Il brutto anatroccolo

Disney's track record for adaptations of works of literature is decidedly mixed. This version of Hans Christian Andersen's, "The Ugly Duckling" is one of the most successful ones and quite deservedly won another Oscar for Uncle Walt. It's a beautiful short on all counts-animation, backgrounds, artwork, scoring, eveything-Disney at it's best. When Disney was at their best, no one could touch them. This short does justice to one of the most well-known fairy tales of all time and almost makes up for what they did to Felix Salten's "Bambi". Almost. This one should be in-print and runs on The Ink and Paint Club. An absolute masterpiece and anyone who loves animation has got to see this one! Recommended.

The only reason I give this film a 9 and not a 10 is that it's actually a remake of a film this same studio made eight years earlier. I tend to be a little tougher on remakes plus it just doesn't take nearly as much effort to remake a film instead of do one from scratch. However, despite this concern, I can see why this film received the Oscar for Best Animated Short. It is simply wonderful from start to finish.

First, the animation is exactly what you'd expect from Disney from this era. In the 1930s, no other studio came close in quality of animation and music. The whole package was simply terrific and could not be beat. I particularly loved the wonderful backgrounds as well as the great use of colors--nicely muted and soft.

Second, the story, while very familiar to most, is wonderful. I am not ashamed to admit that by the end of the film, my eyes were very misty--it is a lovely and sentimental film. A joy to watch from start to finish.

'Ugly Duckling (1939)' was the final film in Disney's "Silly Symphonies" series, and was also their only remake of a previous Symphony. Wilfred Jackson's 'The Ugly Duckling (1931)' was a rather primitive black-and-white adaptation of Hans Christian Anderson's famous tale, which drastically altered the original story to make (at least in my interpretation) a rather touching plea for racial tolerance. Jack Cutting's 1939 film is considerably more polished, animated in vivid Technicolor that speaks to the extraordinary degree of prestige that Walt Disney's company enjoyed throughout the 1930s. It is also considerably more faithful to Anderson's story, following the "ugly duckling" around the pond as he attempts to find his place in society. Unlike the 1931 duckling, which was somewhat grotesquely, Cutting's version is cute and likable, if a bit gawky compared to his ostensible siblings. Nevertheless, either bird, however handsomely they are drawn, will immediately capture your heart with their wide-eyed innocence, amplified tenfold by the persecution that they much endure for simply being "different."

The duckling's hatching causes much consternation at the adult ducks' nest, with the father understandably anxious that his wife has apparently given birth to a youngster that quite obviously didn't inherit his genes. After being unceremoniously banished from the duck family, the "ugly duckling" strikes out alone, desperate to find somewhere where he can be accepted for who he is. Glancing down into his reflection on the pond surface, in one of the short's most touching moments, the duckling sees his own reflection, hideously distorted by the water ripples, and breaks into tears. Fortunately, a happy ending is just around the corner, and the duckling's lonely honks of despair are answered in kind by a family of swans, who immediately take our hero under their wing, so to speak. Unfaultable in terms of animation, music and characterisation, 'Ugly Duckling' is a touching celebration of accepting and savouring one's own differences, and was justly awarded with an Oscar for Best Animated Short Film, Disney's seventh Silly Symphony to do so.

The last of the "Silly Symphonies","The Ugly Duckling" demonstrates the heights that Walt Disney and his artists had reached by the late 1930s and early 1940s. In just eight or nine minutes, and without a word of dialogue, we are presented with Hans Andersen's wistful fairy-tale. Exquisite drawings by animators including Milt Kahl and Eric Larson (both of whom would provide major contributions to the feature-length "Bambi")and lush watercolour layouts by David Hilberman combine with elegant camera movement and a lilting score by Albert Hay Malotte to create a miniature jewel of animation. The scene where the little duckling plays affectionately with the wooden decoy duck because it is the only thing in the world not to reject it, is one of the saddest in all cinema. The great Warner Bros animator Chuck Jones acclaimed "The Ugly Duckling" as one of the greatest short subjects ever made - and indeed, it is.

The Ugly Duckling, based on the story by Hans Christian Andersen, is a beautiful short, that not only has a wonderful message(being different can be good) but also has sentimental value. The animation, in Technicolour is truly lovely, and the music is one of the reasons why I have a soft spot for this short, it was so beautiful. The story of the short is simple, and sweet, and doesn't change the message of the original story. The ugly Duckling himself (which of course he isn't)is a really sweet and engaging title character, and when he cries, I can't help it, but so do I, because I really feel for him. He was created so beautiful, that it tugged at my heartstrings when he's sad. And when I saw the Ugly Duckling cuddling his newfound mother, I couldn't help cheering, seeing him so happy. The other characters are also well done. Overall, this is just beautiful, but I warn you, prepare for tears, when watching this, and this is for the title character alone. 10/10 Bethany Cox.