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The Ape

  • 1940
  • Approved
  • 1h 2min
VALUTAZIONE IMDb
4,7/10
2186
LA TUA VALUTAZIONE
Boris Karloff, Ray Corrigan, Gene O'Donnell, and Maris Wrixon in The Ape (1940)
The Ape: Life In That Tiny Bottle
Riproduci clip2: 43
Guarda The Ape: Life In That Tiny Bottle
1 video
7 foto
HorrorSci-Fi

Aggiungi una trama nella tua linguaDr. Bernard Adrian is a kindly mad scientist who seeks to cure a young woman's polio. He needs spinal fluid from a human to complete the formula for his experimental serum.Dr. Bernard Adrian is a kindly mad scientist who seeks to cure a young woman's polio. He needs spinal fluid from a human to complete the formula for his experimental serum.Dr. Bernard Adrian is a kindly mad scientist who seeks to cure a young woman's polio. He needs spinal fluid from a human to complete the formula for his experimental serum.

  • Regia
    • William Nigh
  • Sceneggiatura
    • Adam Shirk
    • Curt Siodmak
    • Richard Carroll
  • Star
    • Boris Karloff
    • Maris Wrixon
    • Gene O'Donnell
  • Vedi le informazioni sulla produzione su IMDbPro
  • VALUTAZIONE IMDb
    4,7/10
    2186
    LA TUA VALUTAZIONE
    • Regia
      • William Nigh
    • Sceneggiatura
      • Adam Shirk
      • Curt Siodmak
      • Richard Carroll
    • Star
      • Boris Karloff
      • Maris Wrixon
      • Gene O'Donnell
    • 69Recensioni degli utenti
    • 43Recensioni della critica
  • Vedi le informazioni sulla produzione su IMDbPro
  • Video1

    The Ape: Life In That Tiny Bottle
    Clip 2:43
    The Ape: Life In That Tiny Bottle

    Foto6

    Visualizza poster
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    Interpreti principali23

    Modifica
    Boris Karloff
    Boris Karloff
    • Dr. Bernard Adrian
    Maris Wrixon
    Maris Wrixon
    • Miss Frances Clifford
    Gene O'Donnell
    • Danny Foster
    Dorothy Vaughan
    Dorothy Vaughan
    • Mother Clifford
    Gertrude Hoffman
    Gertrude Hoffman
    • Jane - Adrian's Housekeeper
    • (as Gertrude W. Hoffman)
    Henry Hall
    Henry Hall
    • Sheriff Jeff Halliday
    Selmer Jackson
    Selmer Jackson
    • Dr. McNulty
    Jessie Arnold
    Jessie Arnold
    • Mrs. Brill
    • (non citato nei titoli originali)
    Billy Bletcher
    Billy Bletcher
    • Short Mustached Posse Man
    • (non citato nei titoli originali)
    Harry C. Bradley
    Harry C. Bradley
    • Quinn
    • (non citato nei titoli originali)
    George Cleveland
    George Cleveland
    • Mr. Howley
    • (non citato nei titoli originali)
    Ray Corrigan
    Ray Corrigan
    • Nabu the Gorilla
    • (non citato nei titoli originali)
    Pauline Drake
    • Young Girl
    • (non citato nei titoli originali)
    Mary Field
    Mary Field
    • Mrs. Mason
    • (non citato nei titoli originali)
    Gibson Gowland
    Gibson Gowland
    • Posse Member
    • (non citato nei titoli originali)
    Julia Griffith
    • Townswoman
    • (non citato nei titoli originali)
    I. Stanford Jolley
    I. Stanford Jolley
    • Ape Trainer
    • (non citato nei titoli originali)
    Stan Jolley
    Stan Jolley
    • Boy in Soda Shop
    • (non citato nei titoli originali)
    • Regia
      • William Nigh
    • Sceneggiatura
      • Adam Shirk
      • Curt Siodmak
      • Richard Carroll
    • Tutti gli interpreti e le troupe
    • Produzione, botteghino e altro su IMDbPro

    Recensioni degli utenti69

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    Recensioni in evidenza

    6gavin6942

    Choppy Video, But Decent Nonetheless

    A local doctor and scientist (Boris Karloff) is working on a treatment for paralysis. He finds the cure requires human spinal fluid. But to get such a thing, he must kill. And then a local circus starts on fire and a murderous ape escapes...

    First, let me give a shout out to director William Nigh of Berlin, Wisconsin. I always have to support my local directors, even if they're dead. And while there was nothing really out of the ordinary as far as directing style, it was good just the same. And Nigh has a history of working with Karloff, which I'm sure helps quite a bit (look at Tim Burton and Johnny Depp).

    This film has a strong point, a weak point and a mediocre pint. The strong point is the plot. My summary will sound strange to those who haven't seen the movie. There is a circus, an ape, a scientist and people are getting killed. It really fits together very nicely, and I found this to be impressive. Many older films fill time with extra fluff, but this one was only the necessities and even that was pretty thorough.

    The weak point is the film quality. I don't think I can blame the movie for its quality, but the sound is not great, the picture is not great, and many frames are missing entirely. Either lost, or filmed with bad equipment. Once I adjusted, this wasn't such a big deal. But other films from this time period have fared better, so I wish this had been one of them. A restored, touched up version of this film would have been vastly superior.

    The mediocre point is the costume designer. The ape was obviously a man in a costume. However, despite this being obvious it was still a very good costume and worked for the sake of the picture. Can I reasonably expect a better ape without a real ape being used (which would be much harder to control, of course)? Perhaps not. So I give them credit for the effort. (And I assume the costume here is much nicer than the one used in the earlier theatrical production.) This film was alright. As far as older, lower quality movies go, I think this is better than much of the stuff we now call "classic". Karloff delivers, as usual... and we get a good story that has a nice dark comedy element to it, or at least an element of sympathy for evil acts. And that's always nice.
    michael.e.barrett

    Karloff and Siodmak add class to ridiculous tale

    It doesn't sound like much of a compliment, but this cheapie was better than I expected, thanks not only to Karloff's sympathetic performance but to a script by Curt Siodmak, who did much better things. Once you accept that the main idea is stupid, you can appreciate that each individual scene is well-written in terms of character development. Everyone is slightly more ambiguous than their stock character usually would be. The "mad" doctor is sincerely concerned with the insipid heroine who reminds him of his daughter, and his madness is a kind of beautiful tragedy. The "good" boyfriend says he doesn't want her hurt, but he also seems jealous of the doctor and resentful that the heroine won't be so dependent on him. There's real tension in their triangle. The hick sheriff is almost sharp enough to figure things out. The town blowhard gets several scenes showing what a well-chiseled wretch he is, especially the scene with his pathetic wife. The small-towners are all various little unflattering types--lazy, suspicious, gossipy, narrow-minded--not exactly an ad for rural life. Karloff's maid seems mute except when she suddenly whispers one word. There's a city doctor who comes on as an antagonist, then gets converted into an ally by Karloff's evidence, and disappears from the movie! There's the wise caretaker, introduced in a surprising pan shot that begins with a black circus worker playing a trumpet for a dancing elephant and ending with the ape being provoked by the rotten trainer. The very ending, too, has a certain power if you meet the movie halfway. The trouble is, just as you're pulled into the simplicity and effectiveness of all these human scenes, along comes another scene with that apesuit to pull the rug out from under the movie's credibility. The ape is the worst thing about THE APE!
    5al-harris

    Karloff makes this B-movie fun to watch!

    Watched this 1940 movie last night and had fun watching Karloff. His scenes as the caring Doctor trying to find a cure for the paralyzed girl (played by Maris Wrixon) were touching and well done. His mad obsession to cure her seemed very believable to me. Though it looks like Wrixon played mostly bit parts during her career, she did a good job in this larger role and she is beautiful. Gene O'Donnell as her protective and jealous boyfriend seemed unrealistic as he took an immediate and illogical dislike to Karloff, the man trying to help his girlfriend walk again. Maybe he thought he resembled some kind of mad scientist, remembering Dr.Janos Rukh in 'The Invisible Ray' or Dr.Ernest Sovac in 'Black Friday.' Of course, this Monogram film is lacking in production values and the supporting cast is for the most part forgettable. And, Karloff has certainly been more fun to watch in some of his other films. The killer ape was a little goofy, as were the never-ending posses hunting him. However, with all that being said, it was still fun to see an old Karloff film, if only for old time's sake.
    6Coventry

    Where would (mad) science be without Boris Karloff?

    In this very short and extremely cheap horror film, horror legend Boris Karloff once again stars as a devoted doctor/scientist on the verge of a big medical breakthrough. He played quite a few similar roles in his rich career and this time he's helping out a young woman who's suffering from an almost terminal case of polio. Dr. Adrian (Karloff's character) has great visions but his experiments are what they call 'unethical' and all the villagers avoid him. When a mad-raving ape escapes from a nearby circus, it brings Dr. Adrian to an idea… 'The Ape' is quite an imaginative and well-intended horror film with a slick plot but unfortunately too little action. It never features a horrific atmosphere and the ape costume isn't exactly convincing. Still, I'd certainly categorize it as a worthwhile horror film if it were only for the performance by Boris (who looks quite thin and unhealthy here, though). In case you're looking for a really excellent film starring Karloff going insane while reaching new medical heights, I strongly recommend purchasing 'Corridors of Blood'. This film would make a neat appetizer before watching that one.
    5AlsExGal

    A ponderous plot and a misnamed film

    I'm not sure what I'd name this film. It was probably named "The Ape" to bring in crowds - thoughts of an ape gone rogue and Boris Karloff creeping about would do so in 1940. Dr. Bernard Adrian (Karoloff) is introduced immediately. He is visiting a girl, Frances, who is paralyzed on what would have been Adrian's daughter's 18th birthday. Both his daughter and wife were lost in an epidemic of what is called "paralysis". It is probably polio, but the disease is never named. The girl is like a second daughter to Adrian, and she has a beau, the rather simple but kindly Danny.

    A local circus goes up in flames and an ape belonging to the circus is on the loose. The ape badly injures his cruel trainer/keeper in the process of escaping and the trainer is brought to Dr. Adrian. Adrian figures the man is going to die anyways, and uses his spinal fluid in a serum he is concocting to help Frances and other paralytics walk again.

    There are several mysteries going on here. The ape only seems to kill people who are evil - you are given a scene in which each of his victims does something awful. How does the ape know? Plus the ape is hanging around the doctor's house. Why?? Also, in one scene the ape is said to be killed but is shown walking about later, still on a mad spree. How?

    Is this all just bad editing? Why are chronically ill young people always shown as so patient and kind in these B films? Will the doctor push the boundaries of medicine too far and have Frances remove the blanket on her legs to reveal hairy ape legs? If so will Danny make a run for it? Watch and find out the ridiculous ending.

    This film is five out of ten just because of Karloff. He creeps up the atmosphere and adds depth to just about any character he plays. Everybody else in the cast is just a cardboard cutout next to him. It makes me wonder why he even did this film. Probably for Karloff completists only.

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    Trama

    Modifica

    Lo sapevi?

    Modifica
    • Quiz
      The final film in Boris Karloff's six-picture contract with Monogram. Filming began 7/29/40.
    • Blooper
      When the doctor is showing off his 'cured' guinea pigs, one of the poor critters falls off the table, at the end of the shot.
    • Citazioni

      Danny Foster: I don't like things I can't understand.

    • Connessioni
      Edited from Under the Big Top (1938)
    • Colonne sonore
      Sobre las Olas (Over the Waves)
      (1887) (uncredited)

      Written by Juventino Rosas

      Played at the circus for the trapeze act

      Reprised as background music on the circus grounds

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    Dettagli

    Modifica
    • Data di uscita
      • 30 settembre 1940 (Stati Uniti)
    • Paese di origine
      • Stati Uniti
    • Lingua
      • Inglese
    • Celebre anche come
      • Apmänniskan
    • Luoghi delle riprese
      • Santa Clarita, California, Stati Uniti
    • Azienda produttrice
      • Monogram Pictures
    • Vedi altri crediti dell’azienda su IMDbPro

    Specifiche tecniche

    Modifica
    • Tempo di esecuzione
      1 ora 2 minuti
    • Colore
      • Black and White
    • Proporzioni
      • 1.37 : 1

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