie was on it's way to a rating of "10" when it bogged down midway through and never really regained momentum. It did have a nice sentimental ending, though.

Coburn, meanwhile, was outstanding as the super-rich owner of a department store who goes "underground" as a shoe salesman in his store to find out the cause of worker unrest. Then romance takes over the story: Coburn and Spring Byington and then Bob Cummings and Jean Arthur and the story loses a lot of it comedy touch and its zip.

Overall, the film still exudes charm and Coburn, despite third billing, IS the star of this film. I'm sure a number of fans of this film are disappointed it still isn't out on DVD.

Norman Krasna, was one of the best screen writers in the movies of the period. Sam Wood shows his ability to direct this excellent cast in one of the most satisfying comedies about the distinctions between the moneyed classes and the working stiffs they employed.

If you haven't seen the film, please stop reading now.

J.P. Merrick, is a millionaire who has investments all over New York. It is to his amazement he sees himself burned in effigy in front of the department store he has forgotten he owns. Merrick, like all people in business don't want to appear to be exploiting the workers, but this is too much! He must put an end to it.

In disguising himself as a salesman, he goes directly where the problem seems to be coming from, the shoe department. There he meets Mary Jones, who immediately feels Tom Higgins, his assumed name, is a man that is going through a rough time in his life. Mary feels pity when she realizes he doesn't know a thing about salesmanship.

In spite of everything going bad for him as a shoe salesman, Tom sticks to his new persona. He only meets kindness from all the people he is trying to fire. Merrick, by the end of the first full day at the store feels the strain of being on his feet all the time; we watch him soaking his feet in hot water, aided by his butler, George. In the process of gaining knowledge about the trouble makers, Merrick becomes human. He gets to realize how wrong he has been about a life he has lived so alienated from.

"The Devil and Miss Jones" is a movie that will delight anyone wishing to have fun. Of course, this is a film that depends totally in the two principals, Jean Arthur, who plays Mary Jones, and Charles Coburn, who as J.P Merrick/Tom Higgins shows why they were about the best actors working in the cinema in the 30s and 40s in Hollywood. Not only did they bring such class to whatever they played, but they are totally convincing. Ms. Arthur was a natural and so was Mr. Coburn.

The rest of the cast is extraordinary. A young Robert Cummings is perfect in his role as the union man. Spring Byinton, an actress that appeared in many films, is a charming Elizabeth, the woman that steals Merrick/Higgins heart. In her first scene with Mr. Coburn, she sits in the park bench to have lunch and he has nothing to eat. She gives him one of her tuna popovers and clarifies for him she paid 12 cents for the can! What times! In minor roles, S. Z. Sakall is George, the loyal butler. Mr. Sakall is a joy to watch, no matter what picture, or what character he is playing. Also, Edmund Gwenn, who probably stayed behind to played Santa Claus for the store, makes an incredible Hooper, the man in charge of the shoe department.

Thanks to Sam Wood's inspired direction this is a film that will not cease to please.