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T'amerò follemente

Titolo originale: Hired Wife
  • 1940
  • Approved
  • 1h 36min
VALUTAZIONE IMDb
6,6/10
481
LA TUA VALUTAZIONE
Brian Aherne, Robert Benchley, Virginia Bruce, John Carroll, and Rosalind Russell in T'amerò follemente (1940)
CommediaRomanticismo

Aggiungi una trama nella tua linguaCEO Stephen marries his secretary Kendal in name only, an arrangement made to protect his finances from an attempt at a hostile business takeover. Once the threat is neutralized, he asks Ken... Leggi tuttoCEO Stephen marries his secretary Kendal in name only, an arrangement made to protect his finances from an attempt at a hostile business takeover. Once the threat is neutralized, he asks Kendal for a divorce - but she refuses.CEO Stephen marries his secretary Kendal in name only, an arrangement made to protect his finances from an attempt at a hostile business takeover. Once the threat is neutralized, he asks Kendal for a divorce - but she refuses.

  • Regia
    • William A. Seiter
  • Sceneggiatura
    • Richard Connell
    • Gladys Lehman
    • George Beck
  • Star
    • Rosalind Russell
    • Brian Aherne
    • Virginia Bruce
  • Vedi le informazioni sulla produzione su IMDbPro
  • VALUTAZIONE IMDb
    6,6/10
    481
    LA TUA VALUTAZIONE
    • Regia
      • William A. Seiter
    • Sceneggiatura
      • Richard Connell
      • Gladys Lehman
      • George Beck
    • Star
      • Rosalind Russell
      • Brian Aherne
      • Virginia Bruce
    • 16Recensioni degli utenti
    • 4Recensioni della critica
  • Vedi le informazioni sulla produzione su IMDbPro
  • Vedi le informazioni sulla produzione su IMDbPro
    • Premi
      • 4 vittorie totali

    Foto8

    Visualizza poster
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    Interpreti principali41

    Modifica
    Rosalind Russell
    Rosalind Russell
    • Kendal Browning
    Brian Aherne
    Brian Aherne
    • Stephen Dexter
    Virginia Bruce
    Virginia Bruce
    • Phyllis Walden
    Robert Benchley
    Robert Benchley
    • Roger Van Horn
    John Carroll
    John Carroll
    • Jose de Briganza
    Hobart Cavanaugh
    Hobart Cavanaugh
    • William
    Richard Lane
    Richard Lane
    • McNab
    William B. Davidson
    William B. Davidson
    • Mumford
    • (as William Davidson)
    Monica Bannister
    Monica Bannister
    • Girl in Nightclub
    • (non citato nei titoli originali)
    Brooks Benedict
    Brooks Benedict
    • Phyllis's Friend
    • (non citato nei titoli originali)
    Virginia Brissac
    Virginia Brissac
    • Miss Collins
    • (non citato nei titoli originali)
    Ralph Brooks
    Ralph Brooks
    • Office Worker
    • (non citato nei titoli originali)
    Leonard Carey
    Leonard Carey
    • Peterson - Butler
    • (non citato nei titoli originali)
    Jack Chefe
    • Nightclub Patron
    • (non citato nei titoli originali)
    Chester Clute
    Chester Clute
    • Martin Peabody - Justice of the Peace
    • (non citato nei titoli originali)
    Gino Corrado
    Gino Corrado
    • Waiter
    • (non citato nei titoli originali)
    Paul Everton
    Paul Everton
    • Board Member
    • (non citato nei titoli originali)
    Eddie Hall
    Eddie Hall
    • Swan Club Patron
    • (non citato nei titoli originali)
    • Regia
      • William A. Seiter
    • Sceneggiatura
      • Richard Connell
      • Gladys Lehman
      • George Beck
    • Tutti gli interpreti e le troupe
    • Produzione, botteghino e altro su IMDbPro

    Recensioni degli utenti16

    6,6481
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    Recensioni in evidenza

    7robert-mulqueen

    Why is this film invisible?

    I saw this film for the first time tonight on Turner Classic Movies. As a fan of films of this period, I had never heard of it. As a fan of Rosalind Russell, I was surprised that I had never seen it mentioned in essays or articles about her career.

    Brian Ahearn was OK, but Russell is her comic best here, much as she is, of course, in "His Girl Friday".

    Another spark in this comedy is the always reliable Robert Benchley as Brian Ahearn's attorney and friend of many years. He is vintage Benchley, with the droll line uttered with a poker face, a sly double take, and more than one sequence involving snoring and talking in his sleep....the sort of comedic genius which Benchley is remembered for.

    Very enjoyable.
    9Oriel

    Giddy, sophisticated comedy

    This is comedy in the classic style, starring the incomparable Rosalind Russell in the kind of role she did best: the savvy professional woman. Here she is a wily, sassy secretary, devoted to her cement mogul boss because, she claims, "every good secretary is in love with her boss." But although she manages to snare him in a marriage of convenience, she still has to use her cunning to separate him from the equally determined blonde model he's pursuing. Add a spurious foreign millionaire and a disgruntled chaperone (Robert Benchley, in a hilarious supporting performance) and you have a perfect romantic comedy. Sharp dialogue, an ever-twisting plot, and Russell's deft, headlong performance make this a delight from start to finish.
    7AAdaSC

    Hired for life

    Rosalind Russell (Kendal) stars as the secretary who has to marry her boss, Brian Ahearne (Stephen), in order to prevent a takeover of his company. The problem is that Ahearne is completely besotted with model Virginia Bruce (Phyllis) and has no time for Russell. He sees the marriage purely as a business proposal and it will be ended just as soon as his rivals back off. John Carroll (Jose) joins in the fun as an ally of Russell's and between them they make it difficult for Ahearne and Bruce to spend time together.

    The film is funny, aided by a good cast, especially Russell in the lead role. John Carroll's Spanish playboy is totally unconvincing but he does get a lot of mileage out of the role. As regards the story, you can tell what is going to happen but just go with it on its journey.
    9SimonJack

    A very funny comedy that could have been even better

    "Hired Wife" is a very funny 1940 comedy romance with a sterling cast. But, with this cast and the plot, it should and could have been a great comedy. The front and back parts have some hilarious dialog. The problem with the middle section is too much time devoted to Stephen wining and dining Phyllis Walden, with very little humor. That could have been greatly condensed and then have a couple of instances toward the beginning with Kendal helping get Stephen out of some gold-digger relationships. One can just imagine the humorous dialog there could be here with Kendal. But for that slow middle section, this could have been among the very best comedy films.

    Rosalind Russell is Kendal, the private secretary and behind-the-scenes manager who keeps the Dexter Cement company afloat. Her bachelor boss isn't inept, but isn't very good at handling things when he lapses into one of his overboard infatuations. Kendal bides her time until the day she hopes he'll open his eyes and fall for her. Brian Aherne's Stephen Dexter isn't a wolf or playboy, but a guy who romanticizes about romance. He's looking for the right girl, and every so often he falls for some damsel, who turns out to be a gold-digger. So, Kendal gets him out of the jam. That's the setting when this film opens, and the boss has just returned from a trip.

    Robert Benchley is Roger Van Horn, the Dexter Company attorney. And John Carroll is José de Briganza, a long-time acquaintance of Kendal's. They contribute a lot of the humor. Since Kendal mostly runs the business, when Stephen flips over his latest heart-throb, she hires José to run interference - in the form of luring Phyllis away from Stephen. Benchley is a hoot as Van Horn. One of scenes that had me laughing so hard had the three leads together when Roger sends Kendal to go packing her bags. Stephen asks where she's going, and she says to his house. Stephen says, "My house, my house?" And Roger comes back with a reply about "Your house, house" and more. Because Benchley was a humorist, including writing for magazines and newspapers columns, I wondered if this wasn't an ad lib on his part in the film, and it was so funny that Universal kept it in.

    Aherne and Russell were in three other comedies together. While they were all very good, they weren't among the best of the comedies for either one. Two of Brian Aherne's films are among the best comedies of all time, and seven of Roz Russell's comedies area among the best of all time.

    Here are some favorite lines from this film.

    Stephen Dexter, "Mac. I want a new campaign. And it must be warm, and it must be human." Kendal Browning, "The cement you love to touch." Stephen, "Yes, uh, the cem... you love... no, no, no. I mean we must make our cement stand out - give it personality."

    Kendal Browning, "I'll tell you what you could do - you could perfume it."

    Kendal Browning, "I think you've got something there - Little Annie Cement, that'd be kinda cute."

    Stephen Dexter, looking at the billboard on the building opposite his office window, "Kendal, uh, who is that girl?" Kendal Browning, "Well, I don't know her name, but her face in on the canned tomatoes I use."

    Stephen Dexter, "Get ahold of her. I'll see her myself." Kendall Browning, going out the door, "Wouldn't it be easier and quicker to pay her off right now?"

    Kendal Browning, "If you're sure this is the real thing, my blessings, Stephen. I won't try and stop you. I'm through." Stephen Dexter, "What? Y, yo, you're not going to leave me with all this work...."

    Kendal Browning, "I'm not through working for you. I'm just through caring what you do outside office hours." Stephen Dexter, "Mmm, well that's better." Kendal, "For me, not for you."

    Roger van Horn, "All you've got to do is marry someone. It doesn't make any difference who she is or what she is. Of course, it would be better if she was a girl you could trust. But all she's really got to do is say, 'I do.'" They both look at Kendal. Stephen Dexter, "Kendall, whatta you say?" Kendal Browning, "I do."

    Kendall Browning, "I wish I could afford to strangle you."

    Roger Van Horn, "Well, Kendal, you better go home and start parking." Stephen Dexter, "You going away?" Kendall Browning, "Oh, heh, your attorney advised me to move." Stephen, "Move? Where?" Kendal, "Your house." Stephen, "My house? My house!" Roger, "Naturally your house, your house. Would Kendal move into my house, my house?" Stephen, "She's capable of anything."

    Stephen Dexter, "What are you doing to me now?" Kendal Browning, "Not to you - for you."

    Kendal Browning, "What's this item, one cockatoo?" José de Briganza, waving one hand behind his head, "You know, cockatoo?" Kendal, "Yeah, I know what they are, but what I wanna know is how do you use them in making love?" Jose, "Phyllis want one for the pet, so I give her the bird." Kendal, "Oh, that's all right by me. But, uh, José, $75 for one bird." Joseé, "It talks." Kendal, "For that amount of money it ought a read, write and vote."

    Roger Van Horn, after Kendal makes a racket to wake him up, "Hey, cut that out. I'm asleep." Kendal Browning, to Stephen, "Ask grandma - he was in the house all night." Roger, "Oh, go to bed."

    Stephen Dexter, "Roger, get me a divorce." Roger Van Horn, "You mind waiting until morning?" Stephen, "How soon can I get one?" Roger, "Well, is Kendal willing?" Kendal Browning, "Uh, no." Roger, "Well, if she fights..." Kendal, "She will." Roger, "Then it'll take years." Stephen, "Years?" Roger, "Five years. You're best chance is to disappear and be given up for dead. Course, it's just a curbstone opinion."
    8jjnxn-1

    Prototypical Roz

    Very cute comedy that stretches credibility beyond the breaking point but still is loaded with charm due to the breezy performances of all the players.

    Best of all and driving the movie is Rosalind Russell in the type of role that became her signature: the fiercely competent, take care gal who also happened to be deeply romantic and fighting to get the guy she's set her sights on. Some of her machinations are outlandish but since she plays them straight she manages to put them across.

    She's well matched with the debonair Brian Aherne, not only a suave leading man but because of his 6 ft 3 in height someone the statuesque Rosalind paired up well with visually. Virginia Bruce is wry and knowing as a gold digging model and Robert Benchley funny as Aherne's lawyer. The real standout in support is John Carroll, a secondary leading man for most of his career he's full of goofy charm as a former beau of Roz's character displaying a comic finesse that Hollywood didn't take advantage of.

    A cute studio movie that helped its star hone her screen persona following directly after her one-two punch of The Women and His Girl Friday.

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    Trama

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    Lo sapevi?

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    • Quiz
      The jewelry worn by Virginia Bruce (Phyllis Walden) were created by New York City-based jeweler Paul Flato. He is considered the first celebrity jeweler, and from the 1920s to the early 1940s he had an extensive list of movie star clients wearing his pieces.
    • Citazioni

      Phyllis Walden: I should have known right from the start that he was a phony. Honest men just don't make love that well, they, they haven't had enough practice!

    • Connessioni
      Referenced in Gianni e Pinotto reclute (1941)

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    Dettagli

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    • Data di uscita
      • 13 settembre 1940 (Stati Uniti)
    • Paese di origine
      • Stati Uniti
    • Lingue
      • Spagnolo
      • Inglese
    • Celebre anche come
      • Hired Wife
    • Luoghi delle riprese
      • Universal Studios - 100 Universal City Plaza, Universal City, California, Stati Uniti(Studio)
    • Azienda produttrice
      • Universal Pictures
    • Vedi altri crediti dell’azienda su IMDbPro

    Specifiche tecniche

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    • Tempo di esecuzione
      1 ora 36 minuti
    • Colore
      • Black and White
    • Proporzioni
      • 1.37 : 1

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