VALUTAZIONE IMDb
6,9/10
3905
LA TUA VALUTAZIONE
Aggiungi una trama nella tua linguaA financially-strapped charter pilot hires himself to an oil tycoon to kidnap his madcap daughter and prevent her from marrying a vapid band leader.A financially-strapped charter pilot hires himself to an oil tycoon to kidnap his madcap daughter and prevent her from marrying a vapid band leader.A financially-strapped charter pilot hires himself to an oil tycoon to kidnap his madcap daughter and prevent her from marrying a vapid band leader.
- Regia
- Sceneggiatura
- Star
- Premi
- 2 vittorie totali
Douglas Kennedy
- Second Reporter
- (as Keith Douglas)
William Hopper
- Keenan's Pilot
- (as DeWolf Hopper)
Sol Gorss
- Reporters' Pilot
- (scene tagliate)
Jean Ames
- Mabel - Hatcheck Girl
- (non citato nei titoli originali)
Peter Ashley
- Reporter in Amarillo
- (non citato nei titoli originali)
Recensioni in evidenza
I quite liked THE BRIDE CAME C.O.D. It's an obvious riff on the screwball structure established by the much superior IT HAPPENED ONE NIGHT, but Cagney and Davis really make it so much better than it could have been without their personas and chemistry there to liven things up. If you love the Warner Bros. acting stable of this period, then you're in for a good time.
The plot isn't clever or original, but I laughed quite a lot. Considering how hard it is to get me to laugh aloud when watching a movie, that alone makes this an achievement.
The plot isn't clever or original, but I laughed quite a lot. Considering how hard it is to get me to laugh aloud when watching a movie, that alone makes this an achievement.
Bette Davis, in her autobiography The Lonely Life, didn't have to much good to say about this film. It's true the critics thought that this film was beneath the talents of Davis and Cagney, but time proves otherwise. Some films just seem to age like a bottle of fine wine which makes this movie play better today than it did when it was first released. So, the story goes, our Bette was doing a lot of tear jerker's and I guess Warners thought it was time for her to take a breather and do a light comedy for a change of pace. What's amazing is that here we have two Acadamy Award winners playing hoke and camp with La Davis spending most of her time falling on top of cactus plants and screaming! The musical score by Max Stiener is just fine and dandy and the funniest part in the film is when Davis deiced she's going to run away from Cagney in an automobile that hardly can run after Henry Davenport locks Cagney up in the town jail. So, she and Davenport get in the car. The car starts down the hill with the song In My Merry Oldsmbile being played and Cagney laughing so bad that you have to laugh with him as the car makes all kinds of noise and sputtering when it finally turns over, and I'm surprised that somehow they didn't find a way for our Bette to fall on top of another cactus plant! Even though Davis said that they really didn't like making this movie, it seems to me, when viewing it, that Davis and Cagney, with the rest of the cast were having a lot of fun making it! You could never remake this film and make it work today. I mean, who would you get to play the roles? Brad Pitt and Jennifer Aniston? But, on second thought, it would be hilarious to see Aniston falling on top of cactus plants!
Sure it had been done once or twice before, and it was done a dozen times following... but this one is a classic on merit alone.
Davis and Cagney were the top two Warner's actors at the time and had fought their own respective legal battles with the studio in the years prior, as well as being very good friends.
This film catches them at the tops of their game, just being allowed to be silly and have fun in a movie no one really expected much out of.
The formula works and though the pacing isn't the best, hang-in because it's worth it.
Saturday afternoon popcorn film.
Davis and Cagney were the top two Warner's actors at the time and had fought their own respective legal battles with the studio in the years prior, as well as being very good friends.
This film catches them at the tops of their game, just being allowed to be silly and have fun in a movie no one really expected much out of.
The formula works and though the pacing isn't the best, hang-in because it's worth it.
Saturday afternoon popcorn film.
Bette Davis and Jimmy Cagney had been teamed once before in "Jimmy the Gent", also a comedy. That picture and this one are two of the relatively rare Bette Davis comedies. Jimmy the Gent was pleasant and fast moving, and featured the two stars relatively early in their career's. Here, they are both at the top of their game, and they elevate the mediocre material into something fast paced, fun, and easy to watch. It's a real pleasure to see two of the screen's greatest stars together. Nothing great, but definitely worth seeing for fans of the stars or of screwball comedies of that era.
I had always avoided this flick because I love both its stars and had read and heard not-so-flattering things about it. Finally caught up with it on the beautiful DVD transfer, and was either laughing or smiling from beginning to end, and believe me that's a rarity! How nice to see all those naysayers proved wrong. Granted, this is one of the most contrived and tortured "meet cute" setups in screwball history, but the plot mechanics are dispensed with quickly and it's all Cagney and Davis at their most sparkling from there on. I actually think it's best to watch this not knowing what happens, so I'll just say WATCH IT if you have a liking for either -- or both -- of these stars. And the Epstein-brothers' script is hilarious; it should be studied by today's comedy writers.
Lo sapevi?
- QuizAlthough the movie was publicized as the first screen pairing of Warner Bros.'s two biggest stars, James Cagney and Bette Davis had co-starred in Jimmy il gentiluomo (1934) seven years earlier and had wanted to find another opportunity to work together.
- BlooperThe American Airlines plane Brice is shown boarding in Los Angeles is not the same one he gets off at Amarillo. The registration of the departing plane is NC16006. The one that arrives in Amarillo is NC21752.
- Citazioni
Joan Winfield: Don't you get lonesome being here all alone?
Pop Tolliver: No, I like people. Not seeing many of 'em keeps me liking 'em.
- Curiosità sui creditiThe opening credits appear on a series of luggage tags.
- Versioni alternativeAlso available in a computer colorized version.
- ConnessioniFeatured in Brother Can You Spare a Dime (1975)
- Colonne sonoreOchi Tchornya (Dark Eyes)
(uncredited)
Traditional Russian ballad
Played by the orchestra at the Embassy Club for The Rogers Dancers act
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Dettagli
- Tempo di esecuzione1 ora 32 minuti
- Colore
- Proporzioni
- 1.37 : 1
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