Up in the Air

Frankie Darro as a studio page boy and Mantan Moreland as a janitor team up to solve a murder in Up In The Air. Singer Lorna Gray is shot to death during a rehearsal when the lights go out and a gun goes off. It's up to Frankie and Mantan to solve the crime especially since the cops are a pair of thickheaded detectives.

I have to say the film does have some funny moments. It also has some offensive ones. Both Darro and Moreland are aspiring radio artists and they've worked up a comedy sketch not unlike the act Moreland did in nightclubs with Ben Carter. But putting Darro in blackface was downright disrespectful. Later on in one of the Charlie Chan films Moreland does do that act with Carter and you should catch it if possible.

As it turns out Gray has quite a past and it's her past that's the key to solving her murder and that of Gordon Jones who wants to be a cowboy singer and get on the air.

For a Monogram Picture, not bad, but we sure didn't need the blackface.

Here is yet another example of the Monogram product. Frankie Darro, Mantan Moreland and Marjorie Reynolds are top-starred in this modest yet enjoyable programmer centered around the murder of an obnoxious radio singer. The songs are pleasant enough and the mystery diverting. Modern viewers may cringe at a routine which puts Darro in blackface opposite Moreland in a sketch Moreland performed with another actor in the past. It is funny though, and the whole production runs 61 minutes and passes the time pleasantly enough. This came on one of those Mill Creek compilation sets and the quality is pretty good for a public-domain picture.

Frankie Darro and Mantan Moreland made several movie together in the 1930's and 40's where they were pretty much on equal footing with each other despite everything that was going on around them. They were the stereotypical buddies of the buddy film. Normally that wouldn't mean much except that Darro was white and Moreland was black and in every other film of their time no one could be as they were unless they both were white.

Race has absolutely nothing to do with the plot of Up in the Air, which concerns a series of murders at a radio station. I mention the fact notion of race simply because the script for this movie was used two or three more times with out nary a change for white co-stars.

The fact that the script was re-used is also an very good indication that the film is a very good one. No its not flawless, there are little bumps here and there and a couple of jumps in logic, but as excuse for murder and silliness in the typical Hollywood style one need not look much farther than this film.

B-movie star Frankie Darro and everyone's favorite bug-eyed comic relief Mantan Moreland made several murder mystery comedies together around 1940 (with some other more-or-less recurring cast members, including Tristram Coffin) for Monogram Pictures. In this one, the guys work at a radio station (Frankie as a bell-boy as usual) when they get mixed up in the murder of the station's popular, but problematic singing star, Rita Wilson (played by Lorna Gray) who is shot during a rehearsal. As usual, the police detective who handles the case is quite arrogant and incompetent, but he ends up working together quite fine with Frankie. And Mantan. Who, while doing his regular scared-of-everything act, is definitely much more than a mandatory comic relief here: he gets top billing, proves again that he is an excellent comedian and also takes part in the detective work quite effectively and in general, his role is more similar to what we usually see from Lou Abbott. So even the people who are extra-sensitive about the racial stereotypes of classic Hollywood are safe with this one. And talking about Abbott and Costello: they actually did their own version of the "murder mystery at the radio station" theme two years later in Who Done It? (1942), while Monogram remade the story in 1945 as There Goes Kelly.

Up In The Air has a little bit of everything: mystery, action, comedy, musical and the mixture works pretty well, but as the hour-long entry has several musical numbers, comedy acts and even a dance performance by Mantan, you can imagine how thin the plot is. But it is actually nothing more than a tool to keep the story going and to hold the movie together and at that, it does a pretty fine job and makes this a rather enjoyable little time-passer, complete with car chase, Frankie and Mantan's black face comedy act and a mysterious singing cowboy.

A demanding, prima Donna radio singer, Rita Wilson who not many liked is murdered while singing on the air in a radio studio. The gun shot sounds as the lights go off, the singer is found dead - and the killer had to be in the locked studio and the gun isn't found till later in an air vent.

Radio page boy, Frankie Ryan, and his janitor pal, Jeff, solve the mystery for the none-too-sharp police.

Frankie Darro and Manton Moreland make an energetic pair in this breezy fun combination of comedy, mystery and music - the latter is foot tapping and the mystery is standard lock room, or shall I say lock studio, with the comic duo doing some detective work- it's a bit political incorrect with Darro putting on some boot polish and Manton doing his scary eyeball act, but overall an entertaining film.