Nancy Drew and the Hidden Staircase

I stumbled upon this series, courtesy of TCM, and was pleasantly surprised by their almost effortless charm. Bonita Granville was especially well cast as Drew, and cohort Frankie Thomas shared a good onscreen chemistry with her. I too wish there were more episodes in this underrated series; one can still appreciate its breezily innocent yet often witty qualities--all too rare to find let alone do nowadays. It remains a homage to the skills of workaday backlot Hollywood, circa 1939, showcasing plenty of talent for an otherwise unassuming footnote in the Warner Bros. vault. Thanks again, TCM.

Fourth and final entry in the wonderful Nancy Drew series starring the ever-adorable Bonita Granville. This time out Nancy's trying to help a couple of elderly sisters. They want to donate their mansion for a children's hospital but their father's will stipulates the ladies must live in the house every night for twenty years before it's theirs. With two weeks to go before the twenty year deadline, someone is trying to scare the old ladies out of the house. So Nancy investigates, dragging best friend Ted (Frankie Thomas) into trouble along the way.

As in the other films in the all-too-short series, pretty Bonita Granville is extremely likable. John Litel as her dad and Frankie Thomas as her sidekick are also great. Frank Orth's Captain Tweedy is amusing. The culprit behind the mystery is pretty obvious but it's still fun. Seems odd nobody suggested someone stay with the two old ladies to keep them safe, but I guess we wouldn't have had much of a movie then. Exciting finish, as the Drew series was usually good at providing. Wish there had been more of these movies.

Long before Harry Potter arrived to slake the thirst of voracious young readers, the factory minted Hardy Boys and Nancy Drew mystery series were getting regular readers.

While straight forward and relatively uncomplicated in their mystery plotting, they were basically solid "B" level templates, and at the height of the 30's Hollywood mystery vogue, Warner Brothers jumped on the bandwagon with a creditable four film series of Nancy Drew's - this final effort arguably the best (and the only one to share a title and a couple plot elements with an actual Nancy Drew book).

Bonita Granville makes a borderline silly Nancy, with a mad energy level approaching Betty Hutton levels and (plot-wise) causing as many problems as she solves, but once accepted, her chemistry with John Litel's warm Carson Drew (the father figure) and Frankie Thomas' guileless comic foil/boyfriend Ted Nickerson is outstanding. Had the series tried for more, these solid supporting performances might well have kept it around for a longer run, but Granville's frequently charming caricature and Frank Orth's even sillier Police Captain Tweedy (who never listens to ANYONE once he hears half a clue) firmly place it in limited audience "B" territory - above the cartoonish "Dick Tracy" series, but several steps below the longer running "adult" Charlie Chan's, Mr. Moto's, Sherlock Holmes', Thin Man's or even the solid Saint's, Falcon's or Lone Wolf's.

The best thing about the series 70 years after it was first shown (and which should still hold the attention of the serious film lover) is its beautifully observed picture of life in small town America just before World War II, when icemen actually did deliver blocks of ice to the actual ice boxes which adorned most kitchens (and the standard system for calling for delivery) both of which form interesting plot points.

We're not talking great art here. Consider the drop in quality of the still decent 3rd and 4th Harry Potter films - as the books got better, "movie-movie" directors made the films less faithful and less effective. At least the Nancy Drew series ended on a high note as they edged closer to the source material.

Wills like this one are usually only found in mystery novels. Two spinster sisters were left property by their father on the condition that at least one of them remain there every night for twenty years at which time they can sell out. Otherwise it reverts to the city. That certainly must have cramped their social life, no wonder they remained spinsters.

But when the family chauffeur is murdered and other strange things happen our teenage heroine goes to work. As usual Bonita is helped by Frankie who it seems she can talk into just about anything in these films including having all American football player Thomas lose his clothes and have to get into drag which was an offense back in the day.

In three of the four films law enforcement is represented by Frank Orth as the local police captain. Seeing Orth in what was his career role as the bumbling Captain Tweedy, no wonder they need Granville's help whenever a serious crime occurs.

There would be no more Nancy Drew films after this as Granville left Warner Brothers. It was a nice series and I'm sure the kids in the Saturday matinée crowd enjoyed it. Dashiell Hammett and Raymond Chandler were not threatened by Carolyn Keene though.

I think Warner Bros. captured the spirit of the Nancy Drew novels, and presented them in great style. The give and take between Nancy and her father is actually better than the books, and Ted Nickerson, as played by Frankie Thomas, makes the character stand out far more than in the books, where he was just a straight man for Nancy. And Bonita Granville as Nancy gives a phenomenal film portrayal of the heroine of millions, without going over the top, and she is especially likable and memorable. We have to remember this is a film portrayal of a book, it is not the book, nor was it meant to be, and it captures exactly the feeling of Nancy Drew mysteries. I wish the Hardy Boys had been done like this! I gave it a 10 not because it was the best movie ever made, but because it was a great interpretation of the book that lost nothing in the translation to screen, and gained in the character given by superb actors.