Private Detective

"The dirty heel," mutters detective Jane Wyman of the Nationwide Detective Agency. She refers to sleazy lawyer Morgan Conway, who is scheming with a client to swipe his own child's inherited fortune.

Soon enough, the client (a first class rat himself) is murdered—but who did it? The lawyer? The ex-wife? The chauffeur? What about the ex-wife's new fiancé?

Jane Wyman is lively and likable in this very entertaining and compact B mystery. Dick Foran co-stars as Wyman's fiancé, a cop working the same murder case. He would very much like for her to hurry up and marry him and "retire" from her job—however, Wyman is always at least a step ahead of him in the investigation, and is clearly the brains of this couple.

Max Rosenbloom is a fellow cop, Foran's partner in crime fighting; part comic relief and part muscle, he breaks down doors and makes encouraging comments. Good old Joseph Crehan is the police captain begging for some results from his detectives. Foran gives it a game effort…but boy, is his character boring! To be fair, I suppose it wasn't his fault that the script gave Wyman all the good lines.

Overall, some good action scenes and rapid dialog delivery—along with Wyman's snappy performance—keep this one moving along nicely.

1939 is considered the top year for classic films from Hollywood with the release of Gone With the Wind, The Wizard of Oz, The Adventures of Robin Hood and countless others, however while all those masterworks were being created it's good to remember that the studios were still cranking out B programmers to fill the bill and this is as good an example of that as any.

Jane Wyman having worked her way through bits and supporting roles has one of her first leads here as Jinx Winslow, girl detective. She's cute and sprightly and in an interesting contrast she has a few scenes with the ill fated Gloria Dickson, a promising contract player until her sad death a few years later in a house fire at just 28. In their scenes the blush of stardom is all over Jane, not only is she far more animated than Gloria but she registers on screen in a way that Dickson does not and never would. A clear demonstration of star quality, Jane is vibrant whereas Gloria is flat, it doesn't help her though that she's made up in the most overdone and unflattering hair and makeup.

As for the rest of the movie and the cast, the story is nothing that hasn't been done a million times but it moves at a good clip and that blank wall of an actor Dick Foran takes up space like he always does, how he worked so much is a mystery

Private Detective (1939)

*** (out of 4)

Surprisenly effective "B" picture from Warner about private (Jane Wyman) and homicide (Dick Foran) detectives, obviously dating, who are trying to find the killer of a millionaire. The homicide detective thinks it was the man's ex-wife who he was in a custody battle with but the private detective has her own thoughts. PRIVATE DETECTIVE is one of those low-budget films that studios were pumping out back in the day to fill up second bills or to try and push new talent onto film-goers. There's no question that I've seen dozens, if not hundreds, of these mystery movies but this one here is certainly among the most entertaining and it's a real shame that it's not better known. I'd also add that it's a shame Wyman and Foran didn't get to do this as a series because the duo have a terrific chemistry together and when they fight they seem like a real couple. Both stars do a very good job here and they certainly help sell the film. Even though it only runs 56-minutes there's a pretty good story here for them to work with. Wyman is extremely adorable in her part of the private detective who is constantly getting herself into trouble by trying to figure out the truth. Foran is also impressive in his part as the tough guy and he not only has great chemistry with Wyman but also Max Rosenbloom who plays his partner here. All three actors really help sell the film as does supporting players John Ridgely and Morgan Conway as a jerk lawyer. What also helps push the film over the edge is the very strong direction by Noel Smith. He certainly brings quite a bit of style to a film like this and I'd argue that it's the perfect example of a pre-noir. It's not too hard to figure out who the killer is but this doesn't hurt the film because the screenplay offers up several nice twist and turns along the way. Fans of the genre will certainly want to check this one out.

Millard Lannon and his wife Mona are battling for the custody of their son Bobby who inherited $5 million from his grandfather. Private detective Myrna Winslow (Jane Wyman) refuses to testify for Millard who only wants the money. She quits and proposes marriage to police detective Jim Rickey (Dick Foran). Millard with his lawyer Nat Flavin calls in a fake threat from Mona. Mona comes to see her son Bobby. Millard is shot dead. Mona runs away. With a neighbor as a witness, Mona is immediately the prime suspect. Myrna and Jim investigate from opposite sides.

It's under an hour and it's fine. Jane Wyman plays a good wildcat investigator. Foran is rather forgettable. As a crime story, it's all fairly straight forward. Mona's innocence is never in doubt. It would be more compelling to have Rickey and Winslow team up. That way, they can develop more combative chemistry and take this movie to the next level. In general, it's pretty basic and fine.

This is a fairly good B murder romance along the lines of the Torchy Blaine series (although the Torchy Blaine flicks were a tad more entertaining). It is obvious this early in her career that Jane Wyman is headed for star status which eventually earns her the Oscar for "Johnny Belinda." Dick Foran is actually better in a romantic police lieutenant lead than he was in the saddle. His singing cowboy westerns left much to be desired. And actually Slapsie Maxie Rosenbloom handles himself quite well as a comic foil, much better than many of his goofy, stupid counterparts in all those B detective movies of the 30's and early 40's. The story is not bad either and well-suited for its 55 minute time slot. A minute more would have been too long for this type movie, which in many ways is similar to the 30 to 60 minute TV shows of early television. Directors of today should learn that two hours or more is too long for most films. Much of the movie is routine but such talent before the camera makes it entertaining. If you enjoy the genre, then you should be pleased with this entry.