Aggiungi una trama nella tua linguaA dizzy young woman arranges to turn her inventor-boyfriend's vacation into a chance meeting with a possible investor who happens to be her brother's future father-in-law, and wacky stuff ha... Leggi tuttoA dizzy young woman arranges to turn her inventor-boyfriend's vacation into a chance meeting with a possible investor who happens to be her brother's future father-in-law, and wacky stuff happens.A dizzy young woman arranges to turn her inventor-boyfriend's vacation into a chance meeting with a possible investor who happens to be her brother's future father-in-law, and wacky stuff happens.
- Regia
- Sceneggiatura
- Star
- Premi
- 2 vittorie totali
Dan Dailey
- Bill Ward
- (as Dan Dailey Jr.)
Chet Brandenburg
- Passerby
- (non citato nei titoli originali)
Ralph Byrd
- Businessman in Meeting
- (non citato nei titoli originali)
Bobby Callahan
- Young Boy
- (non citato nei titoli originali)
Drew Demorest
- Reporter
- (non citato nei titoli originali)
Lester Dorr
- Reporter
- (non citato nei titoli originali)
Eddie Dunn
- Policeman
- (non citato nei titoli originali)
Jerry Fletcher
- Photographer
- (non citato nei titoli originali)
Recensioni in evidenza
Ann Sothern is a charming young woman without a brain in her head. Her brother, Dan Dailey, is in love with the daughter of Roland Young. Her boy friend, Ian Hunter, has invented a motor that he wishes to sell to Young. And Reginald Gardiner is a lunatic who drops in when he crashes his plane in the lake.
Nominally based on the Kaufman-Connelly play and the two earlier screen versions (Constance Talmadge in 1923, and Marion Davies in 1930), this version is far too complicated and predictable to suit my taste, even as it clearly shows the workings for the plot calmly advancing beneath its frantic exterior. It's one of the movies made when comedies were not permitted to be about anything real, so they were fast instead, hoping to slip one past the audience -- a Screwball Manqué if you will, in which every situation, every gag, is just what you expect it to be in the set-up. We go into a comedy knowing things will turn out well in the end, Jack shall have Jill, and man his mare. What we hope for are a few surprises on the route there.
This script provides none. Even so, I enjoy the movie a lot, and the reason is the way director S. Sylvan Simon directs his fine cast of comics (Gardiner always excepted), and throws in Billie Burke and Jonathan Hale along the way, and they raise smiles just by their performances. Which is the mark of professionals, able to make something out of nothing.
Nominally based on the Kaufman-Connelly play and the two earlier screen versions (Constance Talmadge in 1923, and Marion Davies in 1930), this version is far too complicated and predictable to suit my taste, even as it clearly shows the workings for the plot calmly advancing beneath its frantic exterior. It's one of the movies made when comedies were not permitted to be about anything real, so they were fast instead, hoping to slip one past the audience -- a Screwball Manqué if you will, in which every situation, every gag, is just what you expect it to be in the set-up. We go into a comedy knowing things will turn out well in the end, Jack shall have Jill, and man his mare. What we hope for are a few surprises on the route there.
This script provides none. Even so, I enjoy the movie a lot, and the reason is the way director S. Sylvan Simon directs his fine cast of comics (Gardiner always excepted), and throws in Billie Burke and Jonathan Hale along the way, and they raise smiles just by their performances. Which is the mark of professionals, able to make something out of nothing.
Bill Ward (Dan Dailey) is in love and wants to marry a lovely lady. So, he invites her and her parents to his lakefront mansion for the weekend. During most of this time, Bill's sister, Dulcy (Ann Sothern) keeps doing things to hurt the girl's father...along with a variety of other people who happen to get in her way.
In the 1930s and 40s, Hollywood made quite a few movies with kooky female leads. Usually they were played by Billie Burke or Gracie Allen or even Katharine Hepburn ("Bringing Up Baby") but "Dulcy" stars Ann Sothern...and whether or not you like the movie will depend a lot on if you like a leading lady THIS stupid, obnoxious AND selfish. Time and again, Dulcy hurts people because she is an idiot that just doesn't give a crap about them or her actions. One person's kooky is another person's vicious sociopath...and I found Dulcy to fall in that latter category and so I found the film tedious and horribly unfunny.
In the 1930s and 40s, Hollywood made quite a few movies with kooky female leads. Usually they were played by Billie Burke or Gracie Allen or even Katharine Hepburn ("Bringing Up Baby") but "Dulcy" stars Ann Sothern...and whether or not you like the movie will depend a lot on if you like a leading lady THIS stupid, obnoxious AND selfish. Time and again, Dulcy hurts people because she is an idiot that just doesn't give a crap about them or her actions. One person's kooky is another person's vicious sociopath...and I found Dulcy to fall in that latter category and so I found the film tedious and horribly unfunny.
... despite the presence of some wonderful actors.
One is hard-pressed to understand why any of these contortions would ever be considered amusing.
The production values are high, but the endless succession of predictable sight gags and cruel mishaps descend into near-gibberish.
Ann Sothern looks lovely, but embarrassed. Even Roland Young, for me one of the most most dependably skilled comic actors ever, just plows ahead dutifully until the whole thing grinds to a halt.
This movie has a great cast of comedians, but even they can't bring much life to a dead script.
Why the script is so dead is the real mystery here. It is based on a Broadway success by George S. Kaufman and Marc Connelly. But if you compare the two works, you see that this movie script was radically altered from the original play.
What we are left with is a lot of slapstick sight-gags, some of which are funny, some not, and a lot of really hairbrained events. No one comes of as even vaguely real.
So, in the end, a fine cast that could have done great things is left high and dry - unlike the characters, who often end up all wet.
Why the script is so dead is the real mystery here. It is based on a Broadway success by George S. Kaufman and Marc Connelly. But if you compare the two works, you see that this movie script was radically altered from the original play.
What we are left with is a lot of slapstick sight-gags, some of which are funny, some not, and a lot of really hairbrained events. No one comes of as even vaguely real.
So, in the end, a fine cast that could have done great things is left high and dry - unlike the characters, who often end up all wet.
Ann Sothern is delightful as "Dulcy," a scatterbrained young woman who makes life miserable for weekend guests. The film stars Dan Dailey, Reginald Gardner, Roland Young, Ian Hunter, and Billie Burke.
After meeting an inventor who can't get a meeting with an airline executive, Dulcy decides to help. She has him come to her house when her brother (Dailey), his fiance, and her parents (Young, a major airline executive and Burke) are coming for the weekend. Chaos prevails on every level.
Fun movie with good performances by everyone, particularly an exasperated Roland Young. A perfect vehicle for Sothern.
After meeting an inventor who can't get a meeting with an airline executive, Dulcy decides to help. She has him come to her house when her brother (Dailey), his fiance, and her parents (Young, a major airline executive and Burke) are coming for the weekend. Chaos prevails on every level.
Fun movie with good performances by everyone, particularly an exasperated Roland Young. A perfect vehicle for Sothern.
Lo sapevi?
- QuizThe original play opened in New York on 13 August 1921, with Lynn Fontanne as the title character. In Dulcy (1940), the book Schuyler Van Dyke is reading, "Nuts! An Intimate Glimpse Into the Life of the American Peanut," originally was "Pschopathia-Sexualis," but was changed at the request of the Hays office. Other changes requested included the studio being warned to eliminate or alter several scenes and lines of dialogue: for example, "the action of Dulcy whispering in the waiter's ear suggests inescapably a toilet gag", and Dulcy's line, "He forced it from my most intimate parts."
- BlooperIn the early part of this film, Dulcy kisses her brother, Bill on his right cheek. In the next scene, when he turns around, the lipstick kiss shows up on his left cheek.
- Citazioni
Dulcy Ward: I'm sure there's no snake in YOUR bed!
- ConnessioniVersion of Dulcy (1923)
- Colonne sonoreSingin in the Rain
(1929) (uncredited)
Music by Nacio Herb Brown
Lyrics by Arthur Freed
Sung a cappella by Dan Dailey in the shower
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Dettagli
- Data di uscita
- Paese di origine
- Lingua
- Celebre anche come
- Dulcy, a Desastrada
- Luoghi delle riprese
- Azienda produttrice
- Vedi altri crediti dell’azienda su IMDbPro
- Tempo di esecuzione
- 1h 13min(73 min)
- Colore
- Proporzioni
- 1.37 : 1
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