La sposa di Boston

This film has a unique place in movie history. The Story of Alexander Graham Bell not only gave Don Ameche his signature role, but Ameche's very name entered the English slang. Still today, a telephone is sometimes referred to as an "ameche."

Bell was a Scottish immigrant who came by way of Canada to the Boston area. At the time the film opens, Don Ameche is a teacher of deaf children. He's also employed as a private tutor to one particular child, Bobs Watson who is Gene Lockhart's son. There scenes have a particular poignancy.

Ameche also woos and wins Loretta Young, a deaf woman who is the son of prominent businessman, Charles Coburn, who later backs him in his scientific work and business ventures.

As you can imagine living in a world with a whole lot of silent people and a natural scientific bent made him curious about sound. In inventing the telephone, Bell sought to break the sound barrier which was then limited by how loud the loudest person could shout.

The famous scene with assistant Henry Fonda when Bell's own voice goes over a wire for the first time is there. And his later patent struggles are also well documented.

But it is Don Ameche's sincere and straightforward interpretation of Alexander Graham Bell that makes this film memorable. And he's matched every step of the way by Loretta Young as his wife. Ms. Young by the way got to be in this film with all three of her sisters, playing her sisters, a rare treat.

Given Bell's lifelong interest in the deaf, I'm sure that today with the invention of TTY lines to help deaf people communicate by phone, he'd be doubly proud of what he had accomplished.

A good film and a great tribute to a great scientific and humanitarian individual.

Irving Cummings does an excellent job directing the cast of assembled actors in this film. The story itself is taken from the memories of the daughter of Alex Bell and follows through with all the trials and tribulations of Bell himself. Beginning with the decision he gave up teaching the deaf and dumb to speak and through the obscure and menial existence of an inventor, up through the difficult task fighting for his invention in court. Don Ameche plays Alexander Graham Bell, who does so with such spirit and vitality, audiences will later realize why this actor is so synonymous with the character. The same is true with Henry Fonda who plays Thomas Watson who also is easily identified with this movie. Loretta Young, Charles Coburn and Gene Lockhart are magnificent and help insure this black and white becomes a solid standard in any collection of what we now understand as Classic films. ****

Don Ameche has the title role in "The Story of Alexander Graham Bell" in this 1939 film starring Henry Fonda, Loretta Young, Charles Coburn, Gene Lockhart, and Spring Byington.

This movie was a big hit - it must have been, because in 1941's "Ball of Fire," Barbara Stanwyck teaches Gary Cooper slang and refers to the telephone as "the Ameche," as others have mentioned here. As far as how accurate the story is - for Fox, not bad at all. The background of Bell's teaching experience and family history of working with speech and sound is correct, he did have a demonstration of his new device, he did have patent problems, he did take on the little boy and Mabel as deaf clients to teach, he did teach finger-spelling, he did have patent problems, he did marry Mabel, their first child was a girl, and Mabel's father was one of his investors. The Fonda character, Watson, was also real, though Bell had two other assistants, and the scene where Bell finds out the telephone works when he calls for Watson is accurate. Also, Bell mentions a great interest in aeronautics in the movie - he indeed did a lot of work in aeronautics later on.

Don Ameche does a great job as Bell. Before Tyrone Power appeared at 20th Century Fox, Ameche was set for many more lead roles; Power's popularity pushed him into second leads. If Ameche seems melodramatic in the courtroom scenes, that was the style of the day. He gives a serious, intense, and sincere performance. It's probably the role for which he's best remembered. Henry Fonda is wonderful - he's funny and relaxed, positively excellent. In another year, he'd be starring in his own movies. Loretta Young as Mabel is believable as well as lovely, and her sisters in real life -- Sally Blane, Polly Young, and Georgiana Young - play her sisters here.

Gene Lockhart as Sanders is another standout in a poignant performance as a man who wants his deaf son to be able to speak. Charles Coburn plays Mable's no-nonsense, gruff father very well.

Considering that the movie "Suez" is fiction from beginning to end, 20th Century Fox is to be commended for bringing so much real history into this film and making it so entertaining.

Story of Alexander Graham Bell, The (1939)

*** (out of 4)

Delightful tale of Alexander Graham Bell (Don Ameche) who while attempting to create the telephone falls in love with a mute girl (Loretta Young). The film really doesn't go into much detail about how the phone was created but instead it focuses on the pain that Bell went through while trying to break through. Ameche is downright brilliant in every shape of the word and his strong performance makes you forget several of the flaws throughout the film. Loretta Young is also very good as his wife and Henry Fonda adds nice support as the assistant. The film has some nice humor to go along with the drama and while I'm sure there are some facts made up, the film is still worth watching if you're a fan of the cast.

If are looking for an accurate and detailed lesson about either the life of Alexander Graham Bell or the invention of the telephone, this film is far from perfect. Often it takes liberties and omissions--all in the aim of producing an entertaining film first and foremost. However, if you understand that it is NOT great history but purely there to entertain, it's pretty good. I would not put in on par with the Edison films at MGM or the wonderful Warner Brothers films on Pasteur and Erlich, but it is quite good.

The movie only concerns the period just before the telephone was invented as well as the process of inventing and marketing the device. So, if you want information about his work as a deaf educator or about his interesting family background, this film is maddeningly silent. I would LOVE to see a film talk particularly talking about his hatred of sign language (as he felt the deaf MUST be forced to learn to talk and function like the hearing) or the disdain many deaf today have for him. Perhaps this sort of discussion would be best dealt with in a documentary, but it IS fascinating stuff.

As far as this film goes, Ameche, Fonda and Young are all very good here, the direction very nice and the entire production is polished and pleasant from start to finish.