VALUTAZIONE IMDb
6,0/10
1615
LA TUA VALUTAZIONE
Aggiungi una trama nella tua linguaThe manager of Kay Kyser's band books them for a birthday bash for an heiress at a spooky mansion, where sinister forces try to kill her.The manager of Kay Kyser's band books them for a birthday bash for an heiress at a spooky mansion, where sinister forces try to kill her.The manager of Kay Kyser's band books them for a birthday bash for an heiress at a spooky mansion, where sinister forces try to kill her.
- Regia
- Sceneggiatura
- Star
- Candidato a 1 Oscar
- 1 candidatura in totale
Kay Kyser Band
- Kay Kyser's Band
- (as Kay Kyser's Band)
M.A. Bogue
- Ish Kabibble
- (as Ish Kabibble)
Mary Bovard
- Mary
- (non citato nei titoli originali)
Jeff Corey
- Mr. Corey
- (non citato nei titoli originali)
Louise Currie
- Marion
- (non citato nei titoli originali)
Bess Flowers
- Lady in Taxi
- (non citato nei titoli originali)
Lyman Gandee
- Member of Kay Kyser Band
- (non citato nei titoli originali)
Recensioni in evidenza
I've loved this movie since childhood! Even if you're not sure who the heck this "Kay Kayser" is, you will love the performances of Boris Karloff, Bela Lugosi, and Peter Lorre (who steals every scene he's in). The musical numbers are catchy enough to insinuate themselves into your head when you least expect it, and the one-liners come fast and thick. Ish Kabbible just slays me every time I watch it; he does great deadpan with those Eddie Cantor eyes.... And the dog Prince provides yet more comedic antics!
All in all, this is a great movie that the whole family can enjoy. From quick repartee to visual slapstick, it delivers from beginning to end. A refreshing break from the heavy-handed comedy too often found today.
I LOVE THIS MOVIE!!!
All in all, this is a great movie that the whole family can enjoy. From quick repartee to visual slapstick, it delivers from beginning to end. A refreshing break from the heavy-handed comedy too often found today.
I LOVE THIS MOVIE!!!
I liked this movie, I have seen it at least 5 times so far. Let's be fair to the movie,it is not Gone With The Wind, it is a B movie, but a really cute one. Kay Kaiser is always Great.
This movie has a GREAT gimmick called the Sonovox. It is similar to the electronic voice box of today, but with much better fidelity. Two small very high powered speakers are held against the upper throat, and you just mouth the words, the speakers provide the voice. Peter Frampton used a variation of this for one of his songs.
There is a wonderful demonstration of the Sonovox at the end of the movie.
Also the big band numbers are great. The two main singers "Handsome" Harry Babbitt and "Gorgeous" Ginny Simms have very fine voices and sing very fine songs in the movie. Yes "The Bad Humor Man" is silly but "WHO CARES"?
The three "horror" stars are great too, Bela Lugosi steals the show, Peter Lorre smokes up a storm, and Boris Karloff is oddly restrained. If you like Big Band music and Old Movies, I think you will like this one.
This movie has a GREAT gimmick called the Sonovox. It is similar to the electronic voice box of today, but with much better fidelity. Two small very high powered speakers are held against the upper throat, and you just mouth the words, the speakers provide the voice. Peter Frampton used a variation of this for one of his songs.
There is a wonderful demonstration of the Sonovox at the end of the movie.
Also the big band numbers are great. The two main singers "Handsome" Harry Babbitt and "Gorgeous" Ginny Simms have very fine voices and sing very fine songs in the movie. Yes "The Bad Humor Man" is silly but "WHO CARES"?
The three "horror" stars are great too, Bela Lugosi steals the show, Peter Lorre smokes up a storm, and Boris Karloff is oddly restrained. If you like Big Band music and Old Movies, I think you will like this one.
This movie is genuinely routine as those WWII comedies featuring popular band leaders & their comedic and/or horror foes.. But this one stands above most of the others in it's genre, mainly due to Horror Legends Bela Lugosi, Boris Karloff, Peter Lorre...and Comedy relief from the one & only Ish Kabibble, Kay Kyser's one true maniac...(Check out Ish's haircut, seems like he influenced Jerry Lewis' Nutty Professor hairdo & Jim Carrey's Dumb & Dumber.) The plot is irritating at times, although the safest thing to do is to forget about the plot & enjoy these legends of horror change licks with Ish, Kay & the rest of the house full of guests. I recommend this movie to anyone not wanting to get lost in a story line from hell but to just sit back, with the family and enjoy a moment in time that only our parents or grandparents could remember, I truly enjoyed the innocence of a time lost watching this Comedy/Horror diamond in the rough. Ish Kabibble to all and to all an Ish Kabibble.
This may seem like slight entertainment, and of course it is. But I am recommending it as must viewing until I find an earlier example with this structure.
The setup is simple enough: it is explicitly a self-aware movie. In fact Kyser comes on at the end and assures the audience that Lorre, Karloff and Lugosi aren't really murders. Within that are several performances of the band, performances I assume are similar to what they did in non-movie-land. Two performances.
Added to that in a clever way is a third. For this you need some background.
From about 1880 to 1910, many North Americans were spiritualists. Yes, about as many as today call themselves evangelists, the movement that displaced spiritualism. The rapidity of the change is breathtaking in a sociological context and interesting in itself. By the thirties, the "next" generation was making serious fun of spiritualism, usually in terms of uncovering a fake séance.
I've found several earlier fake séance movies, but they are all in the context of detective movies. That's another story all together. Superficially, they look like the fakery in this movie: a secret room, microphones, special effects, gullible participants holding hands.
But this is the first I think that references it as a performance. A lot flows from that tipping point on both sides: movies and the religious show.
Three layered performances, here.
Ted's Evaluation -- 3 of 3: Worth watching.
The setup is simple enough: it is explicitly a self-aware movie. In fact Kyser comes on at the end and assures the audience that Lorre, Karloff and Lugosi aren't really murders. Within that are several performances of the band, performances I assume are similar to what they did in non-movie-land. Two performances.
Added to that in a clever way is a third. For this you need some background.
From about 1880 to 1910, many North Americans were spiritualists. Yes, about as many as today call themselves evangelists, the movement that displaced spiritualism. The rapidity of the change is breathtaking in a sociological context and interesting in itself. By the thirties, the "next" generation was making serious fun of spiritualism, usually in terms of uncovering a fake séance.
I've found several earlier fake séance movies, but they are all in the context of detective movies. That's another story all together. Superficially, they look like the fakery in this movie: a secret room, microphones, special effects, gullible participants holding hands.
But this is the first I think that references it as a performance. A lot flows from that tipping point on both sides: movies and the religious show.
Three layered performances, here.
Ted's Evaluation -- 3 of 3: Worth watching.
Despite the emphasis on music, via Kay Kyser & the College of Knowledge, this is a true Old Dark House film. There's a very large, spooky old mansion, a thunderstorm, secret passageways, comedy, mystery, attempts at murder, a butler (who, oddly enough, is never a suspect), creepy characters, etc. In the "creepy characters" category, they don't get any creepier than Boris, Bela, & Peter (in his first film in the horror genre). Boris plays, well, Boris, & he doesn't have quite enough to do here. But his presence alone adds weight to the film. Bela is quite creepy as a "Prince" who conducts seances. Peter (who looks very spooky here & is even thinner than in earlier movies) is very good as always; just watching him roll those big round eyes is worth the price of admission. For my taste, there's too much emphasis on Kay Kyser (who is the "star" of this film), who's good but becomes distracting after a while. Kyser fans will enjoy his role, as he gets to display all of his many talents here. Ginny Simms (a vocalist in the Kyser band) is lovely in a supporting role. This film is a real treat to Boris, Bela & Peter fans. I didn't know of its existence until very recently, & I was quite pleased to see these guys at this stage in their careers in a movie I had never seen before. I rate it 7/10.
Lo sapevi?
- QuizFilmed August 8-October 11 1940, the 7th of 8 features to star Boris Karloff and Bela Lugosi, and the only time that fellow Hungarians Lugosi and Peter Lorre ever shared the screen.
- Citazioni
'Prof. Karl Fenninger': [Rhetorically] Why do I have to waste my time outwitting morons?
- Curiosità sui crediti"The College of Musical Knowledge" is an on-screen opening acting credit, but its members are the studio audience, since Kay Kyser refers to them as "students."
- ConnessioniFeatured in TJ and the All Night Theatre: You'll Find Out (1980)
- Colonne sonore(I've Grown So Lonely) Thinking of You
(1926) (uncredited)
(Kay Kyser's theme song)
Music by Walter Donaldson
Lyrics by Paul Ash
Played during the opening credits and at Kyser's radio show
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Dettagli
- Data di uscita
- Paese di origine
- Lingua
- Celebre anche come
- El rey del pánico
- Luoghi delle riprese
- Azienda produttrice
- Vedi altri crediti dell’azienda su IMDbPro
Botteghino
- Budget
- 353.000 USD (previsto)
- Tempo di esecuzione1 ora 37 minuti
- Colore
- Proporzioni
- 1.37 : 1
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By what name was You'll Find Out (1940) officially released in India in English?
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