Inferno verde

I will propose here that some films have merit, and are worth watching even though they are horrible. I mean to exclude laughing at ineptness from the equation.

This is an example. It has three notable items, the first of which is where the allure resides.

— It takes itself seriously. Really, the appeal of competence fades in the light of earnestness. As soon as it appeared, the participants realized it was a disaster, but you rarely know that when you are making the thing. It had name talent and a reasonable budget. The narrative stance has no irony or folds. It was intended to hit straight on, and even if the arrow did not score, it was shot with the intent to kill. And that matters.

— The film world had long since developed a shorthand for black sexual malevolence by depicting the risky jungle. Two touchstones were "Kongo" and "King Kong" both of which exploited the (then) visceral fear from racism. The same is attempted here, but I do not believe that any of the natives are played by blacks. The effect is startling, a now comic understanding of how transference occurs. You have the deep seated fear of sexual arousal out of control in the American populace. Deep, and strong. That gets transferred to an innocent people, only recently by the time of this film. That in turn gets denoted in unambiguous ways by the jungle and jungle people in film. At each step, there is a trailing disconnect, so that by the time you get to this film, the people in the jungle do not have to remotely look native. (It is not Africa, but that is irrelevant.)

— the script has all the elements. Sexual betrayal. Sexual competition (separately). Ancient magic attached to gold. Sexual imagery with phallic structures and blasting through walls to release floods. All the competitors (stereotypes) locked in a small space fighting the inevitability of death. It doesn't work, like "Kongo" does. But there sure as heck are all the parts.

Ted's Evaluation -- 2 of 3: Has some interesting elements.

Started off promising but got bogged down in the middle with the introduction of Mrs. Richardson (Joan Bennett). Warning, spoilers will most likely be in the rest of the review. It seemed kind of pointless to kill off Vincent Price so early in the movie, a lot was made of how mysterious he was. Also, convenient of George Sanders to kill himself just before they get rescued, this prevents any kind of entanglements there might have been if they all had been rescued. The fun thing to do with this film, is that knowing that director James Whale was gay, is to look at the characters in another light. Isn't it strange that everything was going great with the exploring party made up of just men but once Bennett comes along everything goes to hell? Also what was the deal with John Howard and Douglas Fairbanks Jr.? It sure seemed to me that Howard was carrying a torch for Doug. Oh, the mind reels.

'Green Hell' does not deserve the contempt it gained at its time, as it does keep up with the spirit of pure adventure. Perfectly discardable are the funny situations that occur between so many males in the presence of a female - which go from stupid jealousy to ridiculous declarations of love. 'Green Hell' can be seen as a crazy denouement with certain points of naivety. By the end the characters are at the doorstep of a new adventure, aware of what they will do until the last of their days: carry on.

With a cast that includes some big names (Douglas Fairbanks Jr. and Joan Bennett) and a couple of guys who usually play fascinating villains (Vincent Price and George Sanders) you'd think this movie would be a lot more entertaining than it is. Also, for an adventure story of men going into the jungle to find lost gold from an ancient civilization might also spark added interest...but that didn't work, either.

Credibility is a big problem here, at least looking at this film 50-plus years after it was made. When you see South American natives that look and sound like they came right off the farm in Kansas, it's tough to take the movie seriously! The sets were pretty hokey, too, and the dialog was really corny.

This was another movie that started off strong and the quickly became horrible and stayed that way.

Voted the worst picture of the year by the students of Harvard and presumably the winner of the Harvard Lampoon award for 1940 if such was given out back in the day, Green Hell is a great example of what some actors will do for a friend.

Note the credits for producer of this film, the name of the gentleman was Harry Eddington. He and another man Frank Vincent were partners in a talent agency and according to Douglas Fairbanks, Jr. in his memoirs, Eddington had always wanted to be a producer. He was well liked by his clients and the cast members he assembled were from mostly his free lance clients who did a favor for him. He got Frances Marion to write the script and James Whale to direct and sold the whole business to Universal.

Other than some establishing shots the entire thing was done on the sound stage of Universal. It all looks phony, even the King Kong jungle at RKO was better than this. Of course American movie companies were not shooting abroad in tropical climates at this time. Fairbanks remembers that while the sets were all phony, the humidity due to lack of air conditioning wasn't.

The story is set in South America at the Amazon headwaters where one of those movie lost cities has been found. Rumors of Inca treasure has brought a motley concoction of adventurers on an expedition headed by archaeologists Alan Hale and ramrodded by Fairbanks. Vincent Price is part of the group, but he's killed off before a third of the film is done. But when the native porters bring back medicine to help him possibly survive poison arrows, they also bring back his wife, now his widow Joan Bennett.

And Joan is dressing pretty chic for jungle travel, she's got all the guys panting after her. But when those headhunters who killed off Price come back, it's starting to look more like the Alamo.

Green Hell is a curious concoction that's part Trader Horn, part Rain, a little of the Alamo and a little of John Ford's Lost Patrol. Vincent Price as well as Fairbanks used to cheerfully make fun of this film.

What some people won't do for a friend.