I fuorilegge del Wyoming

The 32 year old John Wayne was fortunate enough to have talented writers around him to write novels that could be adapted into vehicles for his career, as well as short stories and screenplays that would immortalise him as the American hero. This film is one such example. When you watch this film you're not watching it for the story (like you would do in 'Rio Grande' or 'The Man Who Shot Liberty Valance'), you're watching it to see John Wayne in action. He is the romantic embodiment of what it was like for the settling community to live in the post-civil war era. Despite the fact that most of these westerns distort history, what Wayne delivers gives you access to his humanity. That's what we like about him.

Interestingly for this routine B-feature, the usual "Three Mesquiteer" characters are not really at the centre of the plot. The story belongs more to 'Red' Barry ("Parker") whose father has been deceived by a crooked politician and so his son ends up having to steal to feed himself and his family. It's when he pinches a cow from Messrs. Wayne, Corrigan and Hatton that the story starts to hot up a bit and, of course, they try to redress the balance for him and his sister "Irene" (Pamela Blake). It's takes a while to get going, this one - but once the scenario has been defined, it moves along nicely with a little more chemistry between Wayne and his female co-star than we are used to. "Ming" himself, Charles Middleton appears sparingly as the hard-done-by father, and LeRoy Mason is adequate - though nothing more - as "Balsinger" - the devious villain of the piece. The film aims squarely at some of the "New Deal" policies of post WWI US governments where opportunists frequently ended up with the whip hand over those who had worked hard during the war feeding the troops, but whose services were now surplus to requirements and they were left very vulnerable to pretty ruthless exploitation.

Although the acting on the part of some of the supporting cast is a bit raw what I really liked it how real the outlaws looked, scraggly hair and beards, missing teeth, etc. Just wondering if that's how they look in real life??? Some of them look as though they really are outlaws or maybe homeless people they found on the street. The special affects were especially cheesy but probably and innovation at the time. Such as the snow, isn't that what our TV screens look like when the cable's out? This is one of the first John Wayne black and white's I have seen since my beginning days of watching his movies. I would rate this as my second favorite in the black and whites.

Wyoming Outlaw is one of the most unusual entries in the Three Mesquiteers series of films. John Wayne, Ray Corrigan, and Raymond Hatton are not the center of the film. The center is Donald 'Red' Barry who plays young outlaw Will Parker who gets befriended by the Mesquiteers even though he tries to steal a steer from them.

This Mesquiteer film is set in the modern west of the dustbowl and has some themes that John Wayne later used in McLintock. During the World War, the cattle country was converted to wheat and after the demand from Europe subsided after World War I a lot of farm land was left arid and abandoned. That is exactly what happened to American agriculture in the boom period of the Roaring Twenties where the farmers did not share the prosperity.

Along comes the New Deal and a lot of local political bosses took advantage of government relief programs to entrench themselves in power. Such a boss is played by LeRoy Mason who was one of the shrewdest villains I've ever seen in a western. In fact during the course of the film, Mason really outsmarts our heroes at every turn as they try to bring him down legally.

Anyway though the Mesquiteers are really subordinate to Red Barry who's tired of having his family exploited by Mason and his gang. Circumstances make him turn outlaw and the chase for him is reminiscent of High Sierra a year later. In fact the just as Humphrey Bogart is referred to as Mad Dog Earle, Barry is called Mad Dog Parker by the radio and print media of the time.

High Sierra was an A film for Warner Brothers and this was just a quickie B western that probably didn't get too much notice. It's a pity that the production values were those of a B film because the story was very well done.

This is one of the few John Wayne Three Mesquiteer films that is not available on VHS or DVD. When TCM shows it again, catch it by all means.

During the course of Republic Studio's Three Mesquiteer series, the composition of this do-gooding trio changed regularly. It changed so often it's hard to keep track of the three actors and the best way to follow the cast change is to look at the excellent Wikipedia article about these films. While he only appeared in about a half dozen of these movies, John Wayne was one of the actors who played 'Stony'....and these Mesquiteer films are a tad better than the rest.

"Wyoming Outlaw" is one of the strangest Mesquiteer films I have seen, if not the strangest. This is because the trio seem more like observers of the action instead of doing what they usually do...solve folks' problems. It also has an incredibly downbeat message...one that must have annoyed audiences, though I appreciated it because all too often the films had nice, happy....and dull endings!

This story finds a senator taking advantage of the folks in his district. Unless people 'voluntarily' contribute to his re-election fund, they suddenly find themselves without jobs or at his henchmen's mercy. The Parker family tries to stand up to these mobsters and the Mesquiteers stand with them.

This film is interesting for some of the actors appearing in the film. Aside from the Mesquiteers (Wayne, Ray Corrigan and Raymond Hatton), 'Red' Barry, Charles Middleton and Elmo Lincoln provide support. Barry was famous for starring in the Red Ryder series, Middleton was 'Ming the Merciless' in the Buck Rogers serial and Lincoln was the screen's first Tarzan, back in 1918.

Overall, a very good installment simply because it isn't all neatly tied up at the end and good doesn't completely triumph over evil.