Hullabaloo

Virginia Obrien sure steals the opening scenes as she cracks jokes between lines of her own singing performance, staying completely deadpan all the while. We get a glimpse of Frank Morgan, who is trying to audition at a radio station, but doesn't get in. Aside from some good actual singing performances, there's just so much going on here, we need a score card to keep track of it all; There's the comedy bit with lead Frank Merriweather (Frank Morgan) and his butler over what they will call the butler, but it falls flat. Then there is the ex-wives routine with all the wives and grown up children, which is just confusing. Morgan's stammering, blustering, wisecracking, muttering character is just an hour and a half of vaudeville jokes, which is quite fun to watch, but doesn't really help the plot along. He actually does the "that was no lady, that was my wife!" bit during a bit with his family; See 15 year old Larry Nunn, and 15 year old Leni Lynn do a couple song and dance numbers with Morgan as he tries to get his children into show business. At the same time, Merriweather gets fired for scaring the public with a radio show that mimics one that had just happened in real life a few years prior. He spends the rest of the movie trying to get his job back at the radio station. Keep an eye out for Leo Gorcey (one of the Bowery Boys) and Donald Meeks (from the W.C. fields movies) Morgan does a zillion imitations, but about half of them are the actual actors voices... it would have been funnier to have Morgan just try to imitate them, instead of using the actual actors voices. When Morgan starts spouting Claudette Colbert from "It happened one night", it's pretty obvious that it couldn't be Morgan doing ALL the voices. Billie Burke (Glenda, the good witch) is one of the ex-wives, in her usual flitting about way. A neat trick of doubling-up on the songs here -- at the beginning of the film, and again near the end, Virginia O'Brien does stepped-up jazz versions of songs that had just been sung by someone else. Also a couple of excellent singing performances by Charles Holland, who always appears in his bellhop uniform. Have not been able to find out anything about his professional career, but what a set of lungs! It appears this film was made into a weekly TV show by NBC in the 1960s. Fun to watch Morgan, and the others do their showbiz bits, but as others have pointed out, plot line is pretty weak.

This movie is a real mixed bag. While it is moderately entertaining, the story is also pretty ridiculous and formulaic--plus there are a bits and pieces that were just plain bad.

The story is about a lovable conniver played by Frank Morgan--and this is pretty much the role he played in almost every movie he made. However, it's a little bit different this time in that he's a performer on radio and not a typical con man. But, he lies constantly and has a string of ex-wives chasing him--once again, typical Morgan story elements. And, as usual, despite his being disreputable and a horrible father, his kids rally inexplicably to his defense. All this is so formulaic and a retread of so many Morgan movies that I found myself getting bored with the plot.

To make it worse, since this was about producing a radio show, several god-awful acts were included in the movie--as well as one excellent one. The old racist song "Carry Me Back to Old Virginny" (singing about the "good old days" of slavery) was performed twice when the film began--once masterfully by a Black bellhop and once horribly by a zombie-like woman who was awfully scary to behold as she sang! Later, it turned out that one of Morgan's daughters could apparently sing, and she sang a couple numbers in the highest pitch operatic style. Technically, I guess it was pretty good, but I hated it and it hurt my ears. I could almost swear I could hear the neighbor's dogs barking as she sang! Now as for Morgan's radio show goes, the initial gimmick was pretty funny, though as it was repeated throughout the movie it just seemed awfully silly. Apparently Morgan's character had a genius for mimicry, as he could perform ALL the voices in a radio drama alone--men, women and children. To do this, the film makers actually dubbed these voices as Morgan's lips moved. Later, it turned out he could reproduce ANY Hollywood star's voice, and he pretended to be Clark Gable, Claudette Colbert, Spencer Tracy, Hedy Lamarr, Mickey Rooney and Wallace Beery. So all these actors get to make a cameo in the film--or at least their voices did.

So overall, the movie was very predictable, formulaic, silly but still somehow watchable. This is NOT a film I'd recommend you rush to see, but there are certainly worse films out there.

Oh, and by the way, there is a strange mistake in the film due to poor editing. At one point late in the film, Billie Burke says to Morgan "you're a vulture" and then Morgan responds. Then, one of Morgan's other ex-wives begins talking and yet no words come out of her mouth due to an editing mistake. I am really surprised no one caught this, as it was strange to see a woman speak an entire line and yet you can't hear a thing!

Not to put too fine a point on it, but Frank Morgan who is the top billed player in this B film from MGM is a deadbeat dad. An old vaudevillian, Morgan is trying to get a break in radio because he really needs the money.

In Hullabaloo Frank Morgan has got three ex-wives with a child by each and these women want the back alimony that Morgan hasn't sent them for years. This formidable trio of ex-wives are Connie Gilchrist, Sara Haden, and Billie Burke and their kids respectively are Virginia Grey, Leny Lynn and Larry Nunn.

The kids kind of bond with each other and together they help dear old dad pull together a radio show. It's either that or marry a 4th time to Nydia Westman who is sponsor Donald Meek's sister.

Dan Dailey is here as a radio executive and love interest for Virginia Grey and another Virginia, O'Brien that is gets a couple of songs to sing in her deadpan fashion. The real revelation is Charles Holland an opera singing bellhop. Not too many black artists were doing material like that for films in 1940.

Because it's lovable old Frank Morgan the whole thing works somehow. But I doubt a deadbeat dad would get treated so well in today's cinema.

This is a "just sit back and enjoy" comedy musical, really doesn't need any critique. Frank Morgan is always fun to watch, and he is typical here, he and Donald Meek carry the film. Some nice songs and dance scenes and a brief appearance of Leo Gorcey (The Bowery Boys) as a bellhop. A movie made for entertainment plain and simple!

Frantic unfunny comedy about how Frank Morgan panicked the nation on radio -- a gloss on Orson Welles' broadcast of WAR OF THE WORLDS -- and the lives, loves and generally unfunny situations surrounding his newfound success. Frank Morgan doubles sixteen times a second and an impossibly young Dan Dailey plays the juvenile lead. Give it a miss.