Passaggio a Nord-Ovest

Exciting picture with open-air spectacular scenes starts depicting in a foreword : ¨This is a story of our early America..of the century of conflict with French and Indians .. when necessity made simple men, unknown to history, into giants in daring and endurance . It begins on Potmouth New Hampshire in 1759...¨ This Technicolor MGM classical describing the troop of Rogers' Rangers battling the hostile Indians and wilderness. The historical novel Northwest Passage (1937), by American author Kenneth Roberts, portrayed the events of Rogers' Rangers' raid on the Abenaki town of St. Francis. The first half of the novel was adapted in this film by Talbot Jennings and Laurence Stallings , being lavishly produced and uncomprimisingly directed by King Vidor . It actually intents to be the first of a two-part epic but the second half was never realized and the Northwest passage itself is never seen. The picture is packed with spectacular battles, heroism , heartbreaking scenes and blood-letting deeds . The main cast ans secondary support give good performances with special mention to Spencer Tracy , Walter Brennan and Robert Young. It contains marvelously photographed in glimmer Technicolor by Henry Jaffa and adequate musical score by Herbert Stothart. This is a winner for Spencer Tracy fans.

The story is based on real events , these are the following : During 1759, the Rangers were involved in one of their most famous operations: they were ordered to destroy the Abenaki settlement of Saint-Francis in Quebec. It has been the base for raids and attacks of British settlements. Rogers led a force of 200 rangers from Crown Point deep into French territory. Following the October 3, 1759 attack and successful destruction of Saint-Francis, Rogers' force ran out of food during their retreat through the wilderness of northern Vermont. Once the Rangers reached a safe location along the Connecticut River at the abandoned Fort Wentworth, Rogers left them encamped. He returned a few days later with food, and relief forces from Fort at Number 4 now Charlestown, New Hampshire, the nearest English town.In the raid on Saint-Francis, Rogers claimed 200 enemies were killed, leaving 20 women and children to be taken prisoner, of whom he took five children prisoner and let the rest go . The French recorded that only 30 were killed, including 20 women and children. According to Francis Parkman Ranger casualties in the attack were 1 killed and 6 wounded; however in the retreat, 5 were captured from one band of Rangers and nearly all in another party of about 20 Rangers were killed or captured. One source alleges that of about 204 Rangers, allies and observers, only about 100 returned.

Apologies for the clichéd summary above but this is a great adventure from the good old days of Hollywood . The story is very simple : Map maker Langdon Towne finds himself in a spot of bother and in a slightly unlikely turn of events is drafted into Rogers rangers who are on a mission to attack a hostile red skin stronghold . Hardly a radical plot but director King Vidor and screenwriter Talbot Jennings craft a very good film that only Hollywood in its hay day could produce .

It's not only a great adventure but a technically brilliant film for its time. Check out the wonderful cinematography where the primary colours are at the fore , rather similar to the colours used in GONE WITH THE WIND and THE WIZARD OF OZ . Make up your own mind how successful the colouring is but I found it absolutely beautiful . There's also a show stopping scene where the camera follows the line of sight of a ranger taking aim at a red skin . Wonderful cinematography

There are one or two flaws though . One is that not only are some of the characters too old to be elite fighting men but they seem too old to still be alive . Honestly how old did people live to in the mid 18th century ? The rangers themselves are written as being a good bunch o blokes but I found them just a little too good to be true while no doubt the thought police will complain about the native Americans being portrayed as a bunch of blood thirsty savages , but this was made before revisionary westerns like the overrated DANCES WITH WOLVES and before Marlon Brando sent native Americans to collect Oscars , but at least King Vidor has cast real natives in the part of Indians and hasn't dressed up a bunch of white guys pretending to be injuns

Good Hollywood movie featuring the rangers . Probably brought more recruits to the regiment than SAVING PRIVATE RYAN and BLACK HAWK DOWN put together

Northwest Passage was produced in one of the golden years of the golden era of Hollywood....1939-1940., and contains all of the best of what MGM had to offer. Based on the Kenneth Roberts novel of the same name, Northwest Passage covers "Part I - Roger's Rangers" of that epic work. Set in Colonial American during the French and Indian Wars, it recalls the true exploits of a group of Rangers sent up into the French-Canadian woods to wipe-out a village of enemy-aiding warriors..... and especially the agonizing hardships on the trip home as they are pursued by the French. The scope of this movie has always impressed me, from the coziness of the firelight of a Studley's Tavern, the richness of The Reverend Brown's palor, the solid construction of Crown Point, and the beauty of the forest.

The Cast is top-notch headed by Spencer Tracy as Major Rogers. Robert Young, Walter Brennen, Ruth Hussey, and others help to make this a real treat to watch. The technicolor is of the fine old process, and we see hues and tones that are not visible in today's movies. Also, the musical score is compelling. This movie is absorbing, and when watched without interruption, the viewer gets swept along as though part of the story.

It is great when you find an old movie that you have never seen before, and I have seen many. This epic is one of broad scope and adventure, well balanced with good and evil aspects. A film of this quality could NEVER be made today and not maintain an unprejudiced view. Bravo!

There are few films about the French and Indian War (1754 - 1763) which is surprising. Given the rising solidity of Anglo-American relations in the late 1930s into World War II more films should have been made. I can only think of this one and THE LAST OF THE MOHICANS (with Randolph Scott and Henry Wilcoxen) as the best - possibly sole - examples. But NORTHWEST PASSAGE is a marvelous example of how to make an interesting historical film. Briefly, it is 1759, and Major Robert Rogers and his famous Rangers (probably America's first example of a special forces unit) are sent into territory in the hands of an enemy Indian group. The film shows all the problems of 18th Century forest fighting, with supply problems, ambushes, and personal problems. Rogers does not have to only worry about Indian attacks (off screen we hear of the massacre of part of his men who separated for security reasons to rendezvous at a later spot), but with starvation and madness (witness Addison Richards insane ranger). But the mission is accomplished, and one step brought forward to the successful completion of the war.

But the story was not fully told, due to the expenses of filming (it was filmed mostly outside the studio). The actual title is NORTHWEST PASSAGE: PART I. Robert Young plays Langdon, a young college student (actually he looks slightly old for that role) who is skillful in drawing and drafting. So he is taken under Major Rogers' wing (Langdon and his best friend - played by Walter Brennan - were almost arrested for quasi-seditious remarks about a local British government official played by Montague Love) and go on the trek. Tracy/Rogers needs Young/Langdon as a map maker. He has plans to find the Northwest Passage with his Rangers once the war is finished. The present film ends with Langdon married and watching Rogers and his Rangers marching off on their next mission.

The sequel would have been a downer, but a brilliant one - and I suspect the subject matter of the sequel had more to do with killing the problem than the actual expense (after all, the first part was a hit film, and made back it's cost at the box office). In the sequel Rogers tries to get his exploration plans under way, only to run afoul of history: it seems the colonies and Britain are becoming less and less friendly due to the issue of taxation and British legislation like the Stamp Act and the Townshend Acts. Rogers (as he was an officer - albeit an irregular one - in the British army) is a loyalist, and Langdon and his friends are not. Gradually Rogers becomes more and more isolated due to his political stand. In the end he goes into exile, and becomes a bitter, defeated ex-hero. The Northwest Passage is not to be discovered by this remarkable man. It would be first sited by Thomas Simpson, an explorer for the Hudson Bay Company, in 1838-39.

The ill-fated Franklin Expedition (1845-49) would find the key to the passage, but perish in the course of the discovery. This would not fully become notable until Sir Robert McClure (in 1851) and Sir Leopold McClintock (in 1859) rediscovered the passage while seeking Franklin's men. Finally Roald Amundson would successfully sail through the passage on the Gjoa in 1903-1905.

The sequel, as you can see, became increasingly anti-British (the audience in America would have to be pro-American if shown in America). Therefore it would have been out of place in a period when American films were to be pro-English. That's more likely the reason that the sequel was not made with Tracy being shown going slowly to seed. An understandable reason, but it would have been Tracy's greatest part - the hero denied his just claim for glory by sheer historical chance. The completed NORTHWEST PASSAGE would have been one of the masterworks of 20th Century motion picture making.