Fiori nella polvere

A good film for a Sunday afternoon, or any other time if you're busy on Sunday.

None of the scenes are dragged out, even the death scenes are treated briefly. Nothing is going to get in the way of the narrative, beginning with a woman overcoming bereavement by taking in the unwanted children an orphans of Texas.

The film then goes on the challenge the very language we use when it comes to these children, with Edna Gladney rejecting the words 'orphan' and 'illegitimate'.

'There are no illegitimate children, only illegitimate parents', she boldly announces to the Texan senate.

And so Gladney's local endeavour becomes a political, state-wide one, and though she never falters in her moral drive, her initial loss is evoked once again in the most cherished of her foundlings.

Fast-paced, fade-outs and an all round good story.

I found this to be a fast-moving, compassionate (supposedly) true-life story of a woman who helped babies get homes to live in while fighting to have the word "illegitimate" stricken from all record books since it was unfairly penalizing the children.

The three lead actors in the film - Greer Garson, Walter Pigeon and Felix Bressart - are all fun to watch. Garson gives a great speech to Congress near the end of the movie. It's also a nice color film, something that wasn't made much in 1941.

Story-wise, the early tragedies are not dwelled on in here. In fact, they come and go quickly and that's nice because it makes this more of an upbeat movie with a positive message. That's the intent, so why dwell on the negatives?

The only negatives, in my opinion were too much usage of the word "darling," to the point where it's annoying, and the last scene is drawn out a bit too much. But, overall, it's a very powerful movie and guaranteed to bring tears to anyone's eyes. It should appeal to most people. I would like to see this put on a DVD.

This is a wonderful, heart warming, fantastic movie to see. Greer Garson is splendid in this movie, and it will really touch your heart. This movie has a special meaning for me, as I was adopted from the famous Edna Gladney Home in Ft. Worth, Texas. Edna Gladney personally handed me to my new adoptive parents. She called them that morning and told them she had the most beautiful baby girl ready for them to bring home. I have watched this movie so many times, and wow, what a movie! Just love Greer Garson, she is a splendid and talented actress. One more note, if it hadn't been for Edna Gladney and her crusade, I most likely would have been an orphan. She did a lot for unwanted babies.

Blossoms in the Dust is a Excellent Powerful Moving True Story Drama. As others have noted--since it is a true story film--this is an added plus. One reason to see this film alone is Greer Garson. Her acting is superb. She is one of my all time favorite actress's of yesteryear. Walter Pidgeon is wonderful also. Some others that have commented on this film have said that it was fine but their one negative was that the phrase "Darling" was used to much. Yes this is true--but hey folks this was a very common popular word used a lot in the 30's & 40" films.-No big deal--at least it is clean & for all family member's. This great story is basically about Edna-played by Garson who marries Sam-played by Pidgeon-an operator of a wheat mill. They have a son who is killed when he is young. Edna discovers by chance how the law treats children who are without parents & decides to do something about it. She opens a home for foundlings & orphans & begins to place children in good homes-despite the opposition of conservative citizens-narrow minded back them of this subject matter-who would condemn illegitimate children being born out of wedlock. She them fights for them through the court. This is a great classic film.

"Blossoms in the Dust" is a biographical message movie about the plight of illegitimate children in the early 20th century and the stigma they faced from the get go because of the sins of their parents.

This film might as well have been called "The Greer Garson Show," because it is all about her. She plays Edna Gladney, a woman who made a crusade of finding loving adoptive homes for outcasts. She's lovely and committed in the role, and earned a Best Actress Oscar nomination for it. I believe this was the first time she was paired with Walter Pidgeon, and he's pretty good too as a cocky Texan who charms her and then marries her, but he very definitely stands in Garson's shadow for most of the film.

Cedric Gibbons, Urie McCleary, and Edwin B. Willis won the Oscar for their color art direction, and this is one of the rare films from the early days of Technicolor that looks gorgeous rather than garish. The film was also nominated for Best Picture and Best Color Cinematography.

Grade: B+