Il figlio di Montecristo

Some surprisingly glorious scenery and set direction highlight "The Count of Monte Cristo". Louis Hayward cuts a fine Count (aka "The Torch"). Joan Bennett is the beautiful queen - attracting the attentions of both Mr. Hayward and a deliciously wicked George Sanders. They, and the supporting players work very well together, and keep the movie interesting.

My favorite of the many nicely envisioned scenes is when Ms. Bennett, in a garden prison, releases a bird from its cage. Cleverly symbolic. I also like the "graveyard" hiding place - decorated with skeletons. The film's ending is terrific. With a tightening of its script and a little more budget, this might have attained classic status. It's a great example of a cast and crew making the absolute most of what they were given by a studio.

******* The Son of Monte Cristo (12/5/40) Rowland V. Lee ~ Louis Hayward, Joan Bennett, George Sanders

Dashing Edmund Dantes Jr. (Louis Hayward), the son of the famed Count of Monte Cristo, uses the masked guise of the Torch to come to the aid of his beloved the fair Zona (Joan Bennett), royal grand duchess of Lichtenburg in an attempt to rescue both her and her country from falling into the hands of a determined dictator named General Gurko Lanen (George Sanders) who would be king and force poor Zona to be his queen.

While this is pretty typical fare of its type, that doesn't make this swashbuckler any less entertaining. This certainly manages to capture one's interest and imagination throughout, its supporting players even proving more than up to said task particularly Ian Wolfe as Stadt and Montagu Love as Baron Von Neuhoff. In the end, while this does deliver the expected goods in terms of lush scenery, a dashing daring do lead hero in Hayward and a devious, devilishly clever lead villain in Sanders, exciting climactic swordplay and further action and intrigue and even perhaps some symbolism of the political intrigue at work in the world at the time this was filmed, it really offers up very few actual surprises and proves far too predictable overall. Regardless, this proves a most enjoyable film experience.

I had watched this via a recording off local TV a few years ago and, though I subsequently erased it, I remember enjoying the film. As with director Lee's SON OF FRANKENSTEIN (1939), it's rather talky but never boring and emerges as an agreeable, though slightly overlong, swashbuckler (even if occasionally bordering on camp).

The same director had previously made THE COUNT OF MONTE CRISTO (1934) and this sequel to it re-unites the stars (Joan Bennett, Louis Hayward) and writer (George Bruce) of the definitive screen version of yet another Alexandre Dumas classic, THE MAN IN THE IRON MASK (1939) - directed, interestingly enough, by James Whale. Incidentally, these two - both, as is THE SON OF MONTE CRISTO itself, produced by independent Edward Small - are perhaps the classic adventure films I would most like to watch and I wonder which DVD company owns the rights to all three titles...

Still, the film is equally influenced by THE SCARLET PIMPERNEL (1934) - in its hero's dual personality of fop/crusader - and THE PRISONER OF ZENDA (1937) - the Ruritanian setting - and, despite being a 'B' movie at heart, it's stylishly handled (with Oscar-nominated art direction/set decoration). It also makes the most of its fine cast: good leads, wonderful villainy from George Sanders, a nice role for Ian Wolfe (billed "MacWolfe"!), and including three actors from Universal's Frankenstein saga - Lionel Belmore (as a bartender), Michael Mark (hilariously made up as a bishop) and Dwight Frye (in a 10-second bit as an embassy official).

This swashbuckler is developed in Europe on the epoch of Napoleon III empire .The Balkanes,steeped in the ancient traditions of romance and chivalry, people hold unswerving loyalty to the throne on which now sits the young great Duchess Zona(Joan Bennett)of Lichtenburg(a country similar to the ¨Prisoner of Zenda¨).She rules under the sinister shadow of one despotic tyrant(George Sanders)general Gurko Lamen who tries to take over . The son of Edmond Dantes (Louis Hayward), the famous Count of Montecristo ,simulating to be a foppish count and masked is ¨the Torch¨ helping the Duchess. She flees to find herself with the emperor Napoleon III.

The picture is a sequel to ¨The Count of Montecristo (1934)¨ also directed by Rowland V. Lee , though none connection exception of the father and son relationship. In the film there are action,adventures,melodrama,fencing duels, a love story,derring-do and is pretty entertaining and funny. Louis Hayward as masked avenger is very fine , his following films were a series of swashbucklers during fifteen years. Joan Bennett as the attractive duchess is enjoyable and enticing .Both played in 1939,¨The man in the iron mask¨, and again teamed up for this agreeable adventure.George Sanders as always plays a dastardly villain. Besides appear as secondaries actors,Clayton Moore(Lone Ranger),Montagu Love,Henry Brandon,Ralph Bird and Ian Wolfe. Direction by Rowland V. Lee is excellent, is famous in his films the extensive use of low angle shooting by means of a special device to heighten the impact of the scene . The movie was nominated to the best production design for Edward Boyle by its imposing sets though obtain none. The flick will appeal to swashbuckler enthusiastic and adventures cinema fans.

Another bigger than usual budget for an Edward Small film that is very much in the same pattern as THE MAN IN THE IRON MASK, with the same stars--LOUIS HAYWARD and JOAN BENNETT--with Hayward again as the man who assumes a disguise (as a fop) in order to win the freedom of the Duchess of Litchtenberg from the clutches of villainous GEORGE SANDERS and his traitorous ways.

Full of intrigue, swashbuckling and occasional moments of romantic byplay, it's handicapped by Bennett's ice princess manner of performing in these costume roles as a damsel in distress--beautiful but expressionless. LOUIS HAYWARD, on the other hand, is very animated and charming in the title role, showing prowess with the swordplay and finally getting the upper hand in a duel of wits and swords with Sanders.

It's enjoyable but full of deja vu for those who've seen other swashbucklers of this ilk. FLORENCE BATES has a few wry moments as Bennett's maid, and MONTAGU LOVE is effective as a wrongly imprisoned nobleman.

The musical score by Edward Ward is helpful in sustaining an air of adventure but certainly not one of his more notable scores.

Summing up: Standard entertainment that must have made Saturday matinée audiences happy in the '40s--but it's all just too familiar with no original touches.