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IMDbPro

Avventurieri dell'aria

Titolo originale: Only Angels Have Wings
  • 1939
  • T
  • 2h 1min
VALUTAZIONE IMDb
7,6/10
16.707
LA TUA VALUTAZIONE
Cary Grant, Rita Hayworth, and Jean Arthur in Avventurieri dell'aria (1939)
Guarda Official Trailer
Riproduci trailer2:53
1 video
78 foto
AvventuraDrammaRomanticismo

In un remoto porto commerciale sudamericano, il manager di una compagnia di trasporti aerei è costretto a rischiare la vita dei suoi piloti per vincere un importante contratto.In un remoto porto commerciale sudamericano, il manager di una compagnia di trasporti aerei è costretto a rischiare la vita dei suoi piloti per vincere un importante contratto.In un remoto porto commerciale sudamericano, il manager di una compagnia di trasporti aerei è costretto a rischiare la vita dei suoi piloti per vincere un importante contratto.

  • Regia
    • Howard Hawks
  • Sceneggiatura
    • Jules Furthman
    • Howard Hawks
    • Eleanore Griffin
  • Star
    • Cary Grant
    • Jean Arthur
    • Rita Hayworth
  • Vedi le informazioni sulla produzione su IMDbPro
  • VALUTAZIONE IMDb
    7,6/10
    16.707
    LA TUA VALUTAZIONE
    • Regia
      • Howard Hawks
    • Sceneggiatura
      • Jules Furthman
      • Howard Hawks
      • Eleanore Griffin
    • Star
      • Cary Grant
      • Jean Arthur
      • Rita Hayworth
    • 107Recensioni degli utenti
    • 110Recensioni della critica
    • 86Metascore
  • Vedi le informazioni sulla produzione su IMDbPro
    • Candidato a 1 Oscar
      • 5 vittorie e 1 candidatura in totale

    Video1

    Official Trailer
    Trailer 2:53
    Official Trailer

    Foto78

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    Interpreti principali48

    Modifica
    Cary Grant
    Cary Grant
    • Geoff Carter
    Jean Arthur
    Jean Arthur
    • Bonnie Lee
    Rita Hayworth
    Rita Hayworth
    • Judy MacPherson
    Richard Barthelmess
    Richard Barthelmess
    • Bat MacPherson
    Thomas Mitchell
    Thomas Mitchell
    • Kid Dabb
    Allyn Joslyn
    Allyn Joslyn
    • Les Peters
    Sig Ruman
    Sig Ruman
    • Dutchy
    • (as Sig Rumann)
    Victor Kilian
    Victor Kilian
    • Sparks
    John Carroll
    John Carroll
    • Gent Shelton
    Don 'Red' Barry
    Don 'Red' Barry
    • Tex
    • (as Donald Barry)
    Noah Beery Jr.
    Noah Beery Jr.
    • Joe Souther
    Manuel Álvarez Maciste
    • The Singer
    • (as Maciste)
    Milisa Sierra
    • Lily
    • (as Milissa Sierra)
    Lucio Villegas
    • Doctor
    Pat Flaherty
    Pat Flaherty
    • Mike
    Pedro Regas
    Pedro Regas
    • Pancho
    Pat West
    • Baldy
    Enrique Acosta
    • Tourist
    • (non citato nei titoli originali)
    • Regia
      • Howard Hawks
    • Sceneggiatura
      • Jules Furthman
      • Howard Hawks
      • Eleanore Griffin
    • Tutti gli interpreti e le troupe
    • Produzione, botteghino e altro su IMDbPro

    Recensioni degli utenti107

    7,616.7K
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    Recensioni in evidenza

    8suttonstreet-fb

    Made me want to become a pilot and learn how to smoke

    This is a great old movie, back in a time when men were men and women were all former showgirls or something. Men flying airplanes, men flying airplanes through obscured mountain passes during violent rainstorms, men dropping nitroglycerin on condors (but just wait, they will get their revenge), men dying, their friends dealing with death the way men should -- with denial and booze. Set in one of those remote, out-of-the-way jungle locales where miraculously everyone crosses paths, kind of like Casablanca but with a lot more rain. The pilot who bailed out and left his mechanic behind to die meets up with the brother of said mechanic, and the brother ain't too happy about it. But through an inevitable turn of events they end up together in a burning plane and have to bail, but one of them can't. What would you do? The pilot's wife is a real looker, Rita something, but our hero is shocked to realize she is the old flame who crushed his heart. Is that really you Judy, Judy, Judy? (yes, this is the movie where Cary Grant never actually says this). There are so many situations that make no sense. The girl from Kansas or Maine or golly geewillikers I'm not sure where spends about 10 minutes getting the cold shoulder from our hero, and then goes on to confide her worries about whether it is right to tie him down. Well, he is Cary Grant, so I guess it is these leaps of sudden commitment aren't too fanciful. When the "Kid" fails his eye test, Cary tells him he is through flying. That's right, there is not a single optician in all of South America.

    In short, I loved this movie. Made me want to become a pilot and learn how to smoke. It will have the same effect on you too.
    8antcol8

    A man's gotta do...

    This film is relentlessly male and relentlessly American. It functions brilliantly within the Hawksian "system" where male bonding is key, and where Woman is an outsider. Where romance is a minor part of life and where love is expressed through symbols and not through language. The group of professionals and their easy, jocular interaction is the beating heart of this film and all the group scenes are brilliantly directed. I also like the element of screwball comedy (a genre in which Hawks is one of the few masters) which presents itself in Grant and Arthur's "coffee" scene. It shows how much Hawks trusts his actors and his material in that he knows that such changes of tone can strengthen, rather than weaken, the key drama. I love this film even though its presentation of the world is not the one I'm the most sympathetic to. The film is not incredibly strong in psychological nuances - not when compared to directors like Sirk, Fuller, Welles, N. Ray, etc...and the basic tone is that of a stoicism which occasionally cracks (slightly) under pressure, but which almost immediately reestablishes itself. It's an attractive world view, but not one I'm incredibly comfortable with. There is no place here for ambiguity - not on any deep, non - localized level. I've been reading some Hawks interviews, and I now understand why Hawks was uncomfortable with being labeled an "artist". His attitude towards films and film-making is clearly the same as the attitude of the men in this film towards their work and their lives (and deaths). It's simple: you're either good enough or you're not, and you're only as good as your last flight. This identification between the man (Hawks) and his production (Only Angels Have Wings) helps to illuminate the greatness of the film, but it also explains its emotional and aesthetic limitations.
    8dabrams-2

    This film flies on Hawks' wings

    For a remarkably compelling story about a fly-by-the-seat-of-their-pants airmail service in South America, director Howard Hawks has assembled a cast that includes Cary Grant as the airline's owner and Jean Arthur as a tourist stranded between boats who catches his eye. While the performances are all superb (especially Thomas Mitchell as the veteran pilot Kid), it is Hawks who turns a rather ordinary plot into an extraordinary film. Watch this movie for its visual style and atmospheric mood (note especially how Hawks fills the frame with actors while Arthur and Grant are sitting at the barroom piano), and be prepared for the ride of your life!
    7masonfisk

    HAWKS AT HIS FLINTY BEST...!

    Cary Grant & Jean Arthur star in this Howard Hawks adventure film from 1939. Arthur is between cities finding herself in Peru where Grant runs a ragtag band of pilots ferreting mail from one dangerous locale to another. When one of his pilots buy it, a new one (who actually caused the death of a co-worker some time before) along w/his wife (an early turn by Rita Hayworth) enter the mix livening the atmosphere for the worse as suspicions mount & the increasing perils of the flight trade begin to take their toll on Grant & the men who look up to him. Now don't get me wrong, this is a good film but it could've been better if the obvious love triangle of Grant, Hayworth & Arthur were better delineated (Arthur sometimes disappears for stretches at a time) but even lesser Hawks is still Hawks. Look for Noah Beery Jr. as the first doomed pilot who would later gain fame as James Garner's dad on the Rockford Files.
    9ruby_fff

    Not just another Hawks and Grant film - it's a lot more than meets the eye

    This may be an overlooked Howard Hawks film. It's really a thoughtful film with substance under the guise of Hollywood famous stars and lively screenplay banters. Subject touches on death just 20 minutes into the film. Certainly no dull pacing. It has golden segments, like the exchanges between Grant and Barthelmess, Grant and Mitchell, Mitchell and Arthur, Arthur and Grant, and 10 minutes later, we see people gathered round by the piano singing songs and cajoling - not without sorrow beneath. Be not fooled, sentiments are there for friends passed away. It's not, but it is, a way of handling grief.

    It's life, matter of fact and not hung up or lingering, simply moving on, devil may care, with boldness, dare, and risk-woe-begotten (or forgotten, for that matter). Men - one track-minded, to fly to deliver no-matter-what. Women - worry, or why worry. To love the man, much of letting go and let him be comes with the territory, even if it's Jean Arthur or Rita Hayworth. The story revolves around not just Cary Grant's Geoff leading the pack in the Andes, but also Thomas Mitchell's brother gone, Richard Barthelmess' past recur, Rita Hayworth's nostalgic fear, and the spunky, sentimental Jean Arthur's Bonnie wraps it all up. The supporting cast aptly contributes from the restaurant-hotel-mailing service owner, the lively South American accents and melody, to the pilots who are green and know not what peril is, and the lone fog-watcher and his donkey. Secrets revealed, conflicts challenged, and there's a growing promotion of trust through it all. Between business partners, colleagues, friendship or marriage - that unquestionable trust, without asking out loud but understood within - is what life and dare all about.

    This film grew on me. I first saw it on cable TCM the latter half and couldn't wait to catch it again for the full story. Screenplay by Jules Furthman, music score by Dimitri Tiomkin, directed and produced by Howard Hawks, "Only Angels Have Wings" 1939 (available on DVD) is full of life, humor, drama, adventurous spirits, and non-stop exchange of word deliveries - entertaining, enjoyable, and heart-warming.

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    Trama

    Modifica

    Lo sapevi?

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    • Quiz
      Howard Hawks had known a real-life flier who once parachuted from a burning plane. His co-pilot died in the ensuing crash and his fellow pilots shunned him for the rest of his life.
    • Blooper
      Early in the movie, when Tex the lookout radio man says, "OK, it's open", the whole mountain range in the background shifts slightly to the right. (Apparently, someone was moving the set backdrop or bumped into it while the scene was being filmed.)
    • Citazioni

      Kid Dabb: The boat doesn't stop at Santa Maria this trip.

      Geoff Carter: Why not?

      Kid Dabb: They have no bananas.

      Geoff Carter: They have no bananas?

      Kid Dabb: Yes, they have no bananas.

    • Connessioni
      Edited into Addio al linguaggio (2014)
    • Colonne sonore
      Gwine to Rune All Night
      (aka "De Camptown Races") (uncredited)

      Written by Stephen Foster

      [Piano background music played in the restaurant]

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    Dettagli

    Modifica
    • Data di uscita
      • 2 febbraio 1942 (Italia)
    • Paese di origine
      • Stati Uniti
    • Lingue
      • Inglese
      • Spagnolo
    • Celebre anche come
      • Sólo los ángeles tienen alas
    • Luoghi delle riprese
      • Columbia/Warner Bros. Ranch - 411 North Hollywood Way, Burbank, California, Stati Uniti
    • Azienda produttrice
      • Columbia Pictures
    • Vedi altri crediti dell’azienda su IMDbPro

    Botteghino

    Modifica
    • Lordo in tutto il mondo
      • 8554 USD
    Vedi le informazioni dettagliate del botteghino su IMDbPro

    Specifiche tecniche

    Modifica
    • Tempo di esecuzione
      • 2h 1min(121 min)
    • Colore
      • Black and White
    • Proporzioni
      • 1.37 : 1

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