La febbre del petrolio

When one thinks of roles identified with Clark Gable, Boom Town does not immediately come to mind. Yet this film, done at what most would consider the high water mark of Gable's career (after Gone With the Wind and before Carole Lombard's death) was possibly his most personal role. Before he was actor Gable worked in the oil fields with his widowed father. After that he decided acting was a far easier way to make a living. But he actually lived the life that he and Spencer Tracy portrayed in Boom Town. He brings more to the part of Big John McMasters than any other part he ever did. I'm sure he was an unofficial technical consultant on the film.

The film is also an ode to laissez faire capitalism, maybe one of the most right wing films ever done in Hollywood. You will never hear Herbert Hoover's rugged individualism better justified than in Spencer Tracy's speech to the jury in Gable's anti-trust trial. One half of the script writing team was James Edward Grant who later did many of the more propagandistic films that John Wayne did.

Frank Morgan is his usual befuddled self, he had a patent on those parts. Claudette Colbert is fine as the woman both men love and Hedy Lamarr was her usual alluring self.

Great entertainment all around.

Boom Town (1940)

An expansive, fun-loving, rags to riches to rags to riches story of early oil prospectors. Wildcatters. Clark Gable and Spencer Tracy make the unlikely pair of men who join forces to strike it rich, and they're both lively and sharp on their game. The main women in both their lives is Claudette Colbert, and of course circumstances make both men fall in love with her. Guess who wins?

As the men find oil, then disaster, then more oil and more disaster, Colbert hangs on. Later in the movie, Gable in New York (during a successful few years) and he is caught up with an urban siren played by Hedy Lamar. To an audience used to film noir, we know she's a classic femme fatale, wanting something she shouldn't have and using what she does have to try and get it.

But this is pre-noir, and of course a Western in many ways. In fact, it's before the U.S. entered WWII, and it's slightly odd to see a sprawling tale of such important seeming events when the big events are happening in Europe. But it's sweeping and convincing in that 1940s Hollywood style that is kicking in, technically flawless, beautiful made in every way.

Throw in four great actors (as well as Frank Morgan, the man who the year before played the Wizard in that Oz movie) and you have a really excellent production. Gable as a youth even worked in the oil industry with his father, so he knew his stuff. Tracy, mad about details in his contact, was unhappy on the set and didn't get along with either woman, and it shows, once you know it.

Why isn't this a great classic, with everything going for it? I think the story. It is filled with so many clichés even these actors, under director Jack Conway, couldn't make it fresh. The clichés are great of course—the rivalry over the same woman, the improbably rise to wealth (and fall), but you see them with familiarity. And the suddenness of huge turns of fate as it propels forward are a bit grand to the point of grandiose. Even the end you can see coming, in the big view.

Still, I'd recommend this for the sheer joy of it all. Of course, Colbert and Gable were famous in the 1934 "It Happened One Night," and it's fun to see them six years later here. But even all the oil industry scenes, including a couple great disasters, are very well done and exciting stuff.

This was the biggest film of the year for MGM in 1940. They used four of their biggest stars, any one of whom could have starred in their own films.

Clark Gable already had an Oscar for It Happened One Night, another nomination for Mutiny on the Bounty, and was nominated in the 1940 Academy Awards for Gone with the Wind.

Spencer Tracy, a nine-time Oscar nominee, already had a nomination for San Francisco, a win for Captains Courageous, and a win the previous year for Boy's Town.

Three-time Oscar nominee Claudette Colbert already had a win for It happened One Night, which she did with Gable, and a nomination for Private Worlds.

Frank Morgan had gotten one of his two nominations for The Affairs of Cellini.

And, our Star of the Month, Hedy Lamarr, was just beginning her career.

This was a raucous film with all the excitement that you would expect in one about wildcatters in the oil business and featured barroom fights, streets of mud, and stories ripped from the headlines. It was an amazing love story about two men in love with the same woman. It was pure entertainment.

A couple of oil-drilling buddies (Clark Gable, Spencer Tracy) strike it rich together. Then a woman (Claudette Colbert) comes between them. Tracy plays O'Brien to Gable's Cagney in this predictable but fun MGM production. All three stars are in good form. Gable gets most of the memorable lines. Hedy Lamarr does well in her villainess role. Nice support from Frank Morgan, Chill Wills, and Lionel Atwill. In addition to Lamarr, Marion Martin provides some eye candy. Action scenes are great but can't mask what is basically a simple soap opera doused in testosterone. Not to mention a love triangle that's pretty weak. It goes on a bit longer than it should but it's still enjoyable. Fans of the stars will like it.

My mother grew up in the East Texas oil boom in 1935. This film closely resembles Kilgore Texas. My whole family has been in the business since the early 40's. My father was burned in an oil field explosion and recovered. The film was done well, showing all of the hard work men endured in the fields. This movie is true and correct showing the hardships of the life in the business, from being dirt poor to having the finer things in life. All of the actor's in this movie closely resemble people we have dealt with over the years. I also enjoyed seeing this move in black and white as it focused on the story line rather than a big color feature. I will definitely watch this move again as it brings home the people that risked there lives to bring a product to the people at the beginning of the industrial age with romance and a little humor. I would recommend it to anyone.