Aggiungi una trama nella tua linguaA hardworking secretary for a rich woman finds herself engaged to the woman's son and accused of a murder she didn't commit. Lanyard, the Lone Wolf, and Jamison set out to find the real kill... Leggi tuttoA hardworking secretary for a rich woman finds herself engaged to the woman's son and accused of a murder she didn't commit. Lanyard, the Lone Wolf, and Jamison set out to find the real killer.A hardworking secretary for a rich woman finds herself engaged to the woman's son and accused of a murder she didn't commit. Lanyard, the Lone Wolf, and Jamison set out to find the real killer.
- Regia
- Sceneggiatura
- Star
Fred Kelsey
- Dickens
- (as Fred A. Kelsey)
Luis Alberni
- Nicolo Pappakontous
- (non citato nei titoli originali)
Don Beddoe
- Police Doctor
- (non citato nei titoli originali)
Richard Fiske
- Detective Jackson
- (non citato nei titoli originali)
Roger Gray
- Air Pump Operator
- (non citato nei titoli originali)
Shemp Howard
- Joe - a Pickpocket
- (non citato nei titoli originali)
Recensioni in evidenza
The Lone Wolf Meets a Lady from 1940 stars Warren William in the eponymous role, real name Michael Lanyard, costarring Eric Blore and Jean Muir.
Muir plays Joan Bradley, a secretary to the wealthy Mrs. Penyon (Georgia Caine), who becomes engaged to her son Bob (Warren Hull). She is gifted a $100,000 necklace, a family heirloom. When she returns home to get ready for a party, her husband, believed dead, shows up.
In the end, he's murdered, the necklace is stolen, and, terrified, she runs, nearly run over by Lanyard and his assistant Jamison (Blore).
Lanyard takes Joan under his wing and works on not only getting her out of trouble but solving both the murder and the theft.
William makes a terrific Wolf, and he and Jamison are hilarious together, with Jamison practicing his singing on a recording device which is used to help the case - until it's interrupted by a tune from Jamison. The exasperated police are well played by Thurston Hall and Fred Kelsey.
Very entertaining.
Muir plays Joan Bradley, a secretary to the wealthy Mrs. Penyon (Georgia Caine), who becomes engaged to her son Bob (Warren Hull). She is gifted a $100,000 necklace, a family heirloom. When she returns home to get ready for a party, her husband, believed dead, shows up.
In the end, he's murdered, the necklace is stolen, and, terrified, she runs, nearly run over by Lanyard and his assistant Jamison (Blore).
Lanyard takes Joan under his wing and works on not only getting her out of trouble but solving both the murder and the theft.
William makes a terrific Wolf, and he and Jamison are hilarious together, with Jamison practicing his singing on a recording device which is used to help the case - until it's interrupted by a tune from Jamison. The exasperated police are well played by Thurston Hall and Fred Kelsey.
Very entertaining.
I confess that I did not know this character and that this film was my first encounter with the Lone Wolf, the nickname of the fictional character Michael Lanyard, a jewel thief turned private detective, in a series of novels written by Louis Joseph Vance (1879-1933). No less than 24 films were produced about the Lone Wolf, between 1917 and 1949. Warren William would play the character in nine of them, between 1939 and 1943, probably accompanied by his faithful servant Jamison, played by Eric Blore.
It's a typical television private eye series, avant la lettre, more "The Thin Man" than "Charlie Chan", where a traditional "who done it" script crosses with a situation comedy, usually led by Eric Blore, the comedian on duty, in this case accompanied by Fred Kelsey, the incompetent police assistant, always fooled by the Lone Wolf.
Pure entertainment, but fun, interesting and with the seal of the good old days. I became curious to see more episodes of the series.
It's a typical television private eye series, avant la lettre, more "The Thin Man" than "Charlie Chan", where a traditional "who done it" script crosses with a situation comedy, usually led by Eric Blore, the comedian on duty, in this case accompanied by Fred Kelsey, the incompetent police assistant, always fooled by the Lone Wolf.
Pure entertainment, but fun, interesting and with the seal of the good old days. I became curious to see more episodes of the series.
Always enjoy the great acting of Warren William, (Michael Lanyard/Lone Wolf) and his partner, Jamison, (Eric Blore) who were planning on a nice trip to Lake Placid, N.Y. for some fun in the snow. However, their trip is upset because they almost run over a young lady who ran in the front of their automobile. This lady was Joan Bradley, (Jean Muir) who is a pretty blonde socialite about to get married and is robbed of a diamond necklace worth a great deal of money. Joan witnessed a murder and tells Michael Lanyard the entire story and he decides to help her get out of this mess of a situation she got herself into by giving her an alibi. The plot thickens and there are many twists and turns. There are plenty of laughs and you will never be able to figure out just who is the killer until the very end of the film.
This movie is a B-detective series film. This means that as a "B" movie, it was the second and usually lesser film on a double-feature bill. This didn't mean that B meant it was a bad film, but it was certainly given a smaller budget and had lesser pretensions and expectations from the studio. Many B-films were detective series films and they provided great but also relatively predictable entertainment (much like a movie version of a TV show like MURDER SHE WROTE or even LAW AND ORDER). Common to all these films were goofy or evil supporting characters, a very fast pace, a relatively short length (55-70 minutes) and a certain familiarity with the main characters. Some notable examples are the Sherlock Holmes, Charlie Chan, Falcon or Saint series films.
The Lone Wolf is in many ways particularly like The Saint or Falcon films because the lead (Warren William) plays a reformed thief and gentleman who is smooth with the ladies. While he's very easy to like and is obviously a force for good, the police never seem to understand he's helping them. AND, because of this, the cops are pretty dumb! This is the trademark of all these films.
In this case, William is very ably assisted by Eric Blore (who is hilarious as his butler in this third Lone Wolf film). Unlike the last of the Warren William Lone Wolf films (The Lone Wolf Strikes), this one has a very good plot and actually has some entertaining twists and turns. Plus, like the first of the series (The Lone Wolf Spy Hunt), the supporting actors in general are excellent. A very good example of the series.
The Lone Wolf is in many ways particularly like The Saint or Falcon films because the lead (Warren William) plays a reformed thief and gentleman who is smooth with the ladies. While he's very easy to like and is obviously a force for good, the police never seem to understand he's helping them. AND, because of this, the cops are pretty dumb! This is the trademark of all these films.
In this case, William is very ably assisted by Eric Blore (who is hilarious as his butler in this third Lone Wolf film). Unlike the last of the Warren William Lone Wolf films (The Lone Wolf Strikes), this one has a very good plot and actually has some entertaining twists and turns. Plus, like the first of the series (The Lone Wolf Spy Hunt), the supporting actors in general are excellent. A very good example of the series.
"The cleverest wolf.... still ends up as a fur coat!" A witticism from the long-suffering "Insp. Crane" (Thurston Hall) as he yet again finds himself accusing his constant antagonist "Lanyard" (Warren William) of being embroiled in (fake) jewellery theft and murder! This time though, he and loyal "Jamison" (Eric Blore) are taking the fall for "Joan" (Jean Muir) who had teed up an advantageous marriage with the son of a wealthy woman before she finds herself accused of murder. After an high-speed near miss with our sleuths, she finds her future is wrapped up with their's. With the police on their trail, "Lanyard" et al must rush to find out just what happened and who did what. This adventure provides some better examples of the quickly paced and engaging banter between William and Blore, with the latter frequently making observations that raise a smile and he juggles his innate curiosity with him "never denying his cowardice"... Sure, there's little jeopardy here but Muir has a bit more to her as the put-upon dame and there's actually more comedy to appreciate here, too.
Lo sapevi?
- QuizThe car Lanyard and Jamison drive at the beginning of the film is a 1937 Packard Super 8 convertible coupe.
- Citazioni
Clay Beaudine: She's very lovely--you always knew how to pick 'em.
Michael Lanyard: Thanks for the compliment.
- ConnessioniFollowed by The Lone Wolf Keeps a Date (1940)
- Colonne sonoreBelieve Me If All Those Endearing Young Charms
(1808) (uncredited)
Music traditional
Lyrics by Thomas Moore
Sung a cappella by Eric Blore
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Dettagli
- Data di uscita
- Paese di origine
- Lingue
- Celebre anche come
- Fönstret över floden
- Azienda produttrice
- Vedi altri crediti dell’azienda su IMDbPro
- Tempo di esecuzione1 ora 11 minuti
- Colore
- Proporzioni
- 1.37 : 1
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By what name was The Lone Wolf Meets a Lady (1940) officially released in Canada in English?
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