The Ghost Comes Home

The Ghost Comes Home is mainly of interest for the presence of those Wizard Of Oz cast members Frank Morgan and Billie Burke. Morgan plays his usual henpecked milquetoast character who usually can't get a word in edgewise at home.

Morgan signed an MGM contract in 1935 and did the vast majority of films for that studio from then on in. They divide into two parts, those for whom he's in support of some of their top stars and B films like this one where he's the lead.

Morgan is his usual befuddled self with wife and kids and a pair of sponging brothers-in-law operating a pet store that barely makes ends meet. meet. One day he receives a trans-Pacific call from Australia and it's from a school days friend Richard Carle who struck it rich in the land down under. Come on down says Carle, he's making out his will and wants some advice on who in his old home town should benefit.

So it's off to New York where he manages to walk into a nightclub brawl and does 60 days of municipal hospitality. He misses the boat and it gets sunk with all on board lost. His family thinks him dead and they cashed in on a $10,000.00 insurance policy. Think of that in today's dollars and they came into quite a windfall.

Knowing that if he's seen the whole family is in trouble, those who've walked all over him all these years. Especially those two sponges Nat Pendleton and Frank Albertson. The worm does turn.

Of course there's been fraud committed, unintentional but still fraud. How it all gets resolved is for you to watch the film. But it has a lot to do with traveling bandleader John Shelton who came through Morgan's small town and got involved with daughter Ann Rutherford.

Also in this cast are again a lot of familiar character players like Donald Meek, Hobart Cavanaugh, and a slew of others that make watching films of this era such a joy.

A nice product from MGM's B picture unit.

I started watching this because it features some of my favorite actors. Since it's an MGM movie, I figured it would be good for some pleasant comedy, and maybe even more.

Instead, it turned out to be a train wreck. The script, which is terrible, goes nowhere. There is no comedic timing in the movie, though it features some first-rate comedians, like Frank Morgan and Billie Burke.

How, I kept wondering, could MGM have produced this? How?

I have no idea.

Frank Morgan reunites with Billie Burke---not long after "The Wizard of Oz"---to play a married couple in this attempt at screwball comedy that falls short due to a script that lurches from scene to scene.

The story revolves around a misunderstanding. Everyone thinks Vern Adams (Morgan) died in a sea tragedy. His unexpected return launches a series of deceptions that create a hectic pace but few genuine laughs.

The colorful cast is worth seeing, however. Especially Ann Rutherford, between Andy Hardy films, who plays the Adams' daughter. Unfortunately, she is underused despite her strong contribution to the film's only romantic storyline.

Austrian director Wilhelm Thiele is not a notable name in the pantheon of great directors, most of his work was in German language films and he would probably be best known for a brace of Tarzan films in his Hollywood career, not comedy. But he does a very good job of marshalling a first rate cast here in a fun, quickie film version of an adapted stage play. Frank Morgan is the nice, but befuddled and bewildered pater familias at the heart of the story. So valuable was he to MGM, that he was given a lifetime contract! Just the year before, of course, he had memorably played the title role of The Wizard of Oz and interestingly Billie Burke had played Glinda, the good witch, in the same movie, they are reunited in this offering and work well together. Morgan brings his trademark milquetoast character back to good effect here but also is hugely enjoyable when a twist makes him a tongue in cheek, stern authoritarian. His daughter, played by Ann Rutherford is paired with John Shelton to provide the romantic interest and rather than being dull or insipid they spar wonderfully and strike comedic sparks off each other. Rutherford, in particular, is a marvellously spunky ingenue. But this is a cast that bats all the way down and character actors have a field day here; Reginald Owen is great fun as a musician who assumes a disguise, Donald Meek, a delight as a slimy and unscrupulous banker and Nat Pendleton as a lazy lunk and Renie Riano as a tomboyish suitor to him, provide an enjoyably off centre 'romance'. Even Richard Carle in a brief, one scene cameo, makes his Mark as "Old Fishface". Highly recommended to lovers of silver screen comedy.

I think one of the more overlooked actors of his day was Frank Morgan. While he's known today for playing the Wizard in "The Wizard of Oz", he also starred in quite a few charming films for MGM...films that provided him a chance to play a likable fellow. My favorite is "A Stranger in Town"...but this one is awfully good as well.

Vern Adams is a bit of a henpecked milquetoast...and a bit of a nobody. He's a nice enough guy but no one, including his family, takes him very seriously. Out of the blue, he receives a phone call from Australia! It's an old childhood friend who announces he wants to leave $500,000 to his hometown AND he wants Vern to come to Australia, all expenses paid, to see him and discuss what how the money will be used. Suddenly, folks LOVE Vern and he's a hero in his town.

Unfortunately, through a series of bad choices, Vern misses his ship and ends up in jail. No one in town knows this...and when he get out of jail he learns this old friend has died AND left nothing in the will about the legacy. He's worried his friends and neighbors will now hate him...but this turns out not to be the case. Why? Because the ship sank and he's been declared dead...and the family has collected on his insurance policy!! So, his family is in trouble for insurance fraud (after all, they've spent all the money) and Vern has no idea what to do next. How does he extricate himself from this mess? See the film.

As was often the case with Morgan's films, excellent writing and his sweet acting carry the film. Overall, clever, original and well worth seeing.