Bad Man from Red Butte

It will help to enjoy and appreciate "Bad Man from Red Butte" if one is already a fan of B-westerns, for the many coincidental chance meetings and not-fully explained relationships can only be accepted if one comes from a place of patient tolerance. The story is fun and is one which allows Johnny Mack Brown to play two parts, one bad (more or less) and one good. There are films of the genre which are anachronistically set in contemporary times, but this one is not clear on that score, not sure whether intentional or not... almost everything points to 1880 or so, but there are scenes here where the town's womenfolk are out and about wobbling along the town's dirt main street and on raised wooden sidewalks in high heels and other fine garb of 1940. Like I say, one must be tolerant. This is a minor movie to be sure, but the many interesting faces and characters make it a fun parade nonetheless. Prolific bad man Roy Barcroft appears in one of his relatively early western villain roles, showing off a fairly slender self! One somewhat unusual element is that JMB has two what could be called sidekicks, one played fairly straight (in the talent of Bob Baker), who really doesn't do much, and the other being a more comedy reliever type (Fuzzy Knight). The film is structurally well-put together, however, and if one just lets it flow without thinking too much it will probably be an enjoyable ride.

In the heart of the Wild West, a mysterious cowboy rides into a small town and is mistaken for his notorious twin brother, wanted for murder. As accusations fly, he must navigate a treacherous path to clear his name and get the varmint who framed him for killing an old rancher.

Johnny Mack Brown plays "twin" again in this snappy western that has a strong plot fitted with enough humour, action and villainous schemes. Fuzzy Knight lends the humour with his magic hair tonic (wish I could have one of those!), Bob Baker is a singing lawyer and Anne Gwyne adds glamour as a schoolteacher. There's a good line when one of the main villain's crooked lawyer (Earle Hodgins) is ordered by Brown to get out of town and to keep riding to Death Valley, and the lawyer replies, "That's illegal," and Brown replies, "well you'll be right at home."

"Bad Man From Red Butte" (there's another one of those "B" western titles) is a disappointing entry in the long running Universal Johnny Mack Brown series turned out in the early forties. This one is one of the so-called "trio westerns" made to compete with the popular "Three Mesquiteers" series from Republic.

The script pulls this one down in spite of the excellent cast and superior production values. Even Brown playing a dual role fails to save it. Most o f it just doesn't make much sense.

The story starts out with grizzled gunman Gils Brady (omigod its Johnny) shooting it out with town boss Benson (Norman Willis) and his henchmen led by Roy Barcroft and Earle Hodgins. The reasons for this difference of opinion are never explained. Brady is wounded and takes refuge in that ever present line shack.

Into the picture ride our heroes Buck Halliday (Brown again), Gabe Hornsby (Bob Baker) and Spud Jenkins (Fuzzy Knight). Gabe is going to open a law practice, Spud is selling his "magic" hair restorer and Buck is to survey for a new stage coach line. He also gets confused with the fugitive Brady. Some town folk think he's Brady, while others are seemingly oblivious to the similarity. School marm Tibby Mason (Anne Gwynne) arrives in town and apparently becomes Buck's love interest (in a "B" series western?). We know this because they announce their engagement at the end of the story. Baker, Knight and Texas Jim Lewis and the Lone Star Cowboys each get to warble a forgettable song.

Anyway, downtrodden rancher Dan Todhunter (Lafe McKee) along with his young grandson Skip (Bill Cody Jr.) are about to lose their ranch to Benson. Buck arranges a loan with the bank to bail them out. When Benson learns of this, he sends his henchies out to murder him. You see, the stage line Buck is surveying will run through, you guessed it, Todhunter's ranch.

Along the way, Buck just happens to come upon the cabin where Brady is hiding. Well, it turns out that we have another case of good twin, bad twin a concept which is never really developed (i.e. no showdown or fight to the finish). We never really find out why the two went their separate ways. Oh well. And, in the midst of all of this, Buck manages to call a snap election to elect Gabe as the new Justice of the Peace. Johnny and the boys finally bring Benson and his cronies to justice as we knew they would.

Brown was a better actor than many of his contemporaries. This is evident in the scene between the two brothers. Starting out as an "A" list player at MGM in the 20s, Brown settled into a long and prosperous career as a series western star that lated well into the 1950s. Baker had just wound up his own series at Universal but adds little to this film. Knight also enjoyed a long career as comedy relief alternating between "A" and "B" westerns.

In the late 30s and into the 40s, the western 'trio' films were popular. What this meant is that to keep up with the mega-stars of Bs (such as Roy Rogers, Gene Autry and Hapalong Cassidy), studios took several second-tier western stars and packaged them as trios...such as The Three Mesquiteers, The Range Busters and the Texas Rangers. So, it's not all that surprising that Universal also tried this with Johnny Mack Brown....giving him not only a sidekick (Fuzzy Knight) but a handsome singing friend (Bob Baker) to round out the trio. Now considering most of Brown's films of this era didn't feature a trio, it seems that such a formula wasn't all that successful with his films.

Part of the plot to "Bad Man from Red Butte" is a very contrived and silly one. It seems that Gils is an evil outlaw and he has an identical twin, Buck (both are played by Brown). When Buck comes to a new town to settle with his two friends, folks there assume he's Gils...and are scared of him because of Gils' evil reputation. But the local evil boss, Benson, is confused...why would Gils get into a fist fight with him? And, why would he suddenly be on the side of law and order?

However, when the film DIDN'T focus on the 'evil twin', it was MUCH better and more interesting...though the local baddie trying to control the town IS a very familiar trope. Enjoyable...but silly due to the twins angle...and it would have at least been a BIT better had the evil twin had an evil twin goatee instead of a boring 5 o'clock shadow!

By the way, the women in this film are all dressed in fashions and hairstyles circa 1940...and the men look more like cowboys. I have no idea why they did this other than laziness.

In the last of six Universal westerns with Johnny Mack Brown and sidekicks Bob Baker and Fuzzy Knight, they ride into town. Baker wants to hang up his lawyer's shingle, Knight to open a store, and Brown is taken by people who mistake him for his identical twin brother, who's helping the bad guy try to take over a ranch.

Yes, it's the old identical tin plot. I've noted before that every long-running B series did it at least once, and Good Guy Brown is taken prisoner and forced to stand trial. Fortunately there's a deus ex machina ending that settles things before the one-hour mark. There's Anne Gwynne as the love interest, the usual background players in westerns, and director Ray Taylor keeps things moving along, with three musical number, and a nice stunt gag in which Our Hero or his double leaves a running horse to jump onto a moving stage coach and grab the reins once the teamster has been shot.