La città delle donne rapite

Having seen H. B. Warner as a character player in dozens of films, i was pleasantly surprised to see him starring in this crime-exploitation film about the white slave trade. I was also deeply impressed with his ability to carry the complex role of a poetic, philosophical police captain on the verge of retirement with such presence during the course of what otherwise would seem to have been destined to be a routine crime drama.

Alas, being a post-code movie, the white slave trade aspect of the plot is only understandable as a subtext, but there are plenty of other intriguing moments in the movie that will make B-film enthusiasts sit up and say, "Wow." For me, the gymnastic dance featuring a pair of uncredited twin teen girls was one such moment. Where did they FIND such unusual talent? Who were those young, incredibly athletic, giggling twins? We'll probably never know.

And then there was the scene in which H. B. Warner, previously seeming to be frail, distracted, and ready for the scrap heap of life, suddenly LEAPED INTO THE AIR and jumped into his bed feet first! What the heck!? That was truly replay-worthy.

This is not a great film, of course, but since it is available at bargain prices, old film buffs will certainly get their money's worth if they take the time to seek it out and watch it.

A cadaverous H.B. Warner hovers on the fringes of this crime thriller which boasts better-than-average production values for a Poverty Row production but plods along at a dreary pace.

An assistant DA tries to track the whereabouts of missing girls, leading into a tangled web of corruption.

With that suggestive title and sleaze director Elmer Clifton, I was expecting maximum titillation. Well, there is some peek-a-boo at The Crescent School of Fine Art, where the half-clad dancers somehow manage to all be female. No doubt, if it weren't for the censors, the "school" would be called Gateway to Hookerland, but then this is a commercial product.

Not surprisingly, it is a cheap undertaking by quick-buck producers. Still, the cast is much better than the material, especially the sparkly Allwyn and the smoothly slick Van Zandt, who's especially impressive as an egotistical gangster. His sarcastic exchanges with DA Horton (Archer) may well be the film's dramatic highlight. These main players may not be exactly household names but they do lend edge to what could have been merely a listless payday. Impressive too is old-timer HB Warner who's about as relaxed before the camera as anyone I've seen. Still, it's a long way from Jesus in King of Kings (1927), a silent screen classic. I imagine he was added for marquee value. Then too, catch malt-shop Gale Storm in a small but appealing part.

Anyway, it's a rather complex plot so you may need to keep notes. Still, the large cast does about as well with the tacky material as can be expected, and is not without points of interest.

Girls are going missing and a DA and veteran cop team up to expose the rackets that are set up to lure young girls in to a life of shame.

This film is more a curiosity than anything. My guess it was cheaply made and ran on the exploitation circuit for years. The music isn't even stock music, but is supplied by an organ that pumps out bridges between scenes.

How best to describe this movie? Its the type of movie that insomniacs prayed not to find on the Late Late Show because it was just interesting enough to keep them awake while it un-spooled. It wasn't good enough to actually wake them up, but it wasn't bad enough to put them out, rather its a film of the twilight between asleep and awake.

I'm of a similar mind, its not bad, but its not good. Its the sort of thing that just is. If you should run across it on TV you might want to try it, but I can't suggest searching it out.

5 out of 10

This is the story of a crime boss who has a front for either white slavery or prostitution. The words are never spoken. This would have been pretty hot stuff for the time. It involves an assistant district attorney, a female reporter, and a cop who just can't retire. All in all, the chemistry is pretty good. The reporter isn't as tiresome as they usually are. She seems to have some soul and some merit. The bad guy is also pretty well conceived and presents a formidable presence. It is pretty formulaic but keeps our attention throughout. The blackmail thing is believable for the most part and the elements of the crime story are nicely balanced. The one thing that troubles me is the aftermath, dealing with the reporter's father. I won't give anything away, so see what you think of the ending scene.