La storia dell'ultimo crisantemo

I wish I spoke fluent Japanese--then I am sure I could have enjoyed the movie so much more. That's because this movie had horrible subtitles and often sentences or more were simply left untranslated or 50 words in Japanese were distilled down to only 3 or 4 words. In essence, the translators were very lazy and did a terrible job. Some might not mind this, but since I am a very avid fan of Japanese films it seriously detracted from the experience. This does NOT mean it is unwatchable or you should avoid it. In fact, if anyone knows of a better version available to Western audiences, let me know.

The plot itself seems very familiar and is reminiscent of some other films, as its main ideas are respect for your elders and unrequited love. The main character is madly in love with his step-brother's nursemaid and the family strongly opposes it. I don't really think I need to divulge more but felt that the actors did a fine job and the story itself was interesting.

UPDATE: There is a new DVD version from Criterion and I assume it's much better than the DVD I saw. Criterion always seems to do good jobs with subtitles on their film releases.

A towering achievement, a tour de force of cinematic magic. A film that was ahead of it's time just as Jean Renoir and Orson Welles those years... The beautiful very long takes, one after another with elegance, emotions, and not a single close-up take, were something never seen before 1939. One of the greatest and most groundbreaking films ever made.

It's just a shame that this film is not famous, even in the expert cannon. The first decade of Mizoguchi as a filmmaker is overlooked. If you love cinema do yourself a favour and see this film.

Along with "Sisters of the Gion"(1936) and "Osaka Elegy"(1936), "Zangiku monogatari" is a strong candidate for Kenji Mizoguchi's finest pre-war film. It is one of the greatest and most beautiful films I have ever seen - a profoundly sublime, heartbreaking love story between a Kabuki actor(Shotaro Hanayagi) and working class servant (Kakuko Mori) who makes sacrifices to herself to ensure his theatrical success. The film, filled with dazzling long takes and rich Sternbergian compositions, centers on Mizoguchi's characteristic theme: the shallowness of men and the generosity of women. Rarely has a Mizoguchi film seem at once so sublime and devastating in its impact. The final sequence alone is among the finest in all of cinema.

My favorite Mizoguchi remains "The Life of Oharu"(1952); "Zangiku monogatari" is not very far behind.

This is one real powerful and effectively directed movie, that also is fine looking and features some fine acting performances.

It's a quite long movie, which is not really due to its story but more in the way its sequences are handled. Director Kenji Mizoguchi maintains a very slow pace with many long static scenes in it, in which the camera doesn't move and there are no in between cuts. It does work out well though for the movie. It makes the movie visually beautiful to look at but also makes the story more powerful. It's a real fine directed movie, for which the director can not be praised enough. He handles the movie and its story really well and effectively.

The story features some typical and important Japanese themes in it, such as honor and family. Fans of Japanese cinema or Japanese culture will surely get a blast out of this movie. The entire story is set in the Japan, or Tokyo to be precise, of 1885. This means that the movie is also being filled by some wonderful looking sets and costumes.

It's also a pretty well acted movie. Normally I'm not a too big fan of acting in Asian movies but this movie feature some rather realistic performance, that don't ever go over-the-top, which also is a real accomplishment for a '30's movie in general.

Mostly due to its directing approach the movie works out so well and effectively. Because lets be honest, the story itself is actually quite simple and also not something that hasn't done before in any way. It's the reason why director Kenji Mizoguchi is still so loved and appreciated by many, even now, well over 50 years after his death. The themes are all handled well and despite being not too original, it all works out still well and refreshing.

But it's not just a style for everybody though. I can understand that some people might not like watching this movie, since it's pace is so slow and overall cinematic style is so outdated now days. Nevertheless cinematic lovers, or just fans of Japanese cinema, should be able to really appreciate this movie.

9/10

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Fantastically shot and definitely ahead of its time when it comes to its technical qualities (well, the visuals more so than the sound, but you get used to the kind of muffled dialogue pretty quickly). You could tell me it was from the 1950s, maybe even the early 1960s, and I'd believe you.

But it was also so boring and left me incredibly cold. It's like a 9/10 for how it's made, but a 3/10 for how it's written and paced. I'm surprised and jealous that other people seem to get so much out of it. That may sound shallow, or it may seem unfair to say those things, but to me, it's a beautiful and impressive snooze of a film.