Scrivimi fermo posta

Splendid romantic comedy and referenced as an over the top classic . It is set in a small Budapest shop called "Matuschek's" (proprietor Frank Morgan) , it is the known and gossip-ridden gift shop around the corner. Among the clerks are Alfred Kralik (James Stewart) , Klara (Margaret Sullavan) , and others (Joseph Schildkraut , Sara Haden , Felix Bressart , Inez Courtney) , all of them form the shop staff at logger-heads in Matuschek's emporium . Alfred is a sympathetic young man who's in love with a woman he has never met and whose name he doesn't even know . When Klara comes to work as a clerk in the shop, the sparks begin to fly : she and Alfred don't get along. Of course, what neither knows is that Klara is the woman Alfred has been romancing via a lonely hearts club . Alfred slowly realises that he has been carrying on an anonymous romance by letter .

Unforgettable characters, enjoyable dialogue , lots of laughs, one of the best films of the cinema history and of one the best Lubitsch, a real cinema classy . A charming and attractive portrayal of ordinary people in ordinary situations . Adapted from the Nikolaus Laszlo's play : Parfumerie , later made into a musical show titled ¨In the Good Old Summertime¨ , and , on Broadway ¨She loves me¨. James Stewart and Margaret Sullavan give top-notch interpretations as a young duo who are feuding clerks and unknownly fall in love through the mail . Teaming Stewart , Sullavan and Frank Morgan just as in ¨Frank Borzage's The mortal storm¨ shot the same year , this also concerns a troublesome love story in Central Europe , though here the threat is not Nazism but the intereference of others and pride . It is a wonderfully delicate comedy , finally very stirring and exciting ; including the twisted as well as troubled intrigues among the staff also carrying narrative weight and especially dealing with a peculiar "romance" that has been conducted through a post office box . Phenomenal secondary cast , such as : Joseph Schildkraut , Sara Haden , Felix Bressart , William Tracy and the honest , agreeable proprietor , Frank Morgan , being especially affecting and moving .

This low-key motion picture was stunningly directed by Ernest Lubitsch , and all scenes were reportedly shot in sequence ; being throughly different from his classic movie ¨To Be or not to Be¨, but just as entertaining and exhilarating . It is one of the few movies truly justifying Lubitsch's reputation for his famous ¨Touch¨. It was later turned into a musical comedy as In the Good Old Summertime . Lubitsch's breakthrough film came in 1918 with "The Eyes of the Mummy", a tragedy starring future Hollywood star Pola Negri. Also that year he made Carmen (1918), again with Negri, a film that was commercially successful on the international level. His work already showed his genius for catching the eye as well as the ear in not only comedy but historical drama. The year 1919 found Lubitsch directing seven films, the two standouts being his lavish Madame DuBarry (1919) with two of his favorite actors--Negri (yet again) and Emil Jannings. His other standout was the witty parody of the American upper crust, "The Oyster Princess" 1919 . This film was a perfect example of what became known as the Lubitsch style, or the "Lubitsch Touch", as it became known--sophisticated humor combined with inspired staging that economically presented a visual synopsis of storyline, scenes and characters. Lubitsch directed a lot of comedies and vintage movies , such as : ¨Heaven can wait¨, ¨That uncertain feeling¨, ¨Ninotchka¨, ¨Bluebeard's eight wife¨, ¨Angel¨, ¨The merry widow¨, ¨The Student Prince¨, ¨So this is Paris¨, ¨Lady Windermere's fan¨, ¨The marriage circle¨, ¨One Arabian night¨, ¨Passion¨, ¨Gypsy blood¨, among others . Rating : 8/10 . Better than average .

With a very good cast, a nice blend of wit and sentiment, and many other pluses, this classic remains as enjoyable and charming as ever. The fluffy but pleasant story benefits greatly from the Lubitsch touch, since he had the knack of giving significance to little things without taking them or himself too seriously. Presenting his characters honestly yet sympathetically, he makes the somewhat contrived situation seem believable and worth caring about. Its appeal comes across as almost effortless, but you only have to compare it with the less effective 90's remake to see how important the right touch is with this kind of story.

The atmosphere of life in the Budapest shop is set up efficiently and convincingly, and the cast all settle into their roles seamlessly. As the leads, Jimmy Stewart works perfectly, of course, and Margaret Sullavan conveys the right balance of spunkiness and vulnerability. Felix Bressart is invaluable, giving perhaps the finest performance among his many character roles. In some of his scenes, he barely has to say a word to make you smile. Frank Morgan is surprisingly good in a role rather different than usual for him, Joseph Schildkraut is effectively oily as the deceitful Vadas, and the others all help out, too. Lubitsch gives all of the characters a chance to come to life without pretense, just by using simple details effectively.

It all fits together very well, moves at just the right pace, and makes you a part of the characters' world. It makes for a very enjoyable movie that holds up very well even after several viewings.

This is a movie that gets better each time I see it. There are so many nuanced performances in this. William Tracey, as Pepi, is a delight, bringing sharp comic relief. Joseph Schildkraut as Vadas, is the only "villian" in the movie, and his oily charms are well used here. Frank Morgan, is delightful as the owner of the title shop, Mr. Matuschek, and his familiar manner is well used here. I especially liked the performance of Felix Bressart, as Pirovitch. Very believable in every facet of his role.

The two leads are equally accomplished, with Margaret Sullivan doing an outstanding job of portraying a slightly desperate, neurotic, yet charming and attractive woman.

This movie belongs to Jimmy Stewart though. The movie is presented from his point of view, with the action rotating around him. Mr. Stewart is more then up to the task of carrying the movie, with an amazing performance that uses a wide range of emotions. Just watch Stewart, when he is fired from his job, because of a misunderstanding. He is able to convey the shock, anger, fear and embarrassment that so traumatic an event causes, so perfectly. In my estimation, James Stewart is, without question, the greatest film actor in the history of the medium. There is no one else that has ever been captured on film that is able to so completely convey what he is feeling to an audience. At the time he made this movie, he still had most of his career ahead of him, yet he is completely the master of his craft. This is one of Jimmy Stewarts best movies, and also one of the sweetest, most enjoyable romantic comedies you will find. I greatly recommend this movie, especially for those that appreciate the work of Stewart.

Lubitsch's charming masterpiece, so often imitated and re-adapted since it appeared in 1940, is one of the very few films that can be called perfect. There is not a shot, a line, a performance, or a moment in THE SHOP AROUND THE CORNER that isn't exactly right. Everything fits together and runs like a Swiss watch.

With its flawless screenplay and cast, it's the most subtle, discreet, and understated of romantic comedies. What other film manages to be so warm-hearted yet so rigorously unsentimental? What other movie story is so exquisitely planned and executed?

Margaret Sullaven isn't sexy, it's true, but this isn't a film about sex. It's about love in the human heart and mind. A sexier actress would have thrown things out-of-balance. As always, Lubitsch knew exactly what he was doing. Just as he knew ace comedian Frank Morgan (the WIZARD OF OZ's Wizard) had hidden depth, which this film so beautifully reveals.

They don't make them like this anymore -- they didn't make them like this back then, either. SHOP was under-rated in 1940, when it appeared. It's simply too subtle, too intelligent and disciplined for the average viewer or critic.

Nothing overdone or exaggerated. Nothing out-of-place. If Mozart had been a filmmaker, he would have made this one. Warm, charming, adult, quiet, intelligent, knowing, touching ... perfection.

All the characters are wonderfully written and distinctive, in an almost Dickensian kind of way. The portrayals are sensitive, funny but not over-sentimental. A beautiful film to watch at Christmas, in my opinion more genuine and a lot less saccharine than 'It's a Wonderful Life'.