Aggiungi una trama nella tua linguaA hardworking secretary for a rich woman finds herself engaged to the woman's son and accused of a murder she didn't commit. Lanyard, the Lone Wolf, and Jamison set out to find the real kill... Leggi tuttoA hardworking secretary for a rich woman finds herself engaged to the woman's son and accused of a murder she didn't commit. Lanyard, the Lone Wolf, and Jamison set out to find the real killer.A hardworking secretary for a rich woman finds herself engaged to the woman's son and accused of a murder she didn't commit. Lanyard, the Lone Wolf, and Jamison set out to find the real killer.
- Regia
- Sceneggiatura
- Star
Fred Kelsey
- Dickens
- (as Fred A. Kelsey)
Luis Alberni
- Nicolo Pappakontous
- (non citato nei titoli originali)
Don Beddoe
- Police Doctor
- (non citato nei titoli originali)
Richard Fiske
- Detective Jackson
- (non citato nei titoli originali)
Roger Gray
- Air Pump Operator
- (non citato nei titoli originali)
Shemp Howard
- Joe - a Pickpocket
- (non citato nei titoli originali)
Recensioni in evidenza
The Lone Wolf Meets a Lady from 1940 stars Warren William in the eponymous role, real name Michael Lanyard, costarring Eric Blore and Jean Muir.
Muir plays Joan Bradley, a secretary to the wealthy Mrs. Penyon (Georgia Caine), who becomes engaged to her son Bob (Warren Hull). She is gifted a $100,000 necklace, a family heirloom. When she returns home to get ready for a party, her husband, believed dead, shows up.
In the end, he's murdered, the necklace is stolen, and, terrified, she runs, nearly run over by Lanyard and his assistant Jamison (Blore).
Lanyard takes Joan under his wing and works on not only getting her out of trouble but solving both the murder and the theft.
William makes a terrific Wolf, and he and Jamison are hilarious together, with Jamison practicing his singing on a recording device which is used to help the case - until it's interrupted by a tune from Jamison. The exasperated police are well played by Thurston Hall and Fred Kelsey.
Very entertaining.
Muir plays Joan Bradley, a secretary to the wealthy Mrs. Penyon (Georgia Caine), who becomes engaged to her son Bob (Warren Hull). She is gifted a $100,000 necklace, a family heirloom. When she returns home to get ready for a party, her husband, believed dead, shows up.
In the end, he's murdered, the necklace is stolen, and, terrified, she runs, nearly run over by Lanyard and his assistant Jamison (Blore).
Lanyard takes Joan under his wing and works on not only getting her out of trouble but solving both the murder and the theft.
William makes a terrific Wolf, and he and Jamison are hilarious together, with Jamison practicing his singing on a recording device which is used to help the case - until it's interrupted by a tune from Jamison. The exasperated police are well played by Thurston Hall and Fred Kelsey.
Very entertaining.
I've still a few of this series of films to see yet, but TLWMAL seems pretty typical of the William Warren Lone Wolf entries.
Basically the pretty and innocent socialite (Jean Muir) about to be married gets tangled up with theft and murder, then luckily for her gets tangled up with the Lone Wolf and his valet (Eric Blore). These two are about to go on holiday but stay to help the damsel in distress from the clutches of the law (Thurston Hall & Fred Kelsey).
There's quite a few twists and turns and the pace never lets up, especially when one of the baddies (Victor Jory) is summarily dismissed from the plot as a corpse without a shot being fired. I think one of the reasons why High Brows disdain this type of potboiler is because they're unnerved to find that it can take so much concentration to follow the story - This Should Not Be!
Favorite bit : In trying to give Muir an alibi, William runs the bath and orders her to take her clothes off - Blore is suitably and audibly outraged even though they immediately leave the room. The last few minutes are a bit frantic, but when the time was up they closed 'em down fast at Columbia.
This was good, recommended to all fans of the genre.
Basically the pretty and innocent socialite (Jean Muir) about to be married gets tangled up with theft and murder, then luckily for her gets tangled up with the Lone Wolf and his valet (Eric Blore). These two are about to go on holiday but stay to help the damsel in distress from the clutches of the law (Thurston Hall & Fred Kelsey).
There's quite a few twists and turns and the pace never lets up, especially when one of the baddies (Victor Jory) is summarily dismissed from the plot as a corpse without a shot being fired. I think one of the reasons why High Brows disdain this type of potboiler is because they're unnerved to find that it can take so much concentration to follow the story - This Should Not Be!
Favorite bit : In trying to give Muir an alibi, William runs the bath and orders her to take her clothes off - Blore is suitably and audibly outraged even though they immediately leave the room. The last few minutes are a bit frantic, but when the time was up they closed 'em down fast at Columbia.
This was good, recommended to all fans of the genre.
I'd never heard of the Lone Wolf before watching this one but I ended up enjoying it a great deal. Much of that comes down to the unexpected comedy which makes this film a humorous treat. In particular, the witty interplay between the Wolf and his British manservant adds plenty of laughs to the proceedings. The film starts off with an involved little set up which sees an innocent woman getting framed for murder, and when the Lone Wolf gets drawn in when he vows to clear her name in any way he can. The plot twists and turns come thick and fast here and they never forget the laughs either. I'll watch more.
This movie is a B-detective series film. This means that as a "B" movie, it was the second and usually lesser film on a double-feature bill. This didn't mean that B meant it was a bad film, but it was certainly given a smaller budget and had lesser pretensions and expectations from the studio. Many B-films were detective series films and they provided great but also relatively predictable entertainment (much like a movie version of a TV show like MURDER SHE WROTE or even LAW AND ORDER). Common to all these films were goofy or evil supporting characters, a very fast pace, a relatively short length (55-70 minutes) and a certain familiarity with the main characters. Some notable examples are the Sherlock Holmes, Charlie Chan, Falcon or Saint series films.
The Lone Wolf is in many ways particularly like The Saint or Falcon films because the lead (Warren William) plays a reformed thief and gentleman who is smooth with the ladies. While he's very easy to like and is obviously a force for good, the police never seem to understand he's helping them. AND, because of this, the cops are pretty dumb! This is the trademark of all these films.
In this case, William is very ably assisted by Eric Blore (who is hilarious as his butler in this third Lone Wolf film). Unlike the last of the Warren William Lone Wolf films (The Lone Wolf Strikes), this one has a very good plot and actually has some entertaining twists and turns. Plus, like the first of the series (The Lone Wolf Spy Hunt), the supporting actors in general are excellent. A very good example of the series.
The Lone Wolf is in many ways particularly like The Saint or Falcon films because the lead (Warren William) plays a reformed thief and gentleman who is smooth with the ladies. While he's very easy to like and is obviously a force for good, the police never seem to understand he's helping them. AND, because of this, the cops are pretty dumb! This is the trademark of all these films.
In this case, William is very ably assisted by Eric Blore (who is hilarious as his butler in this third Lone Wolf film). Unlike the last of the Warren William Lone Wolf films (The Lone Wolf Strikes), this one has a very good plot and actually has some entertaining twists and turns. Plus, like the first of the series (The Lone Wolf Spy Hunt), the supporting actors in general are excellent. A very good example of the series.
The Lone Wolf comes to the aid of Joan Bradley, a young woman who gets herself embroiled in a case of murder and robbery.
Gentleman thief turned Private Detective Michael Lanyard is once again on the case, ably supported by Jamison.
A pretty good installment, a solid if unremarkable plot, but as a whodunnit, it worked quite well. This did actually remind me a little of The Lone Wolf Strikes, a case that also involves a jewellery theft.
It's quite well paced, it's full of twists and turns, and you are made to wait to learn exactly who the killer is.
Jean Muir is very good as Joan Bradley, but it's Eric Blore who steals the show as Jamison, he is absolutely hilarious throughout, his quick wit and one liners are a total joy, his delivery is flawless.
A pleasing mystery, one I enjoyed.
7/10.
Gentleman thief turned Private Detective Michael Lanyard is once again on the case, ably supported by Jamison.
A pretty good installment, a solid if unremarkable plot, but as a whodunnit, it worked quite well. This did actually remind me a little of The Lone Wolf Strikes, a case that also involves a jewellery theft.
It's quite well paced, it's full of twists and turns, and you are made to wait to learn exactly who the killer is.
Jean Muir is very good as Joan Bradley, but it's Eric Blore who steals the show as Jamison, he is absolutely hilarious throughout, his quick wit and one liners are a total joy, his delivery is flawless.
A pleasing mystery, one I enjoyed.
7/10.
Lo sapevi?
- QuizThe car Lanyard and Jamison drive at the beginning of the film is a 1937 Packard Super 8 convertible coupe.
- Citazioni
Clay Beaudine: She's very lovely--you always knew how to pick 'em.
Michael Lanyard: Thanks for the compliment.
- ConnessioniFollowed by The Lone Wolf Keeps a Date (1940)
- Colonne sonoreBelieve Me If All Those Endearing Young Charms
(1808) (uncredited)
Music traditional
Lyrics by Thomas Moore
Sung a cappella by Eric Blore
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- Data di uscita
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- Fönstret över floden
- Azienda produttrice
- Vedi altri crediti dell’azienda su IMDbPro
- Tempo di esecuzione1 ora 11 minuti
- Colore
- Proporzioni
- 1.37 : 1
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By what name was The Lone Wolf Meets a Lady (1940) officially released in Canada in English?
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