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Ombre rosse

Titolo originale: Stagecoach
  • 1939
  • T
  • 1h 36min
VALUTAZIONE IMDb
7,8/10
57.123
LA TUA VALUTAZIONE
John Wayne, George Bancroft, Thomas Mitchell, and Claire Trevor in Ombre rosse (1939)
Theatrical Trailer from Warner Home Video
Riproduci trailer3:29
2 video
99+ foto
AvventuraDrammaOccidentaleWestern classico

Il viaggio di un gruppo di persone in diligenza si complica a causa della minaccia di Geronimo e, nel corso degli eventi, ognuno dei viaggiatori impara qualcosa sugli altri.Il viaggio di un gruppo di persone in diligenza si complica a causa della minaccia di Geronimo e, nel corso degli eventi, ognuno dei viaggiatori impara qualcosa sugli altri.Il viaggio di un gruppo di persone in diligenza si complica a causa della minaccia di Geronimo e, nel corso degli eventi, ognuno dei viaggiatori impara qualcosa sugli altri.

  • Regia
    • John Ford
  • Sceneggiatura
    • Ernest Haycox
    • Dudley Nichols
    • Ben Hecht
  • Star
    • John Wayne
    • Claire Trevor
    • Andy Devine
  • Vedi le informazioni sulla produzione su IMDbPro
  • VALUTAZIONE IMDb
    7,8/10
    57.123
    LA TUA VALUTAZIONE
    • Regia
      • John Ford
    • Sceneggiatura
      • Ernest Haycox
      • Dudley Nichols
      • Ben Hecht
    • Star
      • John Wayne
      • Claire Trevor
      • Andy Devine
    • 494Recensioni degli utenti
    • 100Recensioni della critica
    • 93Metascore
  • Vedi le informazioni sulla produzione su IMDbPro
    • Vincitore di 2 Oscar
      • 10 vittorie e 5 candidature totali

    Video2

    Stagecoach
    Trailer 3:29
    Stagecoach
    Stagecoach
    Trailer 3:27
    Stagecoach
    Stagecoach
    Trailer 3:27
    Stagecoach

    Foto157

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    Interpreti principali70

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    John Wayne
    John Wayne
    • Ringo Kid
    Claire Trevor
    Claire Trevor
    • Dallas
    Andy Devine
    Andy Devine
    • Buck
    John Carradine
    John Carradine
    • Hatfield
    Thomas Mitchell
    Thomas Mitchell
    • Doc Josiah Boone
    Louise Platt
    Louise Platt
    • Mrs. Lucy Mallory
    George Bancroft
    George Bancroft
    • Marshal Curley Wilcox
    Donald Meek
    Donald Meek
    • Samuel Peacock
    Berton Churchill
    Berton Churchill
    • Ellsworth Henry Gatewood
    Tim Holt
    Tim Holt
    • Lt. Blanchard
    Tom Tyler
    Tom Tyler
    • Luke Plummer
    Dorothy Appleby
    Dorothy Appleby
    • Girl in Saloon
    • (non citato nei titoli originali)
    Frank Baker
    Frank Baker
      Chief John Big Tree
      Chief John Big Tree
      • Indian Scout
      • (non citato nei titoli originali)
      Ted Billings
      • Bit Part
      • (non citato nei titoli originali)
      Wiggie Blowne
      • Bit Part
      • (non citato nei titoli originali)
      Danny Borzage
        Ed Brady
        Ed Brady
        • Lordsburg Saloon Owner
        • (non citato nei titoli originali)
        • Regia
          • John Ford
        • Sceneggiatura
          • Ernest Haycox
          • Dudley Nichols
          • Ben Hecht
        • Tutti gli interpreti e le troupe
        • Produzione, botteghino e altro su IMDbPro

        Recensioni degli utenti494

        7,857.1K
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        Recensioni in evidenza

        10ninazero

        Great ensemble western

        I grew up watching the old, crotchety, gruff John Wayne, the iconic hero of the right wing, and even though I'd seen some of his early films on television, I'd forgotten what a sexy and compelling presence he had when a young man. It's easy to see while watching his performance how this film made him a star. As great as Wayne is in this film, he doesn't overshadow any of his fellow performers. Thomas Mitchell plays the drunken doctor thrown out of town, a performance that earned him an Academy Award. Andy Devine is hilarious as the complaining, squeaky voiced stagecoach driver. John Carradine is sleek and snake-like as the gambler. Claire Trevor gives a heartbreaking turn as the good-hearted whore thrown out of town by pious hypocrites. Donald Meek plays his name, a meek whiskey salesman befriended by the whiskey-loving Doc. Each actor quickly and deftly sketches his character so vividly that every performance is memorable.

        But the real star of the show is John Ford, the director. To introduce and define nine characters in the context of a fast-paced western is no easy task, and he accomplishes it in masterly fashion. Much of the action takes place in the limited confines of a stagecoach, but Ford takes advantage of the limits by staging brilliant and subtle bits between characters; John Wayne casts sultry glances at Clare Trevor, who blossoms under his glance, the young calvary wife's eyes glaze over as the banker pontificates, and Doc sneaks sips of whiskey from the samples case while he solicitously keeps the wind from chilling the whiskey salesman. When the action moves outside, he films the action in dynamic angles and stunts that were the most daring of its time.

        If you enjoy westerns and haven't seen this, you have a great night of film-watching ahead of you. And if the last time you saw Stagecoach was some midnight years ago when you wandered home for a bit of the late show before bedtime, watch it again and rediscover what a great western it is
        10Fella_shibby

        The western that made Wayne a major movie star, the western that upgraded the genre from B grade to A grade n the first western that was shot in the beautiful Monument Valley.

        Saw this in the 90s on a vhs. Revisited it recently on a bluray. It is an awesome entertaining film with beautiful scenery n amazing action sequences. The long shots captured the landscapes well, the characters r all very memorable n the tension is maintained throughout, the action scenes were top notch, especially the stagecoach running in the middle of the vast wide open space n pursued by the Indians. Wayne shooting his guns from the top n he controlling the horses were amazing action sequences. This movie did two great things. Wayne became a major movie star n western movies upgraded to A grade. It is also the first western shot in the beautiful Monument Valley. The movie is about a group of passengers who r travelling in a stagecoach. The passengers are given the alarming news that Geronimo is on the warpath and that their lives are in danger but each of the passenges has their own reasons for taking the risk. When the Marshall is informed that an outlaw is present in the destination town, he joins the stagecoach which is filled with a driver whos got a unique voice, a prostitute who has just been forced out of the previous town, a drunken doctor, a pregnant woman, a gambler, a liquor salesman and a crooked banker. Wayne gets a solid entrance after we have heard about him multiple times from other characters. Ringo Kid (Wayne) joins the stagecoach cos his horse has gone lame. He has to surrender his gun to the Marshall n will be arrested once they reach the destined town but our Ringo kid has to settle score with a trio of outlaws who killed his father n brother.
        8ma-cortes

        First adult Western with interesting character studio perfectly played by an excellent plethora of actors

        Classy Western dealing with a motley crew of roles in a cross-country coach beset by Indians and thieves . A voyage throughout Arizona with varied group of characters , a strange assortment of individuals formed by a prostitute (Claire Trevor, who received top-billing) , a coward swank (Donald Meek) , a crooked card-player (John Carradine) turned into protector to pregnant young wife (Louis Platt) , a philosopher alcoholic doctor (Thomas Mitchell , deservedly winner Oscar) , a swindler banker (Barton Churchill) , a sheriff (George Bancroft), a sympathetic coach driver (Andy Devine) and , of course , Ringo Kid (John Wayne , who arose his career languishing in Poverty Row) . The motley crew pull off a journey through Indian territory passing Apache Wells and towards Lordsburg . At the beginning they're protected by a military detachment commanded by a brave lieutenant (Tim Holt). Ringo Kid is an outlaw looking for to revenge the killing his father and brother by the Plummer brothers (Tom Tyler) . The stagecoach is besieged by Apaches and several dangers.....

        The first pairing of Ford and Wayne changed the course of the modern Western turning into adult Western , portraying in depth characters and brooding events with allegorical issues running beneath surface script . But the movie's little budget looked cash well spent when this classic picture earned more than two million dollars on first exhibitions . Based on the story 'Stage to Lordsburg' by Ernest Haycox and this one based on Guy de Mauspassant's novel . Outstanding cinematography capturing the nebulous skies by Bert Glennon and Ray Binger . Thrilling as well as sensitive soundtrack by Richard Hageman based on traditional music . Slick edition by Dorothy Spencer , a woman with a long career during fifty years . Stunning shooting by John Ford in the mythical Monumental Valley , a place that Ford was often to revisit and he befriended Indians tribes . The film won Academy Award for secondary actor , Thomas Mitchell , original musical score and was nominated to best movie for Walter Wanger and major studio , United Artists ; furthermore, for edition and Production Design . Very inferior remake in 1966 by Gordon Douglas with Alex Cord , Anne Margret , Red Buttons , Van Johnson , Mike Connors ; and a forgettable adaptation for TV in 1986 by Ted Post with Willie Nelson , Johnny Cash , Elizabeth Ashley , Mary Crosby , Tony Franciosa , John Schneider and Kris Kristopherson.
        bob the moo

        A great western thanks to the characters

        A stagecoach sets out across the desert with a load of passengers, looking to catch up with a military unit and drop off the wife of the officer in charge. All the other passengers have their own reasons for getting to the destination, including a vengeful outlaw, a prostitute, a drunken doctor and a cad. However the journey is made incredibly hazardous by the fact that Geronimo is on the warpath in the area they must pass through.

        Although I miss seeing the desert landscape in full yellows and blues, this film is one of my favourite westerns and only suffers a little by being in black & while and not really enjoying the visual sweep that later Ford westerns had. The plot is quite simple on one hand - a group battle Indians on their way to a town while some of the characters confront their own battles. However this succeeds because it is more than just a B-movie shoot'em up, it has characters and sub plot.

        The characters may be quite broad and the film may well use them like a disaster movie (set them up just enough to care about and then see who gets knocked down) but it does have touches that improve it. Characters are shunned due to their social status, `good' people are revealed to be not so good as they think themselves while `bad' people reveal themselves to have good hearts and the potential for redemption in their lives. While it isn't earth shattering it is well crafted and well written in the context of the traditional western.

        Wayne is good and this film allowed him to step up from B-movie westerns to the type of films that made his career. The rest of the cast are also good in their various roles, while the characters are broad they all play it well, especially Trevor, Devine, Mitchell and Carradine.

        Overall this is a solid western that has good action (include a great stunt that was lifted directly into Raiders of the Lost Ark) but also has characters and interactions which make for a polished and enjoyable movie.
        9shih_tzu

        Stagecoach, a great movie, a great western.

        I first saw Stagecoach the year it was released 1939, when I was nine years old. I saw it again the other afternoon as a rerun on tv. Despite that technically it is showing it's age, afterall it is 63 years old, and all of it's players are no longer with us, it is still one of the greatest westerns to ever grace a cinema screen. The indian attack, the cavalry to the rescue, the drunken doctor, the bar room floozie with a heart of gold, the gambler, and the hero doing "what a man's got to do" and escaping without a scratch . All the ingredients and more of a classic western but done superbly. Not a scene overplayed, not a (film) shot wasted.

        Trama

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          Yakima Canutt explained how the stunt was accomplished where, as an Apache warrior attacking the stagecoach, he is "shot", falls off his horse, and then gets dragged underneath the stagecoach: "You have to run the horses fast, so they'll run straight. If they run slow, they move around a lot. When you turn loose to go under the coach, you've got to bring your arms over your chest and stomach. You've got to hold your elbows close to your body, or that front axle will knock them off." After the stunt was completed, Canutt ran to director John Ford to make sure they got the stunt on film. Ford replied that even if they hadn't, "I'll never shoot that again."
        • Blooper
          Before Ringo hands his Winchester rifle to Curley after finding him stranded outdoors on the stagecoach trail, he ejects a chambered round, which after flying behind his head, can be heard as a knock as if hitting the soundstage floor. Also, it would have been unrealistic to waste a live round of ammunition with hostile Indians in the area, especially after telling Curley that he (Curley) may need his Winchester.
        • Citazioni

          Marshal Curly Wilcox: Come busting in here - you'd think we were being attacked! You can find another wife.

          Chris: Sure I can find another wife. But she take my rifle and my horse. Oh, I'll never sell her. I love her so much. I beat her with a whip and she never get tired.

          Dr. Josiah Boone: Your wife?

          Chris: No, my horse. I can find another wife easy, yes, but not a horse like that!

        • Versioni alternative
          Also available in a computer-colorized version.
        • Connessioni
          Edited into Laramie (1949)
        • Colonne sonore
          Trail to Mexico (Bury Me Not on the Lone Prairie)
          (uncredited)

          Traditional ballad

          Variations played throughout as part of the score

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        Dettagli

        Modifica
        • Data di uscita
          • 2 novembre 1940 (Italia)
        • Paese di origine
          • Stati Uniti
        • Lingue
          • Inglese
          • Spagnolo
          • Francese
        • Celebre anche come
          • La diligencia
        • Luoghi delle riprese
          • Agathla Peak, Arizona, Stati Uniti(Peak in background at start of stagecoach trip)
        • Azienda produttrice
          • Walter Wanger Productions
        • Vedi altri crediti dell’azienda su IMDbPro

        Botteghino

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        • Budget
          • 392.000 USD (previsto)
        Vedi le informazioni dettagliate del botteghino su IMDbPro

        Specifiche tecniche

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        • Tempo di esecuzione
          • 1h 36min(96 min)
        • Colore
          • Black and White
        • Proporzioni
          • 1.37 : 1

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