The Night Riders

Confession: I nearly always find early b-Westerns more or less enjoyable, there's usually a lot of pleasant easy familiarity and a lot of dated stuff that can or should be forgiven. Just switch off the analysin'. John Wayne made approximately one million of these swift potboilers before he made his name – the same year as Night Riders. Even good old Gene Autry didn't make as many.

Baddies forge old document proving the legality of their claim to thirteen million acres of land – they promise fairness to the tenants but deliver harshness, endless taxes and death instead. How very like all politicians always! Wayne and his two sidekicks object to this and begin a fightback as mysterious caped crusaders – Los Capaqueros replacing The Three Mesquiteers. It's the usual stuff, sub-Zorro fisticuffs and shootouts complete with self conscious melodrama: therefore all I'd hoped for, nothing more. Wayne's cohorts Ray Corrigan and Max Terhune kept on mining the b-picture vein throughout the '40's while Wayne began his climb to superstardom and the making of many movie classics. Highly enjoyable non-serious time-filler!

The film essentially begins with the Three Mesquiteers traveling on a riverboat when they witness a card shark by the name of "Pierce Talbot" (George Douglas) being called out for cheating and getting into a fight over it. Things quickly escalate from that point when Pierce is thrown overboard after drawing a knife. Managing to reach the riverbank, Pierce eventually finds refuge in a house owned by fraudster by the name of "Hazelton" (Walter Wills) who has drawn up a phony deed to a tract of land encompassing over 13 million acres with the owner being a man that greatly resembles Pierce. As one might expect, it isn't long before Pierce assumes the name of this owner and, once the deed is accepted in court, he immediately lays claim to everything. Naturally, this causes a great deal of concern with the people who have already settled on this land and subsequently have to pay Pierce--now known as Luis de Serrano--an excessive price just to stay there. To that effect, a great number of these settlers are soon forced off of their ranches due to the exorbitant rent being charged--and that includes the Three Mesquiteers. That said, recognizing the inequity of the situation, the Three Mesquiteers don disguises and, under the alias of "Los Capaqueros" start robbing the rent collectors give the proceeds to those who need it the most. Needless to say, this angers Pierce to such an extent that he issues a bounty for their capture--dead or alive. Now, rather than reveal any more, I will just say that this was an entertaining addition to the Three Mesquiteers series due to the brisk action and the "Robin Hood" nature of the overall plot. Admittedly, there are a few issues that strain credibility--with the main one being the pure white horse owned by "Tucson Smith" (Ray Corrigan) being identical to the one ridden by a member of Los Capagueros. Yet nobody seemed capable of making that rather obvious connection. Only in Hollywood. In any case, although this clearly wasn't a great Western by any means, I thought it was one of the better films in the series, and I have rated it accordingly. Slightly above average.

The Three Mesquiteers were able to jump through time from one film to another. In The Night Riders, newspaper headlines are used in transitions between scenes, and those newspapers show dates in 1881. So, there are no automobiles or radios in this one, just horses and telegraphs.

There is a nice plot that sets up the action for The Night Riders. A corrupt former engraver for the U.S. Mint and a crooked riverboat gambler team up to pull off a land swindle using a forged Spanish land grant. The forger, Hazleton, orchestrates everything by having Talbot, the gambler and former actor, pose as Don Luis Serrano. Immediately they start taxing and evicting the settlers on 13,000,000 acres of land.

The Don's henchmen and an apprehensive sheriff run the Mesquiteers off of their ranch, and the Mesquiteers see others dealt the same fate. Stony makes a perfect John Wayne speech about what America means, and writes to President Garfield for help. The President is bound by the laws of the country and cannot help. Not content to let the Don take every settler's land, the Mesquiteers become Los Capaqueros, three masked riders that rob the tax collectors and give the money to ranchers facing eviction. As Los Capaqueros, the Mesquiteers accidentally meet with President Garfield, who is on a cross country tour. Garfield promises his help if the Mesquiteers can find evidence of something illegal. Eventually the Don raises an army to search for Los Capaqueros, and the Mesquiteers find a way to get themselves included so they can infiltrate the Don's compound. Stony is determined to prove that the Don is really Talbot. Everything ends with justice being served in Mesquiteers fashion.

I have not seen all of the Mesquiteers films, but I have never seen a "3 M Ranch." Perhaps it only existed for this one film as a plot device. In almost every other movie the Mesquiteers have been some kind of federal agents, but in The Night Riders they have absolutely no connection with law enforcement at all. I must assume that the script was written without the Three Mesquiteers in mind, and adapted to fit the team later.

The Night Riders has a cast with many of the B western regulars. It was fun looking for all the familiar faces. Glenn Strange and Horace Murphy are uncredited, but they both have more significant parts than the credited Tom London. Kermit Maynard had been a leading man shortly before this film. Sadly, he was destined to play supporting parts from around the time this movie was made onward. It was interesting to see Tom Tyler as one of the bad guys, because within a couple of years he would play the part of Stony Brooke through the end of the Mesquiteers series.

Talbot uses a phony land grant to rule thirteen million acres, taxing everyone heavily and evicting those who won't pay. The Three Mesquiteers becomes mysterious "night riders" to fight this evil.

Typical Three Mesquiteers entry that has a right amount of humour, intrigue and action. This time the trio are wearing masks and capes while fighting against greedy landowners. Therefore this entry has a swashbuckling feel a la Zorro but without swords. Enjoyable western.

By this time Wayne was a big star - thanks to Stagecoach- however he had to complete Mesquiteers films for republic. In the Mesquiteers he's quite cheerful and takes leadership.

An American Western; A story about a villain who impersonates a Spanish nobleman and uses a phony land grant to tax tenants heavily and evict homesteaders who won't pay. This interests a trio of heroic cowhands from Texas. This Three Mesquiteers programmer, hastily produced, themed on Robin Hood, is in fact based on the real-life account of James Addison Reavis, a 19th-century con artist who declared himself owner of the state of Arizona. Although it has a flimsy script, with John Wayne at the helm it chugs along well with good action set pieces, chases and scraps as distraction. George Douglas makes a good foe, leader of the ruthless henchmen. There's a boisterous finale with plenty of din before things are resolved cleanly, tied up in a bow.