Una notte a Broadway

"All good-lookin' like he is, there's no use in getting' yourself all messed up", a black boy ponders, when 'Skeets' Harrigan (John Payne) drops out of a promising boxing career to pursue his dreams of becoming a renowned Tin Pan Alley song publisher with his friend from the Midwest, Harry Calhoun (Jack Oakie). On their way to the top they meet the Blane sisters, Katie (Alice Faye) and Lily (Betty Grable). 'Skeets' and Katie fall in love, but he is adamantly focused on his career and when he gives a song meant for Katie to a famous musical star, she has had it and leaves for London with her sister. That is when World War I erupts ...

'Tin Pan Alley' has more charm than it has plot, and it's a delightful watch with charismatic actors. Faye and Grable are a wonderful pair of tap-dancing sisters, Oakie is genuinely funny as the befuddled average Joe playing at being a tough guy, and John Payne, a Robert Taylor look-alike, clearly in a role that must have been written for typical Faye co-star Tyrone Power, rises to the occasion and delivers his all, a perfect mix of athletic hunkiness and crooning abilities, not the easiest performance to pull of, as 'Skeets' is quite callous in the way he presses forward.

The film abounds with great music and showpieces, 'Honeysuckle Rose' in Faye's very nice rendition with a boy chorus, 'The Sheik of Araby' featuring glorious tap-dancing by The Nicholas Brothers, the rousing "America, I Love You", and the only song actually written for the film, Harry Warren's 'You Say the Sweetest Things (Baby)", utilized to the fullest in a clever montage.

From the first time I saw Tin Pan Alley I played it over and over, because I enjoyed the music so much and the stars were in top form. While I rarely seek out the actors in films made to-day, I tune into any old film featuring Alice Faye, John Payne, Betty Grable or Jack Oakie, hoping to find something just as engaging. The unabashed sentimentality of the music and simple straight forward humour make it a refreshing change from to-day's tasteless films. While Alice Faye tackles the love songs with John Payne, as a consumate professional, I am always sure he is using a lot of self control not break into laughter, and that they had a lot of fun making the movie.

Tin Pan Alley was the first try at a successful experiment Darryl Zanuck was trying. An actor who was as good looking as Tyrone Power and could contribute musically to the film. He found one in John Payne this was the first of four films that Payne and Faye did together. They were scheduled to do a fifth with The Dolly Sisters, but Alice retired after being offered that script.

Payne slipped very well into Ty Power's hero/heel character that he patented at 20th Century Fox. Payne's character Skeets Harrigan and his partner Jack Oakie are trying to hit it big in the music publishing industry pre World War I. He meets Alice Faye and her sister Betty Grable doing a vaudeville act and he falls for Faye bigtime. He loves her, but he wants success more. How they resolve their ambitions is crux of the movie.

Alice Faye and Betty Grable in their only film together play the Blane sisters. Alice is in good voice as always and she gets the best songs in the film. Payne partners her in the film's best number America I Love You and he also reprises with her in the only original song for the film, You Say The Sweetest Things, Baby.

You Say The Sweetest Things Baby was written by composer Harry Warren and lyricist Mack Gordon. Gordon had written with Harry Revel a whole group of songs that Faye introduced. But Revel left Fox and Darryl Zanuck teamed Gordon with Warren who had just left Warner Brothers. It was a felicitous teaming and Gordon and Warren wrote a whole group of some of the best loved tunes of the 40s, Chatanooga Choo Choo being the most famous and also You'll Never Know, probably Faye's best loved song.

In watching films like Tin Pan Alley something is lost unless you're an amateur historian like me. Esther Ralston does a cameo as Nora Bayes who was one of the best loved vaudeville stars pre-World War I. In 1940 people still knew who Nora Bayes was. Now I'm sure she draws a great big "who" from most people if they're asked who she is. A key scene in the movie is after Faye has delivered a smash version of America I Love You, Payne gives in to Nora Bayes request for the song because of his ambition. That's totally lost on younger viewers.

Actually Nora Bayes did introduce a very famous World War I era song, written by a guy who normally introduced his own material. She gave the first public performance of Over There written by George M. Cohan and documented nicely in Yankee Doodle Dandy.

You never ever go wrong watching an Alice Faye film.

"Tin Pan Alley" is a serviceable if slightly undernourished musical extravaganza starring Alice Faye, John Payne, Betty Grable, Jackie Oakie. I thought it would turn out to be as memorable and enchanting as Faye's greatest musicals like "That Night in Rio" or "Hello Frisco Hello" also co-starring John Payne, but it is nowhere near them. There is a sense that something is missing; the idea is there but somehow it doesn't quite coalesce, even despite the luminous presence of Faye. Nevertheless, it has one of the most spectacular dance and musical numbers ever staged: "The Sheik of Araby" - featuring Faye, Grable, and the Nicholas Brothers who also appeared in Grable's previous hit wonder, "Down Argentine Way". The dance number has a spark and excitement most of the movie lacks.

Alice Faye was my favorite singer actress and made so many good films when I was in High School. Tin Pan Alley was especially entertaining and had our favorite Ethel Merman. As always she was the great belter; remember her in Alexander's Ragtime Band with Tyrone Power and Don Ameche. Both Power and Ameche played in several of Alice's films; and then there were Jack Oakie and June Havoc; what an amusing pair they were! The films I liked best were Tin Pan Alley 1940; The Gang's All Here and Hello Frisco Hello both 1943; and State Fair remake with Pat Boone and Bobby Darin (1960s?) In 1985 Alice Faye was at the Arlington Theater promoting health care products, and I had the privilege of talking to her. She was a great lady and very nice!