Aggiungi una trama nella tua linguaTorchy Blane and Steve McBride try to nab a gangster by tracking his moll.Torchy Blane and Steve McBride try to nab a gangster by tracking his moll.Torchy Blane and Steve McBride try to nab a gangster by tracking his moll.
- Regia
- Sceneggiatura
- Star
Edgar Dearing
- Jim Simmons
- (as Edgar Deering)
Recensioni in evidenza
They gave Jane a new hairdo and camouflage her as beautiful. Not buying it. Glenda Farrell is one of the prettiest women in Hollywood at the time,wierd replacement. Allen Jenkins always great though. Just a super odd duo,movie isnt bad.
By the way Glendas first "real" Torchy outing was Mystery of the Wax Museum,Glenda at her spunkiest.
By the way Glendas first "real" Torchy outing was Mystery of the Wax Museum,Glenda at her spunkiest.
In court for a traffic ticket, reporter Torchy Blane encounters a shoplifter sentenced to nine months in jail—and later spots said shoplifter in a photo with much sought bank robber Denver Eddie. Torchy loses no time in having herself thrown into jail, befriending the moll, and planning an escape that—she hopes—will lead her to Denver Eddie himself and a great big scoop.
Jane Wyman is a brisk and chipper Torchy Blane, bubbling with self-confidence and bright ideas in this fun final picture in the Torchy Blane series. Wyman also talks fast—though not as fast as Glenda Farrell, who played Torchy in most of the series' previous entries. Wyman's Torchy is perhaps a bit sweeter than Glenda's and not quite as hard-nosed.
Wyman is aided greatly by Allen Jenkins as Lieutenant Steve McBride—annoyed, as always, by his fiancée's superior detecting skills as well as her willingness to poke criticism at his department's failures. Jenkins brings a touch of good humor to the role, at least in comparison with Barton McLane, who was the series' regular Lt. McBride . It's a sour but not really bitter Stevie who complains that Torchy's latest column makes "a hero out of this Denver Eddie punk after we do everything but go through the public schools looking for him."
Tom Kennedy is as much fun as ever as Gahagan, police chauffeur and assistant. This time around we learn that Gahagan was once wrestling champ of the Navy—and has the belt buckle to prove it. He is, of course, pressed into service in the wrestling ring, billed (reluctantly) as "Harry the Horse" and allowed to show off his moves.
Other highlights include Torchy's crime spree—setting off fire alarms all over town in order to get herself locked up. There's also a wonderful "gritty prison picture" sequence that lasts all of about two minutes, in which Torchy and the shoplifter cross paths, form a bond, and plan their breakout; it's brief, but it sure has all the earmarks of a Warner Brothers crime drama for that one (fun but rather incongruous) scene.
The stars work well together; a decent plot, some fair dialog and a little action all add up to a very enjoyable little comedy-mystery.
Jane Wyman is a brisk and chipper Torchy Blane, bubbling with self-confidence and bright ideas in this fun final picture in the Torchy Blane series. Wyman also talks fast—though not as fast as Glenda Farrell, who played Torchy in most of the series' previous entries. Wyman's Torchy is perhaps a bit sweeter than Glenda's and not quite as hard-nosed.
Wyman is aided greatly by Allen Jenkins as Lieutenant Steve McBride—annoyed, as always, by his fiancée's superior detecting skills as well as her willingness to poke criticism at his department's failures. Jenkins brings a touch of good humor to the role, at least in comparison with Barton McLane, who was the series' regular Lt. McBride . It's a sour but not really bitter Stevie who complains that Torchy's latest column makes "a hero out of this Denver Eddie punk after we do everything but go through the public schools looking for him."
Tom Kennedy is as much fun as ever as Gahagan, police chauffeur and assistant. This time around we learn that Gahagan was once wrestling champ of the Navy—and has the belt buckle to prove it. He is, of course, pressed into service in the wrestling ring, billed (reluctantly) as "Harry the Horse" and allowed to show off his moves.
Other highlights include Torchy's crime spree—setting off fire alarms all over town in order to get herself locked up. There's also a wonderful "gritty prison picture" sequence that lasts all of about two minutes, in which Torchy and the shoplifter cross paths, form a bond, and plan their breakout; it's brief, but it sure has all the earmarks of a Warner Brothers crime drama for that one (fun but rather incongruous) scene.
The stars work well together; a decent plot, some fair dialog and a little action all add up to a very enjoyable little comedy-mystery.
I love Glenda Farrell. She is always fun, and she's fun in this series. But the plots are thrown rogether so quickly they frequently make no sense.
Lola Lane was a ghastly substitute in the Panama outing.
In this one, Jane Wyman and Alan Jenkins seem an unlikely couple, to say the very least. However, it has a linear plot that makes good sense and is both exciting and funny (when it wants to be.)
Jane Wyman: such a strange career. She is heartbreaking in "The Yearling" and deserves her Oscar for "Johnny Belinda." And she was a charming light comic before and even these two.
Then she got ultra-serious and made those schmaltzy women's pictures. Douglas Sirk? OK. Fine craftsman. But most of Wyman's output after the early 1950s is a disappointment, though it kept her in the public eye and surely made a good deal of money.
Lola Lane was a ghastly substitute in the Panama outing.
In this one, Jane Wyman and Alan Jenkins seem an unlikely couple, to say the very least. However, it has a linear plot that makes good sense and is both exciting and funny (when it wants to be.)
Jane Wyman: such a strange career. She is heartbreaking in "The Yearling" and deserves her Oscar for "Johnny Belinda." And she was a charming light comic before and even these two.
Then she got ultra-serious and made those schmaltzy women's pictures. Douglas Sirk? OK. Fine craftsman. But most of Wyman's output after the early 1950s is a disappointment, though it kept her in the public eye and surely made a good deal of money.
The ninth and final Torchy Blane movie. This one stars Jane Wyman and Allen Jenkins, replacing Glenda Farrell and Barton MacLane. Tom Kennedy stays on as Gahagan. The plot has Torchy going undercover to prison to get closer to a gangster's girlfriend. Wyman and Jenkins are fun but it's hard not to compare them to Farrell and MacLane, who perfected these roles and had much better chemistry. Ultimately, the individual pieces are greater than the whole here. I can't say I wasn't entertained. A good cast goes a long way. The highlights include Gahagan wrestling, Torchy stopping a prison fight, and characters with colorful names like Denver Eddie.
The trouble with all those Torchy Blane movies were that they were all too similar in plot and style. In other words, if you've seen one, you've seen them all.
Once again, Torchy finds a way to nab a criminal for her policeman pal Steve McBride, with the roles now played by JANE WYMAN and ALLEN JENKINS. Needless to say, they're not a convincing match. Wyman does all of her cutesy tricks that she employed during her early days at Warner Bros., and Jenkins plays a dumb cop in his usual style, for laughs. TOM KENNEDY is still on hand as the bumbling helpmate of the two, this time involved in a wrestling match that spins the film toward its finale.
Fast moving entertainment, it's a B-film that played the second half of a double feature in 1939. Apparently, it didn't catch on as well as the series did with Glenda Farrell in the lead, so it became the last film of the Torchy Blane series.
Once again, Torchy finds a way to nab a criminal for her policeman pal Steve McBride, with the roles now played by JANE WYMAN and ALLEN JENKINS. Needless to say, they're not a convincing match. Wyman does all of her cutesy tricks that she employed during her early days at Warner Bros., and Jenkins plays a dumb cop in his usual style, for laughs. TOM KENNEDY is still on hand as the bumbling helpmate of the two, this time involved in a wrestling match that spins the film toward its finale.
Fast moving entertainment, it's a B-film that played the second half of a double feature in 1939. Apparently, it didn't catch on as well as the series did with Glenda Farrell in the lead, so it became the last film of the Torchy Blane series.
Lo sapevi?
- QuizJane Wyman, who plays Torchy in this film, appeared as the hat check girl in the first Torchy Blane feature.
- BlooperJust after McBride and Gahagan get in to a cab outside the bookstore, there is a close up shot of the license plate which reads "X3075". In the next shot, as the cab pulls up outside a building, the license plate reads "Z8546".
- ConnessioniFeatured in Inside the Dream Factory (1995)
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Dettagli
- Data di uscita
- Paese di origine
- Lingua
- Celebre anche come
- Dead or Alive
- Luoghi delle riprese
- 1355 North Cahuenga Boulevard, Los Angeles, California, Stati Uniti(old fire station No. 27, now LAFD Museum and Memorial - archive footage of fire trucks leaving a fire station)
- Azienda produttrice
- Vedi altri crediti dell’azienda su IMDbPro
- Tempo di esecuzione
- 59min
- Colore
- Mix di suoni
- Proporzioni
- 1.37 : 1
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