Quarto potere

There's a man who had the world within his grip, he was the captain and director of his ship, built an empire through the news, no one challenged or refused, but such ego is quite blind to slips and trips. It all began when a young child was pulled away, from normality, from sanity, from his play; to become manipulator, fabricator, a dictator; and every day, people would pay, for what he'd spray. Without distractions he may well have been crowned king, taking everything and more that he could win, but the heart can override, lead to diatribe, broadside, and a palace becomes a prison, and he's locked in.

Citizen Kane is a film with epic characteristics, and was at least 30 years ahead of his time, let's start by spectacular Gregg Toland photography, which for me is one of the top 5 best film photography, all the camera angles, metaphors, editing, close-ups, the use of natural and artificial light, mounts scenarios are something inexplicable (Remember Kane's speech), J. Mankiewicz script is great, using flashbacks (something new in time) and the timeline in your favor, I really can not say if this film was the first film to use these narrative resources, I think not, but it sure was one of the first to use a magnificent way, the soundtrack it is accurate, and the performances are very good, especially the Orson Welles doing a magnificent job, as director and actor, worth a reference scenes "Post credit" which explains that all the actors are new, cool also speak the name the cinematographer Gregg Toland is credited alongside Orson, Citizen Kane marked the history of cinema as we know it, so you go to see the movie today will notice that most of the "things" are very common nowadays and did not understand why the film is so prestigious, but remember that citizen kane invented this pile of "things."

OK look, let me settle something between those who love and hate this film. A lot of people hail this film because it is technically brilliant and ground breaking. Director Orson Welles did a lot of things visually that no one had ever done before. Nearly every film maker was in some way influenced by this movie. This movie also had a great impact in its time. The title character was based on media giant William Randolph Hearst. He was that generations Donald Trump. He opposed this film so much he did everything in its power to stop its release and almost succeeded. Lastly this film contains some of the strongest and most common themes in literature; Life versus death. It is for these reasons why this film is so revered.

On the contrary people who hate this film mainly complain that it is boring. Which is a legitimate complaint. The story is slow compared to today's standards, and there is no real Hearst character alive today in which to relate. So yes, the story on the surface is outdated. However, this does not make it a bad movie. It was not made as a Matrix/Star Wars type of movie which can be enjoyed even at surface level. This is not pure entertainment. Remember there is more to film than storytelling. This film was designed to be cinematically beautiful and to tell a basic story of love and redemption. There is much more to the story than the thinly veiled attack on Hearst, one just needs to look deeper. Look at Shakespeare or Hawthorne for example, their literary works are universally loved. Yet, many people blow them off because they refuse to look past the outdated language into the beautiful prose and simple ubiquitous themes. Just because something is outdated does not mean it lacks worth in today's world.

My advice to those who did not like it the first time or have not seen it yet is simple. Watch it again for what it is. Do not expect to be on the edge of your seat for two hours. Watch it for the cinematography that alone makes this film among the best (I don't agree with AFI's number one ranking but I think it still ranks high). Look deeper into the story and try to connect with it on some level. At the very least appreciate how influential this film was and where the industry would be without it. If you can do this, then maybe some of the naysayers will change their minds. Again, you do not have to love Citizen Kane, but at least respect it for what it is.

Anyone who sees "Citizen Kane" (1941) for the first time today does so because he or she has heard that it is the greatest film ever made. One simply doesn't come across the film by accident on TV, watching it "for what it is," so to speak. The common approach of seeing it to believe it can be at best exhilarating and at worst hostile. Unfortunately, the latter is usually, although quite understandably, the case. For how can one do anything but look down at a film that elitist snobs have praised for years and years? One simply must prove oneself right by falsifying the critics' claims, leaving the theater or the living room with a shrug and a condescending comment: "it was okay." This will not do. It is a great tragedy if "Citizen Kane" suffers from these kinds of incidents since it ought to be treated with the same kind of respect as Shakespeare's "Hamlet" or Beethoven's "9th Symphony". In order to make this happen, or perhaps enhance someone's viewing experience, I would like to try and explain not why "Citizen Kane" necessarily is the best film, but rather why people have considered it to be. There are over a thousand reviews of the film on this site, and mine will probably drown in the vast sea with them, but hey what can I lose, and who doesn't love talking about Welles and "Citizen Kane"?

One might begin with the basic fact that "Citizen Kane" wasn't immediately praised and considered the best film that has blessed the silver screen. It was a financial risk for the RKO studios to give free hands to the novice prodigy Orson Welles, who had gained quite a reputation with the radio show of H. G. Wells' "War of the Worlds", and not surprisingly it didn't pay off. Despite the praises of a few critics, "Citizen Kane" was soon forgotten, and the film wasn't, for example, screened at American cinemas during the late 1940's and early 50's. In France, however, the film was just discovered after the war, and the leading critic of the country, André Bazin hailed it as a masterpiece of the postwar stylistic tendency he characterized as spatial realism. Bazin's disciples, who we all know now as the nouvelle vague directors, followed and adored Welles' masterpiece. François Truffaut proclaimed that "everything that matters in cinema after 1940 has been influenced by 'Citizen Kane'." Thus the film's reputation grew and its new found reputation slowly found the other side of the Atlantic as well. But why did this happen? Why wasn't "Citizen Kane" forgotten, and why, for one, did it arouse the interest of Bazin?

First, it ought to be highlighted that the story of "Citizen Kane" is excellent. Loosely based on the life and times of media mogul William Hearst, "Citizen Kane" tells the story about a lonely giant who conquered the American media. It's a story about a man who dedicated his life to possession, but tragically became to be possessed by it himself. As one might have noticed, I am using the past tense, and such is the nature of Welles' narrative in "Citizen Kane". The film begins with the protagonist's death, and then portrays the attempts of a journalist trying to figure out the meaning of his last words -- "Rosebud" -- by interviewing people who knew the man. "It will probably turn out to be a very simple thing," he supposes. This kind of structure was not considered the done thing back in the day. Although the basic structure of finding out a person's past goes back to Sophocles' "Oedipus Rex" as well as numerous detective stories, the uniqueness of "Citizen Kane" lies in the use of different perspectives, creating a non-linear narrative that has echoes from ancient drama and epistolary novels.

Yet it wasn't really the intricate story that most fascinated Bazin. What Bazin emphasized was the film's style. Although all scholars have given up on the phoenix myth of "Citizen Kane" and its innovative use of various cinematic means, it is simply a fact that the film made the style public, thus standardizing it for Hollywood. The aesthetic features of the so-called spatial realism, which Bazin adored, supported by the technological innovation of the BNC camera, include deep-focus cinematography, sequence shots, and deep-space composition. These had been used before, but hardly with similar, dare I say, philosophic unity. This stylistic tendency is enhanced by Welles' relentless use of heavy low-angle shots and dynamic montage sequences. There are innovative cuts that spark imagination and soundtrack solutions that open the story and its characters to new dimensions. "Citizen Kane" is often celebrated as a bravura of the art of mise-en-scène since it puts a lot of emphasis on pre-filmic elements such as setting and lighting, but the real gist of the film's brilliance lies in the unity of these together with cinematographic and post-filmic elements.

More remains to be said, but space is running out. The end of the matter is, I guess, that none of the individual elements of "Citizen Kane" are, precisely, individual. They have not been distinguished from one another, but rather resonate luminously together in a unique fashion. Technological innovation goes hand in hand with aesthetic inspiration and both support the whole of story, theme, and style. Such unity may not have been present in Hollywood before 1941. From the groundbreaking use of the BNC camera to themes of power, loneliness, and defeat, which are reflected on the level of style, using setting and editing, for one, to reflect the emotional distances between the characters or their existential experience of emptiness, "Citizen Kane" remains a gem to any lover of cinema. It's up there with immortal works of art from poetry, music, and painting. It is, like all great art, a tightly and beautifully sealed original whole which is why (instead of one big nameable innovation) the film has been considered to be of such magnificent proportions.

The movie Citizen Kane was loosely based on the life of William Randolph Hearst. The movie begins with the death of Charles Foster Kane, who was the editor of the New York Journal. He says the name rosebud and drops a crystal ball, which falls to the ground a shatters. News clips are shown about the different occurrences in Kane's life depicting how Kane acquired his fortune. Throughout the whole movie reporters are trying to figure out what the word rosebud meant and why it was the last word he said before he died. The reporters find people who knew Kane throughout his life trying to get information from them that would put some sense to Kane saying `rosebud' as his last word. Many of the stories told by the people interviewed show the audience a lot about his life through flashbacks. One of the opening scenes is that of Kane's mansion called Xanadu. It has a sign that says `no trespassing' that is hung from the outside gate. The shot is very dark and gloomy, hinting that maybe Kane's life was the same way. He was a very power-hungry man that went from being at the top to rock bottom. Many other movies have definitely taken note to style and effects of this movie. The camera work, lighting, acting a music contributed to making Citizen Kane one of the best American movies of all time. Orson Welles deserves all the credit that he receives from this movie. He was the leading character, producer and director; basically a one man show that still many of us appreciate. I thought that this movie was well done. It had so much symbolism that made the movie unique, although if you didn't know what was symbolic during the different scenes it would be hard to follow, but most of the symbolism is easily recognized. One of the best symbolic scenes that also foreshadows is when Kane is at the top of the stairs and he is told that he lost his position and as he walks down the stairs the camera is shooting from at the top and it looks like a spiral showing that Kane's life and career are out of control. Citizen Kane was very dramatic and all who took part in the movie played their roles well. The characters seemed very real and believable making this movie very memorable. This film has features that every movie should try to incorporate; symbolism, great actors, interesting storyline, excellent camera shots, lighting and sound techniques. I think everyone should see this movie at least once in their life time because it is one of the greatest American movies of all time.