Il ritorno dell'uomo invisibile

THE INVISIBLE MAN RETURNS (Universal, 1940), directed by Joe May, is, what is indicated during the opening credits, "a sequel to THE INVISIBLE MAN by H.G. Wells," capitalizes on the success of recent update sequels to old 1930s horror tales. Unlike the resurrections of the Frankenstein Monster in THE SON OF FRANKENSTEIN (1939), and later, Dracula and a new revised Mummy, all of whom have or would be resurrected from the dead through some supernatural means, Claude Rains, who originated the Invisible Man character in 1933, whose Jack Griffin was shot and killed by the police in the conclusion, would not have the power to be brought back from the dead as his monstrous contemporaries had, but to have an introduction to a new invisible man, played with distinction by Vincent Price. This sequel, however, not essentially a horror film, is a blend of science fiction and murder mystery

Through the first few minutes of the story, it is learned to the viewer through lines of dialog from the servants that a young man named Sir Geoffrey Radcliffe (Vincent Price), sentenced to death for the murder of his brother, Michael, is scheduled for execution by hanging at dawn for the crime for which he is innocent. His fiancée, Helen Manson (Nan Grey), appeals to Geoffrey's cousin, Richard Cobb (Sir Cedric Hardwicke), to have the execution postponed in order to prove his innocence, but there's nothing he can do. Later that night, Geoffrey's friend, Doctor Frank Griffin (John Sutton), brother to the late Jack Griffin, who had experimented with chemicals that cause invisibility, comes to the prison to pay his last respects to Sir Geoffrey hours before his death sentence is to be carried out. Some time later, the guards discover that Sir Geoffrey has escaped and they are completely baffled as to how he had gotten by them without anyone seeing him. Discovering some clothing left behind in his cell, it is Inspector Sampson (Cecil Kellaway) of Scotland Yard who realizes how this was done, especially since he is very much familiar with the Jack Griffin case nine years previously, which causes him to suspect the late scientist's younger brother, Frank, into having something to do with Geoffrey's escape. The next scene then focuses on the movement of bushes and trees in the woods, with a suitcase full of clothes opening up by itself. Sir Geoffrey is now an invisible man, thanks to Griffin for his discovery of a secret formula known as duocaine, which would leave Geoffrey transparent and free to go about to learn the truth as to why he was framed and to clear his name by revealing the true murderer. But the problem is for Griffin to come up with an antidote to prevent Geoffrey from going insane and meeting the same fate as his brother.

While not up to the wit and pace to THE INVISIBLE MAN, THE INVISIBLE MAN RETURNS done have some added bonuses. It's quite obvious, however, to take notes and compare the original film with its sequel. The leading ladies in both films (Gloria Stuart and Nan Grey) are not only blondes, but play fiancées to the leading character. Claude Rains was virtually unknown to movie audiences when chosen to play the invisible man while Vincent Price has had some exposure in movies since his feature debut in 1938. The one thing both Rains and Price had in common while playing invisible men on screen was their individual distinctive voices. As with the earlier film, the sequel takes time for some prank humor by the new invisible man as he stalks Willie Sphears (Alan Napier), a night watchman through the woods. It is believed that Mr. Sphears, who had testified against him at his trial, might be the sole witness to his brother's murder. At times amusing, this sequence ends with some unpleasantness after Geoffrey takes the fainted Mr. Sphears, ties his feet and arms behind him, and leaving him alone in a room standing helplessly on a stool with his neck placed inside a hanged noose. Special effects, compliments by John Fulton, take precedence throughout the story with Geoffrey removing his goggles, bandages and clothing only to reveal nothing underneath, as well as one interesting highlight where the now wounded and cold Geoffrey is alone in the country, talking to the scarecrow as he "borrows" its clothing for his own use.

Forrester Harvey, who appeared as Herbert Hall in THE INVISIBLE MAN, returns in this sequel assuming another character role, that of Ben Jenkins. What a welcome added attraction THE INVISIBLE MAN RETURNS would have been had Forrester Harvey and Una O'Connor reprized their original roles as the scared innkeepers encountering another invisible man.

THE INVISIBLE MAN RETURNS would spawn two more sequels in the 1940s, THE INVISIBLE AGENT (1942) and THE INVISIBLE MAN'S REVENGE (1944), each featuring Jon Hall playing descendants to Jack Griffin, concluding in 1951 when another invisible man meets up with Abbott and Costello. In order not to forget the originator to THE INVISIBLE MAN, a photo of Claude Rains would be evident, as was in THE INVISIBLE MAN RETURNS. The overly familiar instrumental Frank Skinner underscoring used during the closing cast credits of this production would be heard in several other Universal productions of that period, including THE SON OF FRANKENSTEIN, THE TOWER OF London (both 1939), and BLACK Friday (1940), all featuring Boris Karloff.

THE INVISIBLE MAN RETURNS, available on video cassette and then onto DVD, and had played on several cable channels, including the Sci-Fi Channel in the 1990s, and on American Movie Classics in 1991, and brought back on that channel again from 2000 to 2001. (***)

There are a lot of reasons why this 1940 sequel is better than the original INVISIBLE MAN. In the first movie, the Invisible Man was a dilettante, a haughty scientist who shot himself up with the invisibility drug "for kicks." Claude Rains played the character with such a supercilious air that it was hard to care when he lost it all.

But in this well-written sequel, the Invisible Man is a true hero. Geoffrey Radcliffe is a wealthy gentleman with class, courage, and a sense of humor. Someone has framed him for murder, and with the help of his devoted girl friend and trustworthy company doctor, he sets out to make things right.

Vincent Price is perfect as Geoffrey. He gives this invisible man plenty of guts, along with goodness, humility, and a wonderfully self-deprecating sense of humor. When madness sets in, of course, Price can babble with the best of them. But this time around, you care. This is a man who ran his business empire for the benefit of the workers, a man who can tease his weeping girl friend about how "lucky" she is not to see his face.

Ladylike and innocent-looking Nan Grey is a horror legend for her bit role as the waif-like streetwalker in Dracula's Daughter. Here she gets to play the same gentle, sensitive type, only warmer and more womanly. Watching Helen Manson sit up all night watching over her suffering love, falling asleep in her chair, and fainting at the sight of his disfiguring bandages, you will fall in love with her yourself. It's easy to see why Geoffrey loves her enough to risk madness and death to be by her side, and why the villain was willing to stoop to murder for her sake.

Sir Cedrick Hardwicke is mostly remembered today for playing kindly, kingly old gentlemen in epics like THE TEN COMMANDMENTS. But here he is a ruthless, cold villain, a murderer who fights for greed and gain. The attraction to lovely Helen is only hinted at, just a glance here and a tender word there. But it gives just the right touch of depth and tragedy to an amazingly nuanced performance.

Just as many critics feel Dracula's Daughter was a deeper film than Dracula, so INVISIBLE MAN RETURNS may well be an improvement over the original classic.

Long live Universal Horror!

The Invisible Man (1933) stands alone as being the greatest adaptation of H.G. Wells' story because it follows the novel's storyline and captures the atmosphere of the original work. The film also has the ability to polish some of the scenes with humor. Like other Universal horror classics, it deserved and got sequels, and though the Invisible Man Returns was a lesser effort, it was far superior than any other attempt to remake the classic (the recently made Hollow Man was down right horrible and, yes, hollow.) The Invisible Man Returns begins by introducing us to the brother of the first film's invisible one who escapes prison using the formula his brother developed. This is a far-fetched and awkward way to create a sequel, but once it's out of the way the rest of the film again captures the formula, fun and atmosphere of the original. Followed with mixed results by The Invisible Woman (comedy), The Invisible Agent, The Invisible Man's Revenge and Abbott and Costello Meet Frankenstein (which features the Invisible One).

While certainly not as good as its original source(sans Claude Rains, sans James Whale), this sequel is very entertaining. It lacks the raw energy of the first film as well as the dark humour. The film begins with Geoffrey Radcliffe about to be executed for a crime we soon learn he did not do. How he gets out of his visit with the executioner is a little matter of drinking a potion given to him by a friend(the brother of the Claude Rains character in the original). In a matter of moments he(Vincent Price's voice) works toward finding his brother's true killer and fending off the madness that comes from drinking the invisibility solution. Price is in fine form though don't expect the hamminess you usually get(a bit disappointing for me). The rest of the cast is very good. Universal actress Nan Grey(from Dracula's Daughter) is lovely, and Cedric Hardwicke actually gives a convincing performance as a villain. Cecil Kellaway and Alan Napier also provide wonderful supporting help. The special effects really shine and are first-rate for their time.

In general, it seems that sequels seldom live up to the originals. There are just too many examples I can think of when this was the case. In addition, sequels that take an entirely different approach to the original subject matter often are abysmal failures as well (such as the wonderful VILLAGE OF THE DAMNED and it's incredibly awful and saccharine CHILDREN OF THE DAMNED). In light of this, I was very pleasantly surprised to this see that this film, while quite different from the fantastic original, is still an exceptional film.

Much of the reason for the film being so good was that the film was made by Universal Studios during a very productive period for their horror films. They just knew how to put the whole package together to make a dandy film. Additionally, the cast really helped as well, as Vincent Price (mostly just his voice, as he IS invisible through almost all the film), Cedric Hartwicke, Cecil Kellaway and many others worked together to quite nicely. The writing, also, is a big standout, as the film COULD have easily been just another "hack" sequel. Using bits of humor here and there throughout the film and providing a great ending really made this film worth while.