VALUTAZIONE IMDb
7,0/10
3341
LA TUA VALUTAZIONE
Dopo che il boss del racket in pensione John Sarto cerca di riprendersi il suo posto e i suoi ex amici cercano di ucciderlo, trova conforto in un monastero e si reinventa come un pio monaco.Dopo che il boss del racket in pensione John Sarto cerca di riprendersi il suo posto e i suoi ex amici cercano di ucciderlo, trova conforto in un monastero e si reinventa come un pio monaco.Dopo che il boss del racket in pensione John Sarto cerca di riprendersi il suo posto e i suoi ex amici cercano di ucciderlo, trova conforto in un monastero e si reinventa come un pio monaco.
- Regia
- Sceneggiatura
- Star
- Premi
- 3 vittorie totali
Dick Wessel
- Buffalo Burns
- (as Dick Wessell)
Recensioni in evidenza
Gangster Little John Sarto (Edward G. Robinson) retires from the racket to "get some class." After that flops he tries to reclaim his old mob, which is now run by Jack Buck (Humphrey Bogart). After nearly being rubbed out and believing his girlfriend (Ann Sothern) set him up, Little John joins a monastery! Entertaining Warner Bros. gangster comedy is helped by fun dialogue and solid cast. Robinson, Bogart, and Sothern are all great. Support from the likes of Ralph Bellamy, Allen Jenkins, Cecil Kellaway, and Donald Crisp. Doesn't launch into the monastery part of the film until about halfway through. It's a fairly routine gangster story for the first half. Although with this cast, fairly routine is still pretty enjoyable to watch.
Brother Orchid (1940)
Edward G. Robinson plays first fiddle here, a mob boss jaded with the business and leaving it in Humphrey Bogart's hands while he goes to Europe. For five years. He comes back broke, and he's surprised he isn't boss anymore. Ha. That's just the first twenty minutes. There are more mob doings, and then it takes an odd couple of twists that give the movie its distinction.
"Brother Orchid" is fast, it's classic mobster stuff, and yet it's never hard edged and mean, as if it knows by 1940 the genre is old and people watching it have a bit of of nostalgia for it. (This isn't really true, however, as Cagney's most polished and possibly best gangster movie was White Heat in 1949. By the way, Cagney was originally slated for Robinson's role.) It is a light comedy around the edges, and Ralph Bellamy is the one truly comic character. But Ann Southern as the lead girl plays a lighthearted moll.
The mood here is to entertain. The title is odd from outside the theater but it makes sense after seeing it, and it's this second half of the movie that makes it all a little too starry eyed, even if it's also tongue-in-cheek. But most of all, it's totally enjoyable. Bogart, who appears really for just a couple minutes of screen time total, is restrained and not the classic Bogart just emerging ("The Maltese Falcon" and "High Sierra" are both 1941). But Robinson is in usual top form, subtle, peculiar, convincing, sympathetic. He even delivers some very sentimental lines with such earthy conviction you can believe him. Almost.
Edward G. Robinson plays first fiddle here, a mob boss jaded with the business and leaving it in Humphrey Bogart's hands while he goes to Europe. For five years. He comes back broke, and he's surprised he isn't boss anymore. Ha. That's just the first twenty minutes. There are more mob doings, and then it takes an odd couple of twists that give the movie its distinction.
"Brother Orchid" is fast, it's classic mobster stuff, and yet it's never hard edged and mean, as if it knows by 1940 the genre is old and people watching it have a bit of of nostalgia for it. (This isn't really true, however, as Cagney's most polished and possibly best gangster movie was White Heat in 1949. By the way, Cagney was originally slated for Robinson's role.) It is a light comedy around the edges, and Ralph Bellamy is the one truly comic character. But Ann Southern as the lead girl plays a lighthearted moll.
The mood here is to entertain. The title is odd from outside the theater but it makes sense after seeing it, and it's this second half of the movie that makes it all a little too starry eyed, even if it's also tongue-in-cheek. But most of all, it's totally enjoyable. Bogart, who appears really for just a couple minutes of screen time total, is restrained and not the classic Bogart just emerging ("The Maltese Falcon" and "High Sierra" are both 1941). But Robinson is in usual top form, subtle, peculiar, convincing, sympathetic. He even delivers some very sentimental lines with such earthy conviction you can believe him. Almost.
Worth renting or catching on late night TV, "Brother Orchid" is a 1940 hybrid, a film that uneasily coasts between comedy and drama. With both Edward G. Robinson and Humphrey Bogart capturing theater marquees with both violent crime and some serious drama roles this film is sort of a detour but it's a good one.
Robinson plays a gangster chief who quits the mob to undertake a long and financially ruinous Grand Tour of Europe. Returning to the U.S. he is astounded to discover that he can't pick up the reins he once held firmly and that his former underboss, Bogart, wants him out of the way - permanently. Bogart's talent is not very much on display in this movie.
Robinson winds up hiding in a friary populated by gentle souls and, of course, his condition is gentled under their patient ministration.
Ann Sothern is terrific as his "fiancee," a gang moll waiting long and patiently for the march to the altar. Ralph Bellamy is amusing as a Western rancher who exudes a patience and understanding more often associated with saints than cowboys.
For those who enjoy the pre-World War II Hollywood crime films this one is just different enough from the formula, and very violent, ones.
Robinson plays a gangster chief who quits the mob to undertake a long and financially ruinous Grand Tour of Europe. Returning to the U.S. he is astounded to discover that he can't pick up the reins he once held firmly and that his former underboss, Bogart, wants him out of the way - permanently. Bogart's talent is not very much on display in this movie.
Robinson winds up hiding in a friary populated by gentle souls and, of course, his condition is gentled under their patient ministration.
Ann Sothern is terrific as his "fiancee," a gang moll waiting long and patiently for the march to the altar. Ralph Bellamy is amusing as a Western rancher who exudes a patience and understanding more often associated with saints than cowboys.
For those who enjoy the pre-World War II Hollywood crime films this one is just different enough from the formula, and very violent, ones.
After a life of leading rackets you retire, intent on broadening horizons rising higher, in the world of upper classes, you'll reside above the masses, until the day that all is spent and you require; so a trip back to the guys to reassert, leaves you running through the hills, shot through, in dirt, double crossed, misled, betrayed, on the brink of your own grave, found and rescued, then encouraged to wear skirt; it takes some time til buds and shoots start to appear, in this world that's rather plain, somewhat austere, a deviation then side-tracks, as you curtail with vengeful axe, to return to those blessed hands, and volunteer.
Ann Sothern is great.
Ann Sothern is great.
Enjoy this movie for two good reasons right off. Edward G. Robinson and Humphrey Bogart. Then, take in the movie as a time capsule enjoying the sights, sounds and slang's of that era. That's what I like about these older movies. You get to see how things were in that generation and in this case that's nearly 80 years ago. The plot is comedy mixed with gangsters and Hollywood never knows how that will be received until after the fact. In this case, the stars and supporting cast pull it through making it a recommendation not to be missed. There are a few scenes that do trigger the emotions and there is nothing you can do about them but to let them have their way. A good movie does this. I like to eat when I watch movies.I recommend a sandwich with a tasty drink followed by some sweet munch for this one...Enjoy Edward G's mannerisms, facial expressions and tones of voice for he had fun doing them. I had fun receiving them....
Lo sapevi?
- QuizOf the five films that Edward G. Robinson and Humphrey Bogart made together, this is the only one in which neither is killed. The other films are Le belve della città (1936), L'uomo di bronzo (1937), Il sapore del delitto (1938), and L'isola di corallo (1948).
- BlooperAs Jack Buck and John Sarto fight, Humphrey Bogart fails to pull a punch and actually hits Edward G. Robinson in the face.
- Citazioni
Brother Superior: When the heart speaks, Brother Orchid, other hearts must listen.
- ConnessioniFeatured in Hollywood and the Stars: How to Succeed as a Gangster (1963)
- Colonne sonoreMy Little Buckaroo
(1937) (uncredited)
Music by M.K. Jerome
Lyrics by Jack Scholl
Played on piano by John Ridgely
Sung by John Ridgely, Tom Tyler and Dick Wessel
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Dettagli
- Tempo di esecuzione
- 1h 28min(88 min)
- Colore
- Proporzioni
- 1.37 : 1
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