Il ritorno dell'uomo invisibile

There are a lot of reasons why this 1940 sequel is better than the original INVISIBLE MAN. In the first movie, the Invisible Man was a dilettante, a haughty scientist who shot himself up with the invisibility drug "for kicks." Claude Rains played the character with such a supercilious air that it was hard to care when he lost it all.

But in this well-written sequel, the Invisible Man is a true hero. Geoffrey Radcliffe is a wealthy gentleman with class, courage, and a sense of humor. Someone has framed him for murder, and with the help of his devoted girl friend and trustworthy company doctor, he sets out to make things right.

Vincent Price is perfect as Geoffrey. He gives this invisible man plenty of guts, along with goodness, humility, and a wonderfully self-deprecating sense of humor. When madness sets in, of course, Price can babble with the best of them. But this time around, you care. This is a man who ran his business empire for the benefit of the workers, a man who can tease his weeping girl friend about how "lucky" she is not to see his face.

Ladylike and innocent-looking Nan Grey is a horror legend for her bit role as the waif-like streetwalker in Dracula's Daughter. Here she gets to play the same gentle, sensitive type, only warmer and more womanly. Watching Helen Manson sit up all night watching over her suffering love, falling asleep in her chair, and fainting at the sight of his disfiguring bandages, you will fall in love with her yourself. It's easy to see why Geoffrey loves her enough to risk madness and death to be by her side, and why the villain was willing to stoop to murder for her sake.

Sir Cedrick Hardwicke is mostly remembered today for playing kindly, kingly old gentlemen in epics like THE TEN COMMANDMENTS. But here he is a ruthless, cold villain, a murderer who fights for greed and gain. The attraction to lovely Helen is only hinted at, just a glance here and a tender word there. But it gives just the right touch of depth and tragedy to an amazingly nuanced performance.

Just as many critics feel Dracula's Daughter was a deeper film than Dracula, so INVISIBLE MAN RETURNS may well be an improvement over the original classic.

Long live Universal Horror!

While certainly not as good as its original source(sans Claude Rains, sans James Whale), this sequel is very entertaining. It lacks the raw energy of the first film as well as the dark humour. The film begins with Geoffrey Radcliffe about to be executed for a crime we soon learn he did not do. How he gets out of his visit with the executioner is a little matter of drinking a potion given to him by a friend(the brother of the Claude Rains character in the original). In a matter of moments he(Vincent Price's voice) works toward finding his brother's true killer and fending off the madness that comes from drinking the invisibility solution. Price is in fine form though don't expect the hamminess you usually get(a bit disappointing for me). The rest of the cast is very good. Universal actress Nan Grey(from Dracula's Daughter) is lovely, and Cedric Hardwicke actually gives a convincing performance as a villain. Cecil Kellaway and Alan Napier also provide wonderful supporting help. The special effects really shine and are first-rate for their time.

I had watched this twice as a kid on Italian TV and remember loving it; however, as was the case with THE GHOST OF FRANKENSTEIN (1942), when I caught up with it again as an adult via DVD, it proved something of a let down! Mind you, it's still a pretty good film and John P. Fulton's trick work is as brilliant as ever. And yet, I felt that it tried a bit too hard to duplicate those elements which made the original so successful to begin with: the eccentric Englishness so unique to Whale's work, for instance, comes off as somewhat heavy-handed this time around; the very young Vincent Price has yet to come into his own as a horror icon and his lapses into madness are overdone, not matching Claude Rains' menacing delivery. Besides, the identity of the villain is no mystery here! Still, while I particularly missed the wit of the original, Joe May's expert handling and Milton Krasner's effective lighting give the film a suitably Germanic feel at times. Ultimately, I feel that of all the first sequels to the original Universal monster films (BRIDE OF FRANKENSTEIN [1935], DRACULA'S DAUGHTER [1936], THE MUMMY'S HAND [1940] and FRANKENSTEIN MEETS THE WOLF MAN [1943]), this one is perhaps the least impressive - as all the others seemed to go in different directions.

The writer of the summary needs to watch the movie again- Vincent Price is NOT related to the Invisible Man Griffin, nor his brother. His character name is Radcliffe.Personally, I don't think that Price was doing that much over-acting- when the part called for him to be deranged,it seems that his portrayal was accurate. Nan Grey plays her part well- and is as lovely as she was in "Dracula's Daughter." I find Cecil Kellaway's Inspector Sampson to be a little too self-assured in parts, but Alan Napier shows a depth of characterization far beyond that which he would show in his role of Alfred the butler in the 1960s "Batman" television show. Though this sequel is not as impressive as Claude Rains "Invisible Man"-it remains a worthy sequel- far better than "Abbott and Costello Meet the Invisible Man."

THE INVISIBLE MAN RETURNS is really the story of Frank Griffin's brother, Geoffrey (VINCENT PRICE), who is wrongly accused of murder and imprisoned. Helping him escape is a doctor (JOHN SUTTON) who injects him with a serum to make him invisible. Griffin then sets about trying to get to the bottom of who the real murderer is.

That's the only weak spot in the story. The identity of the real murderer is known much too soon rather than stalling the revelation for better suspense.

Lovely NAN GREY (who resembles blonde Brenda Joyce in so many scenes), is excellent as the love interest. She gives a warm and natural performance as the woman who sympathizes with Griffin's plight. VINCENT PRICE is fine until he has to show madness and descends into overacting with his maniacal laughter. SIR CEDRIC HARDWICKE and ALAN NAPIER set the standard for good acting among the supporting cast. Napier is especially effective as a man tormented by the Invisible Man in a scene that takes place in a lonely wooded area.

There are times when the character of Frank Griffin is written in a way that is most unsympathetic and mean spirited and Price is especially nasty in conveying this aspect of his role. In other words, there's a touch of villainy in his performance.

But the story is a clever one, standing apart from the original INVISIBLE MAN that starred Claude Rains and is well done. Some of the special effects may be a bit creaky but understandably so, and nevertheless the film is a fine example of how far those effects had advanced technically by the '40s.

Well worth watching, especially if you're a fan of Universal's horror films.