Dopo aver ucciso un informatore della polizia, Chips Maguire, disonesto proprietario di una discoteca, ricatta il suo pianista per poter rimanere nella pensione della sua eccentrica madre.Dopo aver ucciso un informatore della polizia, Chips Maguire, disonesto proprietario di una discoteca, ricatta il suo pianista per poter rimanere nella pensione della sua eccentrica madre.Dopo aver ucciso un informatore della polizia, Chips Maguire, disonesto proprietario di una discoteca, ricatta il suo pianista per poter rimanere nella pensione della sua eccentrica madre.
- Regia
- Sceneggiatura
- Star
- Premi
- 1 vittoria in totale
- Monks
- (as Herbert Vigran)
- The Lady Killers' Quartet
- (as The Lady Killers' Quartet)
Recensioni in evidenza
There's Ann Sheridan, always totally likable--plus, in this movie she sings "You're Just an Angel in Disguise." There's also a funny dog act.
Humphrey Bogart plays his stock gangster role, but this time he has to deal with ZaSu Pitts and Una O'Connor as two spinsters, one a feisty spark-plug and the other delusionally lovelorn.
At one point, tough guy Bogie as much as says, "Hey, gang, let's put on a show!" And they do. That's where the dog act comes in.
Plus there's a nostalgiac Gay Nineties review, including a barbershop quartet.
And a number of Irish songs in the background and, ultimately, in the spotlight, including a rousing version of "When Irish Eyes Are Smiling."
I won't give away the ending, but trust me, you'll say, "Aw, ain't that nice!"
Kind of a fun movie.
Despite Maguire wanting to remain alone in his room all the time, the two nice old ladies who run the place urge him to come out and meet the other tenants. Eventually, he slowly emerges and begins socializing--and makes friends with the harmless residents and vice-versa. One of them, Ann Sheridan, however, knows who he is and you'd expect her to turn him in to the police. However, she doesn't and what she and this thug have in mind is something you'll need to see for yourself. It's all a little ridiculous, but also great fun.
With such residents as Felix Bressart, Una O'Connor (in one of her more restrained roles)and Zasu Pitts, the movie has a lot of colorful characters and give the film a certain charm and likability. This, combined with an unusual script make this film well worth seeing--especially people who love classic Hollywood or the films of Bogart.
Chips can't leave his room, of course, and eventually grows bored with the entire arrangement. He recognizes the very attractive Sarah Jane as having been on the circuit, and decides to help her out by making the boarding house into a nightclub. He finances it and bails the women out of their financial troubles at the same time. Sarah Jane isn't interested in Chips - she's re-connected with Tommy - but naturally plays along. Tommy is uneasy; if Chips is caught, he'll tell the cops that Tommy committed the murder.
The plot may sound serious, but the film is filled with music and a lightheartedness that's hard to describe. Ann Sheridan was sort of the working man's Rita Hayworth. She was at Warner's, which put her low, sultry voice, mane of red hair and other assets to good use in a variety of roles. She wasn't as beautiful as Hayworth or as exotic, but she was more versatile as an actress. Here she's at the top of her game, singing and dancing up a storm and looking sensational. She really carries the film. Lynn, whose career lost its momentum after World War II, was a nice-looking, boy next door type of leading man, and does an able job here. Bogart is a riot; the man could do anything. Though his character is ruthless and dangerous, he comes off as extremely likable. The striking Zasu Pitts is wonderful as a boarder who sees men following her everywhere and can't handle her liquor. At all.
There's a charming sentiment about this film - it'll leave you smiling.
The story is lightweight and goofy, with barely any plausibility at all (if that much). Fortunately, the good acting makes all of the oddball characters likable, and makes the story worth following for the sake of entertainment. Sheridan gets a good character and a chance to sing a few songs, and the minor characters include good roles for Zasu Pitts and Felix Bressart, among others.
Lo sapevi?
- QuizFor the 1945 re-release print, Warner Bros. changed the opening credits order for their new star Humphrey Bogart, now listing him above Ann Sheridan before the title and moving Jeffrey Lynn to the "With" cast after the title. The end credits, however, were kept in their original order.
- BlooperAt the 17 minute mark after Bogart stands up from the bed, the boom mic shadow moves across his hat.
- Citazioni
Sarah Jane Ryan aka Sal: Can you imagine? He was going to make me a torch singer. He took me into his studio and after about five minutes I said, "Yeah, well, I've never heard this called an audition before." He followed me home in a taxi cab. Yeah, and with a gat too!
[Throws gun onto table]
Sarah Jane Ryan aka Sal: As if I didn't know how to handle a monkey with a gat!
Miss Flint: The man who followed me...?
Sarah Jane Ryan aka Sal: He said he wanted to discover me. Me! Why, I've been discovered so many times they call me Miss America.
- ConnessioniFeatured in Let's Sing Grandfather's Favorites (1948)
- Colonne sonoreAngel in Disguise
(1940) (uncredited)
Music by Paul Mann and Stefan Weiß
Lyrics by Kim Gannon
Played during the opening credits and as background music
Played on piano by Jeffrey Lynn and sung by Ann Sheridan
Reprised by the band at the Roaring 90s Club and sung by Ann Sheridan and chorus of waiters
I più visti
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Dettagli
- Data di uscita
- Paese di origine
- Lingue
- Celebre anche come
- And It All Came True
- Luoghi delle riprese
- Azienda produttrice
- Vedi altri crediti dell’azienda su IMDbPro
- Tempo di esecuzione1 ora 37 minuti
- Colore
- Proporzioni
- 1.37 : 1