La preda

Once you've watched a few Warren William pictures you'll find yourself loving the guy. If that's you, this film is brilliant because it's essentially just him having a blast....plus there's Ida Lupino who is clearly a goddess.

Is this culturally, historically, or aesthetically significant? No, definitely not but it's great fun and a perfect example of those fast moving, comedy murder mystery type of things that these days make up about half our TV schedules. Had TV been around in the mid-thirties, this would have been on Saturday nights.

So what's the point of watching this? 1) it's predictable, it's corny but it's dripping with wonderful 1930s atmosphere. 2) Warren William fans (if you're not already, you will be) will love this. 3) It's got 21 year old Ida Lupino (already in her 22nd film) looking unbelievably stunning. Having left Twickenham Films for Hollywood a few years earlier, she was now starting to get lead roles in B pictures like this. She really shines here - you can see that she's destined for stardom. She's not just another pretty Hollywood face but, like she did in her early English films, she emotes real character and personality.

So do you want an action packed adventure where you don't have to engage your brain too much? Do you want a dashing hero (complete with a sarcastic butler), a secret sinister organisation with a dastardly plot, a pair of bumbling policemen, a classic femme fetale (Hayworth) and Ida (I think I'm in love with her) Lupino? This might just be what you're looking for.

As a lover of old movies from the Golden Age of cinema (from talkies to television), it's always fun to discover talented people on both sides of the camera that never got the kind of recognition they deserved. One of these was Warren William, who this writer first noticed in THE MAN IN THE IRON MASK (1939.) Besides playing a Musketeer, his roles ranged from Julius Caesar to Perry Mason. Additionally, he played detectives Sam Spade, Philo Vance and the Lone Wolf, his most famous role. While the Lone Wolf series was never quite as good as the Thin Man's from all I've seen and read, this entry was entertaining for a good many reasons, most of all for having Rita Hayworth and Ida Lupino in the cast. Although a bit long in the tooth to be Ida's love interest (he was 45 when he made this picture, though he plays a 35-year old, which means he was really old enough to be Val Carson's dad, despite her line quoted above), he played the character with at least as much zest as William Powell imbued the Thin Man. Add to this some well-written and well-played supporting actors and you have a pretty fair crime/spy drama. It's not THE 39 STEPS, but it's still enjoyable to watch Michael Lanyard and gang in a mostly fine film series. Dale Roloff

Lone Wolf Spy Hunt, The (1939)

*** (out of 4)

The Lone Wolf made his film debut in 1917 but it wasn't until this film and Warren William stepped into the role that the character really took off. The former safecracker, Michael Lanyward, aka The Lone Wolf, has spies chasing him around Washington D.C., hoping that he'll help them get some government secrets dealing with an anti-aircraft gun. This is the first film I've seen of The Lone Wolf and it wasn't too bad of an experience. The film runs a fast paced 67-minutes and William is always worth watching. Ida Lupino steals the film as a woman who keeps hoping the Wolf will marry her. Some might find her annoying but that's part of her charm. Rita Hayworth plays the femme fatale with Ralph Morgan as a villain.

This was an interesting low budget film with Warren William,(Michael Lanyard) playing the Lone Wolf safe cracker who gets involved with secret weapons and their blueprints. Ida Lupino,(Val Carson) constantly follows everywhere he goes and even walks in while he is having a shower in his bathroom. Val knows that Michael likes plenty of women and she has her designs on him for marriage. There is plenty of laughs and Rita Hayworth,(Karen) plays the role of a sexy gal who tries to trap the Lone Wolf breaking into a safe and obtain these government secret weapons plans. Lupino and Hayworth were just starting out their careers on the silver screen and both became great movie stars and producers. Enjoy

Viewed on Turner tonight, and found myself being fascinated with the diction. Especially Lupino and Hayworth (maybe because they're easier to look at). Good (and fun) dramatic emphasis, syllabled but natural. Understood every word from the entire cast. What a contrast from more modern productions where mumbling seems to be in vogue and my wife and I are constantly backing up to catch what was said. So, whatever happened to those diction coaches? This was 1939 sound recording technology for Pete's sake. Okay, now filling out the 10 lines that seem to be required. Yes this was B-movie fare, but good costumes, production values AND, all too rare, some fun for the kids. Also, we enjoy these older films for the time machine aspects, e.g., the cars, the decor, cityscapes and the cultural values in evidence. For instance, lots of furs on the gals in this one--one thing we're well without now, unlike the diction.