Ollio sposo mattacchione

While this certainly isn't a great movie and is in many ways pretty forgettable, it is a decent time-passer and worth seeing from a historic sense. This is the only film that Oliver Hardy starred in for Hal Roach Studios without Stan Laurel since they became a team in the late 1920s. However, when Laurel's contract expired he refuses to re-sign as he and Hardy (who was still under contract) wanted to explore other career options other than to continue with Hal Roach Studios. So, Roach decided to try pairing Hardy with a new partner--hoping he and Hardy would catch on and Hardy would soon re-sign with the studio.

Unfortunately, the film lacks the balance of a true Laurel and Hardy film, as Hardy is definitely in the leading role. And, fortunately, Hardy does a pretty good job as the kindly doctor who is befriended by an elephant and he's able to carry this amiable film. Additionally, the movie is very interesting because in a supporting role (one that could have been played by Stan Laurel) was the silent film comedian, Harry Langdon. As there are few of his films still in existence, this is one of the rare chances you'll get to see,...as well as hear him. The story itself is pretty silly but handled so well, you probably will forgive this.

Despite being a story about an Elephant that falls in love with Hardy, you may not like about the film is Stepin Fetchit--the horribly stereotyped Black actor who made a career out of playing some who is dumb and lazy. It's quite a contrast to the role played by Philip Hurlic as 'Zeke'--a smart, precocious and cute Black child. At least there were contrasts, as most of Fetchit's earlier roles provided nothing to balance the negative image.

I have read the post before mine about this movie. Much I do agree with, but I wish to comment a bit more in defense of this movie. At the time, Hal Roach had a contract dispute with Stan. In short, Stan was offered more money then Oliver, and Stan said either pay us equal, or you don't have us anymore. That loyalty is amazing in any era. This movie was suppose to be for the both of them, but had to be re-written for just Oliver. Yes, the movie's writing suffers in many places, as it gets to be too silly, and even racist. However, the actual acting of Oliver, and Billie are truly wonderful, even if their lines were not. I view this movie as a rare treat, a historical footnote in the years of Laurel and Hardy. No, not a classic, nor anywhere near one, but entertaining? Yes. One can not compare this with any Laurel and Hardy movie. That would be unfair. They never knew if they would work together ever again at this point. True, at times I thought the concept of this movie was childish, but in an innocent entertaining way. As if to say we know it is silly, but it is just a silly movie. So no huge amount of thumbs up for this movie, but a nice treat for hardcore Laurel and Hardy fans. I will say though, thank God they got back together again! Ha! Two movies like this would have been a bit much to take Ha!

Oliver Hardy exhibits his talent as a character actor in this well-cast Roach feature. People often make the mistake of expecting a Laurel & Hardy film, which isn't really fair. This is a pleasant diversion, filled with rich characters, including Langdon in perfect form as the owner of a sick elephant.

I had always been interested in watching this curiosity (Oliver Hardy without Stan Laurel!) - however, it finally came about by way of a colorized and atrociously-dubbed version on Italian TV! I don't know if it was intended as such but, rather than Harry Langdon, the character that was made to fill Stan's shoes, as it were (complete with the Italian voice typically associated with him), was Billie Burke - playing Hardy's wife - but she came off as such an irritating dim-wit that I wanted to strangle her!! To make matters worse, with the story taking place in the Old South, we're treated to the unenviable comic relief of Stepin Fetchit (though his antics proved reasonably tolerable, under the circumstances).

Hardy's character, then, isn't the pompous, bumbling and flustered one we'd come to love! Langdon, as the owner of a traveling medicine-show and a pachyderm, is okay (especially during his scenes in court - having learned his deposition by heart, every time he's asked to speak he starts from the very top!); this was only his second Talkie that I've watched - the first occurred only recently with HALLELUJAH, I'M A BUM (1933). Jean Parker and James Ellison provide bland romantic interest and the supporting cast also features Oscar winners Alice Brady and Hattie MacDaniel, but their stereotypical characters - snooty matriarch and black cook, respectively - add very little of substance to the proceedings!

In the end, while the elephant's persistent and awkward devotion to doctor Hardy for having cured her (even disrupting a society party and following him into the court-room!) provides some undeniably charming moments, I think I'd still prefer Laurel & Hardy's maligned vehicles of the 1940s over it...

Since this is Black History Month and I'm reviewing African-Americans on film in mostly chronological order, let's start my review of Zenobia by mentioning three of the players: Stepin Fetchit, Hattie McDaniel, and Philip Hurlic. Stepin (spelled Step'n in the credits) is Zero-the butler. He's quite funny with his talking under his breath about his thoughts every time he gets ordered. Having seen quite a few of his performances now, I have tolerated his presence a bit more because of some of the subtle brightness he brings to his parts. Hattie (whose last name has an 's' added in the credits) brings the same commanding presence that I last saw in Show Boat, which I just watched this morning. And Philip, the kid here that I just saw in The Green Pastures, as Zeke proves to be the most intelligent one in the movie when he recites The Declaration of Independence with the reward being a quarter from Oliver Hardy's character of Dr. Tibbett. They all were fine performances here despite some of the stereotypes they're forced to play. Now, with Hardy briefly split from Stan Laurel (because of the latter's dispute with Hal Roach), he's the carrier of this movie and he does just fine especially in his scenes with Harry Langdon and an elephant, Zenobia, that Langdon-as Professor McCrackle-owns. Those scenes are the most "Laurel and Hardy"-like in the film. Also in fine form were Billie Burke as Hardy's wife, Bessie Tibbett, Olin Howard as Attorney Culpepper, and J. Farrell McDonald, another supporting player from my favorite movie-It's a Wonderful Life (he played the old man whose tree was hit by George Bailey's car), as the Judge. One other note: Jean Parker who plays Hardy's daughter Mary Tibbett here, would later in the year play his potential fiancée in The Flying Deuces which marked Laurel and Hardy's re-teaming. So on that note, I highly recommend Zenobia. Oh, and having just seen the Hall Johnson Choir in The Green Pastures, it's nice hearing them here too.