Lo sparviero del mare

What a year for swashbucklers 1940 was!

Fox made THE MARK OF ZORRO with Power, Rathbone, and Cavens, and

Warners made THE SEA HAWK with Flynn, Daniell and Ralph Faulkner.

The Sea Hawk offers much to delight the audience -- most of the team from the

Adventures of Robin Hood are here again in top form.

Most notable, of course, is Errol Flynn. Appearing here in a more mature

incarnation than Captain Blood or Robin Hood and before the dissipation

of his later years set in, this is THE Errol Flynn.

Based on the exploits of Sir Francis Drake, The Sea Hawk unfurls its flag

against the backdrop of England's struggle against the Spanish armada, (and

more pointedly, the Allies' struggle against the Axis, as evidenced by Elizabeth's

final speech). Superb BW cinematography, Korngold's magnificent score, lavish

sets and costumes, and the intrigue-laden script make this a perfect film for a

popcorn night on the sofa with your significant other, all punctuated by great

battle sequences and that blinding final rapier duel between Thorpe and

Wolfingham. If at all possible find the restored British print with 18 additional

minutes and the Panama sequence in sepia tone.

It's Erich Wolfgang Korngold who carries "The Sea Hawk". He picks it up at the first frame with a rousing trumpet fanfare; he follows the story all the way from England to Panama, where a kind of syncopated not-jazz-exactly with saxophones makes its way into the score; he even bursts into song (well, not him personally) when Captain Thorpe's and his crew win through to freedom - and, after so much musical participation, that moment when the sailors become a chorus never strikes me as unnatural.

Korngold's brisk motion would count for nothing if the actors or the direction or the story were lethargic, of course - and they aren't. Errol Flynn plays an "I know I'm breaking international law, but hey, I'm charming and dashing and the Spaniards aren't" role - and hey, he IS charming and dashing, and the Spaniards aren't. A lot of films are described as roller-coaster rides. Many of them are just one thing after another, and don't feel at all like a single ride in a single vehicle. With "The Sea Hawk", I'm not sure about the vehicle, but we ARE taken on a single, swift ride. Few adventure films can beat it.

The Sea Hawk is a very, very enjoyable film. Is it Errol Flynn's best film and role? No, The Adventures of Robin Hood gets that honour for both. Also, The Sea Hawk is slightly overlong, and the print for this film is quite washed out and grainy, a film as good as this needs a restoration. Minor complaints aside, the swashbuckling is energetic and beautifully choreographed, the production values are top notch, Korngold's score is superb, Curtiz's direction is great, the script is witty and the story is brisk and entertaining. The cast are also excellent, Flynn makes for a gallant, charismatic and dashing hero and while slightly underused fine actor Claude Rains is superb as he takes on villain duty. In conclusion, a fine film, flawed but endlessly entertaining with lots to like. 8/10 Bethany Cox

I'm always up for some good, old-fashioned swashbuckler fun, and The Sea Hawk is one of the most amusing entries in that field. Directed by specialist Michael Curtiz and starring the legendary Errol Flynn. They previously worked together on `Captain Blood', the film that started the trend of popular sea adventures. Even though Captain Blood has a lot more range and features more plot-diversity, The Sea Hawk definitely is more spectacular and the swordfight sequences are far more exciting. The cinematography on this action sequences has seemly improved in the period between the two films. Errol Flynn portrays Geoffrey Thorpe, captain of the Albatross. He's a Sea Hawk and those privateers serve and protect the English Queen in their own particular way. The greedy King Phillip of Spain has set his mind to conquering Britain as well and to cover up his plans, he politely sends an ambassador to meet the Queen. However, Captain Thorpe and his crew boycott the Spanish and they righteously foresee a war between the two nations. Things are getting even more complicated when some prominent members of the British counsel turn out to be betrayers and – of course – Capt. Thorpe falls in love with the beautiful niece of the Spanish ambassador.

Errol Flynn clearly developed more charisma over the years and he already looks a lot more believable in his role of privateer now. He's excellently supported by Alan Hale who plays his first crewmember, Mr. Pitt. Flora Robson seems to make a career out of playing Queen Elizabeth's look-alike, since it already is the third film in which she plays this role. The best actor in the cast (even beating Errol Flynn) obviously is Claude Rains with in his terrific role of the vicious Spanish ambassador. The Galleons (both the Spanish as the British) look great and some historical aspects (like slavery and inquisition) are greatly included. The Sea Hawk is excellent, well-made fun and a must for all the nostalgic movie lovers.

In "The Sea Hawk", hero Errol Flynn, director Michael Curtiz, and composer Erich Wolfgang Korngold provide great entertainment very similar to that in their earlier classic that starred Flynn as Robin Hood. Supporting actors Alan Hale, Claude Rains, and Una O'Connor also are back, joined by Brenda Marshall, Flora Robson, and Henry Daniell. The movie provides rousing action, a good story, and some memorable characters.

Flynn's character is Geoffrey Thorpe, who is a "sea hawk", a privateering ship captain in the late 1500's indulged by Queen Elizabeth (Robson) and allowed to raise havoc with Spanish shipping in a time when Spain's dominance was at its peak. The story in "The Sea Hawk", like the action in "The Adventures of Robin Hood", is loosely based on historical circumstances, although this time the tone is often more serious. This film is in black-and-white instead of Technicolor, giving it a different feel. (There is a very nice touch when the scenes in the New World are tinted in golden-brown, an effective way of emphasizing the different setting.) There are also extensive scenes of the suffering and humiliation experienced by the English galley slaves imprisoned by the Spanish fleet, instead of the very brief scenes of Saxon suffering in "Robin Hood". But the main emphasis is still on the swash-buckling action that made Flynn so popular.

There are ship-to-ship fights, chases, escapes, and of course sword fights. Flynn's charisma and infectious good nature are usually enough to carry even far-fetched action, and here the story itself is more than good enough to be worthwhile in its own right. "The Sea Hawk" is good, classic entertainment.