Ho trovato una stella

Previous Sonja Henie pictures tended to have some songs meant to possibly be on the Hit Parade, some comedians doing their shtick, with a ridiculous story meant to emphasize the over-the-top-ness of it all. This one has a score by Irving Berlin of which one of his songs mentions not caring if it's a hit or not, humor coming from characterization, with a satiric story that believably turns a bit dramatic. Based on the publicity surrounding the search for the leading lady of Gone with the Wind, Tyrone Power plays a studio executive who finds Ms. Henie in Minnesota and whisks her off to Hollywood for her film debut. Along for the ride is Edna May Oliver as Ms. Henie's aunt. She's quite a hoot here. There's also Rudy Vallee as the studio's musical star who's given a publicity stunt of dating Sonja to the consternation of Mary Healy. I'll stop there and just say that I quite enjoyed this second teaming of Henie and Power and the Irving Berlin songs provided. Also enjoyed, as usual, Ms. Henie's skating numbers. So that's a recommendation of Second Fiddle. P.S. Since I like to cite when someone from my favorite movie-It's a Wonderful Life-is in something else, here it's Charles Lane-that guy in IAWL who told Mr. Potter that he may someday work for George Bailey-using only his voice as the studio head. And it was a nice surprise to find out that Mary Healy was from New Orleans which is only a two-hour drive from my current residence in Baton Rouge, Louisiana.

Darryl F. Zanuck's number one star at 20th Century Fox Tyrone Power had to yield first billing in Second Fiddle to Sonia Henie, a very different kind of star than Zanuck was used to dealing with.

Sonia Henie as movie star could probably best be compared to Esther Williams. Both were female sports stars in their chosen area. Henie's prestige was backed up by the fact that she had taken home the gold in three Olympics in figure skating before going to Hollywood. Esther unfortunately never got to compete in the canceled Olympics of 1940. As stars in their fields they could command big salaries and unlike other stars could make a bundle marketing themselves professionally. Sonia made plenty of money off the Ice Capades, she didn't need to be a film star and Zanuck well knew it.

With that kind of leverage, you'd better make sure you give her the right material and plenty of support. Henie was not an actress, she never claimed she was. Yet Zanuck found stories suitable for her.

Case in point is Second Fiddle, 20th Century Fox's satire on the search for Scarlett O'Hara. Woman of the North is a blockbuster best seller like Gone With The Wind and the studio that bought the rights decides a fresh face is needed. A nationwide talent search is on and Sonia Henie, a fresh faced school teacher from Minnesota, has her picture sent in by her oaf of a boyfriend, Lyle Talbot.

The studio sends young publicity man Tyrone Power out to the frozen north of the continental USA to fetch Sonia back to Hollywood. Going along for the ride is her aunt, Edna May Oliver.

Sonia gets the usual star buildup, but she can't quite understand things in Tinseltown as she's fresh off the farm. Case in point, the publicity inspired romance between her and Rudy Vallee. That gem of an idea will bite its creator Mr. Power right in the hindquarters. It also doesn't sit well with Vallee's main squeeze, Mary Healy.

Irving Berlin wrote the score for Second Fiddle. It was the last of a three picture deal he had with 20th Century Fox that included On the Avenue and Alexander's Ragtime Band. One of the songs of the score, I Poured My Heart Into A Song was garnered for Second Fiddle it's only Academy Award nomination. Unfortunately Judy Garland went Over the Rainbow that year of 1939.

As part of the publicity campaign Power gets to write I Poured My Heart Into A Song and you see him composing it at the piano and singing a bar or two of the lyrics Irving Berlin wrote that he just made up. When you hear Ty sing, you can understand why 20th Century Fox hired John Payne for musicals. Among the things Power was not blessed with was a good singing voice.

Second Fiddle is good entertainment, it's got a nice Irving Berlin score, some well choreographed figure skating routines for Henie, Tyrone Power, and of course Edna May Oliver who brings up the quality of any film she's in.

She couldn't sing, she didn't dance much, and her acting was, well, evident. Nevertheless, Sonja Henie, "Queen of the Ice," became one of the biggest box office attractions of her time as a result of the 12 movies she made between 1936 and 1948. You owe it to yourself to see at least one of these films, none of which are really musicals but which often include a lot of great music. Arguably the best of her figure skating extravaganzas is "Second Fiddle," the story of a Minnesota school teacher whose talent takes her to Hollywood. Sound familiar? Henie was from Norway and was discovered after winning three Olympic gold medals. The Irving Berlin score and the performances of Tyrone Power, Rudy Vallee, Mary Healy, and Edna Mae Oliver are more good reasons to watch this film. And they were right about Henie; you can't keep your eyes off her. If you like what you see, give a try to One in a Million (1936) in which Borrah Minevitch and His Harmonica Rascals provide the laughs. --Musicals on the Silver Screen, American Library Association, 2013

When seen today, Sonja Henie films are incredibly strange and the notion that this Norwegian skating champion could be one of the biggest stars at Twentieth Century-Fox is just baffling. After all, Henie was cute--but not exactly a big star due to her looks. And, in each of her films, they SOMEHOW contrived to get her onto the ice SOMEWHERE!! The films really make no sense...though I must admit that most are still entertaining if you see them today. You just need to be sure to suspend all disbelief, otherwise your brain will nag you with 1001 questions!

The film revolves around a slick publicity agent, Jimmy (Tyrone Power). He's an amazingly good liar--even for a P.R. man and his routine is pretty funny. However, when he gets the smart idea of creating a fake romance between two new studio stars, Roger (Rudy Vallee) and Trudi (Henie), things get complicated. Roger is already in love with another woman and he's apprehensive to play like he's in love with Trudi. Worse, however, is that slowly Jimmy is falling for Trudi himself...but when the plan backfires and Trudi learns that Roger is only PRETENDING to love her, she is furious as well as hurt and leaves Hollywood. What is that weasel, Jimmy, to do?!

In addition to the strange plot, the studio cast Edna May Oliver as Trudi's aunt. This is ridiculous, as Oliver seems about as Norwegian as pizza! And, there are LOTS of ridiculous songs and skating numbers that make the whole thing a bit on the silly side. BUT, the leads try there best and despite all the silliness, it IS enjoyable.

By the way, the studio head who you hear but never see is played by Charles Lane--the old familiar character actor.

Tyrone Power is a publicist who does his job too well in "Second Fiddle," also starring Sonja Henie.

Power plays Jimmy Sutton, who is helping in the search for a star of a movie being made from a best-selling book. This was perhaps inspired by the search for Scarlett.

When they find their girl, she's a Norwegian schoolteacher living in Minnesota. Power sets up a publicity stunt, which is a fake romance between her and another star (Rudy Vallee). He then is responsible for the flowers, the love poems, and finally writes her a song.

By now, of course, he's madly in love with her, and she's in love with Rudy. This is much to the consternation of Rudy's girlfriend, played by Mary Healy.

The two stars are delightful, but of course, some of the best lines are from Edna May Oliver, who is hilarious as Henie's aunt. One line not Oliver's that certainly got a laugh in theaters is from Henie to Power: "You'd be handsome if you took care of yourself." He's pretty dazzling as is.

The Irving Berlin music is okay, but I have to admit my favorite is "Back to Back" which I found lively and fun.

Though skating styles have changed a great deal over the last 66 years, Sonja Henie's skating holds up. She was a graceful, fast skater who could dance and spin magnificently. Back then, the jumps were all singles and landed low, but it's obvious that if she were a young skater today, she would still have what it takes.

Very entertaining.