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Balla, ragazza, balla

Titolo originale: Dance, Girl, Dance
  • 1940
  • Approved
  • 1h 30min
VALUTAZIONE IMDb
6,8/10
3346
LA TUA VALUTAZIONE
Maureen O'Hara, Lucille Ball, and Louis Hayward in Balla, ragazza, balla (1940)
In celebration of Pride, we recognize these unsung heroes of LGBTQ+ film history and the movies that changed the face of the film industry forever.
Riproduci clip5: 20
Guarda Unsung Heroes of LGBTQ+ Film History
1 video
98 foto
ComedyDramaMusic

Aggiungi una trama nella tua linguaAfter a troupe of danseuses becomes unemployed, one of them takes up burlesque dancing while another dreams of performing ballet.After a troupe of danseuses becomes unemployed, one of them takes up burlesque dancing while another dreams of performing ballet.After a troupe of danseuses becomes unemployed, one of them takes up burlesque dancing while another dreams of performing ballet.

  • Regia
    • Dorothy Arzner
    • Roy Del Ruth
  • Sceneggiatura
    • Tess Slesinger
    • Frank Davis
    • Vicki Baum
  • Star
    • Maureen O'Hara
    • Louis Hayward
    • Lucille Ball
  • Vedi le informazioni sulla produzione su IMDbPro
  • VALUTAZIONE IMDb
    6,8/10
    3346
    LA TUA VALUTAZIONE
    • Regia
      • Dorothy Arzner
      • Roy Del Ruth
    • Sceneggiatura
      • Tess Slesinger
      • Frank Davis
      • Vicki Baum
    • Star
      • Maureen O'Hara
      • Louis Hayward
      • Lucille Ball
    • 47Recensioni degli utenti
    • 34Recensioni della critica
  • Vedi le informazioni sulla produzione su IMDbPro
    • Premi
      • 1 vittoria in totale

    Video1

    Unsung Heroes of LGBTQ+ Film History
    Clip 5:20
    Unsung Heroes of LGBTQ+ Film History

    Foto98

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    Interpreti principali66

    Modifica
    Maureen O'Hara
    Maureen O'Hara
    • Judy
    Louis Hayward
    Louis Hayward
    • Jimmy Harris
    Lucille Ball
    Lucille Ball
    • Bubbles
    Virginia Field
    Virginia Field
    • Elinor Harris
    Ralph Bellamy
    Ralph Bellamy
    • Steve Adams
    Maria Ouspenskaya
    Maria Ouspenskaya
    • Madame Basilova
    Mary Carlisle
    Mary Carlisle
    • Sally
    Katharine Alexander
    Katharine Alexander
    • Miss Olmstead
    Edward Brophy
    Edward Brophy
    • Dwarfie
    Walter Abel
    Walter Abel
    • Judge
    Harold Huber
    Harold Huber
    • Hoboken Gent
    Ernest Truex
    Ernest Truex
    • Bailey #1
    Chester Clute
    Chester Clute
    • Bailey #2
    Lorraine Krueger
    Lorraine Krueger
    • Dolly
    Lola Jensen
    • Daisy
    Emma Dunn
    Emma Dunn
    • Mrs. Simpson
    Sidney Blackmer
    Sidney Blackmer
    • Puss in Boots
    Vivien Fay
    Vivien Fay
    • The Ballerina
    • (as Vivian Fay)
    • Regia
      • Dorothy Arzner
      • Roy Del Ruth
    • Sceneggiatura
      • Tess Slesinger
      • Frank Davis
      • Vicki Baum
    • Tutti gli interpreti e le troupe
    • Produzione, botteghino e altro su IMDbPro

    Recensioni degli utenti47

    6,83.3K
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    Recensioni in evidenza

    7planktonrules

    Enjoyable and a bit like "Old Acquaintance" combined with "Showgirls".

    In some ways, the plot to "Dance, Girl, Dance" is a lot of nonsense. After all, if you are looking for a realistic movie that could happen on this planet, you'd better keep looking. However, if you can accept the film for the campy picture that it is, it is quite enjoyable.

    The film begins with a dance troop. Their performance is interrupted by a police raid and they appear to be out of work when a nice guy (Louis Hayward) encourages the patrons to pay the girls for that show. He then shows a lot of interest in Judy (Maureen O'Hara), but the super self-absorbed Bubbles (Lucille Ball) steals the guy and goes off on a date with him. Although the date turns out to be a bit of a bust, this is the pattern that would continue throughout the film. In other words, although Judy is a nice person and the most talented dancer, Bubbles would routinely step in and hog all the glory. And, in the world of dancing, Bubbles ego-centrism really helps her make a splash with a new job--doing a dance that is only a step or two better than being a stripper. Later, she gets Judy a job--but only in a very subordinate role which is meant to be laughed at by the audience! There is far, far more to the movie than this.

    The best way to describe it is to compare it to two movies--one old, one rather new. It reminds me of a Bette Davis/Miriam Hopkins film called "Old Acquaintance". The two are friends but repeatedly, the one 'friend' takes all the glory and treats her friend poorly. This continues throughout the film until finally the put-upon friend has had enough and she realizes that this friendship just isn't worth it--and finally tells her off. The other film is "Showgirls". While I've never seen all of this trashy film, the behind the scenes backstabbing and egos are clearly evident in both films. Overall, "Dance, Girl, Dance" is entertaining and the ending is pretty satisfying. However, don't expect a film that is particularly realistic or that seems even remotely plausible--though both actresses did a nice job in their respective roles.
    8talisencrw

    A fine film by a great early female Hollywood director!

    A really fun film that I found in my Maureen O'Hara TCM 4-pack that I highly recommend if you enjoy films from that era. I like the two films I've seen so far from Arzner, who was one of the earliest and most successful of female directors and I believe the first openly lesbian one--the other work I've seen of hers is the great pre-Code look at alcoholism, 'Merrily We Go to Hell'.

    This is great if you either like musicals from the era, are a Maureen O'Hara or Lucille Ball enthusiast (holy, she was unbelievably a knockout in her early filmic days!) or are simply curious about the works of early female and/or lesbian directors. Arzner--at least in the two films I have seen from her thus far--showed she truly deserved to be successful in the industry.
    10zetes

    Beautiful, powerful movie

    I love classical Hollywood as much as anyone I know, but I am also aware that the films are often mechanical and emotionally distant. Very few reach the level of Dance, Girl, Dance. The plot is great. It is not exactly original, but it seemed that way to me. I was entirely hypnotized. This is due to the direction, characterizations, and acting. This is one of the few Hollywood films of the era directed by a woman, Dorothy Arzner. Generally, you can't tell this fact, except for in the climactic scene of the film, where Maureen O'Hara delivers a powerful feminist speech. The direction is amazing, but it's definitely subtle and sometimes hard to catch. All the characters in this film, especially the lead two, are very well realized. They're people, and we believed them. The acting is the best of all. Lucille Ball may be best known for her television show, but she was a great movie actress, as well. I can't say that I've seen too many of her films, but it would shock me if she was ever better than she is in Dance, Girl, Dance. She is the spark of the film, and Maureen O'Hara is the emotional core. I think that her part represents one of the best female characters to be found in the cinema. O'Hara is simply fabulous as a ballet dancer who has to lower her artistic standards to make a living. And, like I mentioned before, listen for that speech she gives near the end of the film. I hadn't heard of this film before. I had never heard of Dorothy Arzner. I love the feeling that I've made a major cinematic discovery. This is most definitely one of those. 10/10.
    7bkoganbing

    Two Redheads In Their Salad Days

    Dance Girl Dance tells the story of two redheaded dancers in their salad days. One is Lucille Ball who makes it to the top in burlesque. The other is Maureen O'Hara who has the ambitions and the talent, but not the drive to succeed in classical ballet. She acts as a stooge/foil for Lucy's burlesque act and takes the money as well as the audience jibes that come with it.

    Both of them pique the interest of Louis Hayward a soon to be divorced playboy from Virginia Field. In addition even though O'Hara chickened out of the audition, ballet company head Ralph Bellamy thinks she has that something which will make her succeed in ballet.

    All these lives are tangled up with each other, but the focus is on the rivalry between Lucy and Maureen. It's friendly at times and not so friendly at others. It gets real nasty when the two have a knock down drag out brawl on stage. The customers at the burlesque sure got their money's worth that night, all these two needed was a pit of mud.

    In her memoirs Maureen O'Hara had nothing but kind words to say for Lucille Ball whom she got to be great friends with. She also said that by dint of her training as a Goldwyn Girl, Lucy had quite a head start on her in the dance department. O'Hara recalled the shoot as exhausting but she was proud of the finished product. As well she should have been.

    Lucy also met her leading man from her next scheduled picture Too Many Girls and fell in love with him. That would be Desi Arnaz and we all know where that romance went.

    O'Hara also enjoyed working for Dorothy Arzner and felt that Arzner brought a special dimension to what is a 'woman's picture' since it's about the friendship between two women. In any event Dance Girl Dance is a work anyone associated with it can be proud of.
    7thien314

    Lucille Ball is great in this movie!

    Considering the fact that Lucille Ball has the third name in this movie, she has a very noticeable role that proves she is a great actress. Of course, everybody knows that Lucille Ball is best known for her character in "I Love Lucy," but watching this movie would really surprise you. She does a terrific job as a vain and conceited girl who wants to be on top of everyone. Not to mention, she is very attractive and alluring in this movie. I personally believe that this movie focuses a great deal on Lucille Ball, and that's the best part. "Dance, Girl, Dance" would probably be one of the few movies, where Lucille Ball fans can actually see her terrific talent as an actress on the big screens and on television.

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    Trama

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    Lo sapevi?

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    • Quiz
      Lucille Ball and Maureen O'Hara became inseparable friends while shooting this film, and remained lifelong friends until Ball's death in 1989. O'Hara was having lunch with her when Ball first saw her future husband Desi Arnaz.
    • Citazioni

      Judy O'Brien: Go on, laugh, get your money's worth. No-one's going to hurt you. I know you want me to tear my clothes off so you can look your fifty cents' worth. Fifty cents for the privilege of staring at a girl the way your wives won't let you. What do you suppose we think of you up here with your silly smirks your mothers would be ashamed of? We know it'd the thing of the moment for the dress suits to come and laugh at us too. We'd laugh right back at the lot of you, only we're paid to let you sit there and roll your eyes and make your screamingly clever remarks. What's it for? So you can go home when the show's over, strut before your wives and sweethearts and play at being the stronger sex for a minute? I'm sure they see through you. I'm sure they see through you just like we do!

    • Connessioni
      Featured in Gotta Dance, Gotta Sing (1982)
    • Colonne sonore
      Beer Barrel Polka
      (uncredited)

      aka "Roll Out the Barrel"

      Music by Jaromir Vejvoda

      Lyrics by Wladimir A. Timm (song Skoda lásky)

      English lyrics by Lew Brown

      Played at the Palais Royale Club

      Danced and sung by Lucille Ball and the chorus girls

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    Dettagli

    Modifica
    • Data di uscita
      • 30 agosto 1940 (Stati Uniti)
    • Paese di origine
      • Stati Uniti
    • Lingua
      • Inglese
    • Celebre anche come
      • Dance, Girl, Dance
    • Luoghi delle riprese
      • RKO Studios - 780 N. Gower Street, Hollywood, Los Angeles, California, Stati Uniti(Studio)
    • Azienda produttrice
      • RKO Radio Pictures
    • Vedi altri crediti dell’azienda su IMDbPro

    Specifiche tecniche

    Modifica
    • Tempo di esecuzione
      1 ora 30 minuti
    • Colore
      • Black and White
    • Proporzioni
      • 1.37 : 1

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