Una donna manipolatrice e un uomo malvagio conducono una storia d'amore tumultuosa durante il periodo della Guerra civile e della ricostruzione americana.Una donna manipolatrice e un uomo malvagio conducono una storia d'amore tumultuosa durante il periodo della Guerra civile e della ricostruzione americana.Una donna manipolatrice e un uomo malvagio conducono una storia d'amore tumultuosa durante il periodo della Guerra civile e della ricostruzione americana.
- Regia
- Sceneggiatura
- Star
- Vincitore di 8 Oscar
- 26 vittorie e 10 candidature totali
Barbara O'Neil
- Ellen O'Hara - Gerald's Wife
- (as Barbara O'Neill)
Riepilogo
Reviewers say 'Gone with the Wind' captures the Civil War's impact through Scarlett O'Hara's eyes, highlighting Southern grandeur and devastation. It's lauded for its epic scale, Technicolor visuals, and stellar performances by Vivien Leigh and Clark Gable. Yet, it's criticized for romanticizing the antebellum South and its portrayal of slavery and race. Despite this, it stands as a cultural milestone, celebrated for its artistic merits and influence on cinema, with themes of love, survival, and societal transformation resonating deeply.
Recensioni in evidenza
Gerard O'Hara (Thomas Mitchell), an Irish immigrant, settles in North Georgia and becomes a prosperous plantation owner
By great luck he marries young Ellen Robillard (Barbara O'Neill) of Savannah, the daughter of one of the noblest Georgian families and becomes accepted by his aristocratic neighbors
They are blessed with three daughters, Scarlett (Vivien Leigh), Suellen (Evelyn Keyes), and Carreen (Ann Rutherford).
Scarlett, the eldest, worships her mother Yet, under her beauty and Southern coquetry, she is charming, but proud, willful and vain She believes she is in love with Ashley Wilkes (Leslie Howard), a good-hearted young army captain But Ashley loves his cousin, Melanie Hamilton (Olivia de Havilland), a delicate, selfless woman He is frightened by Scarlett's energy and animation And although he admits his feelings for her, he is afraid to marry her and decides to take Melanie for his bride
When Scarlett loses Ashley she is more certain than ever that she must have him On their wedding day, she meets Rhett Butler (Clark Gable), a wealthy adventurer from an old Charleston family Rhett, a gamblerwho believes that self-interest is the motive of all human conductis attracted by Scarlett's beauty and realizes that they are equally merciless and conscienceless
Vivien Leigh is magnificent as the spoiled, selfish southern belle... She carries the picture, and controls it... She reproduces the spirited character of Scarlett in all its fluent complexity...
Clark Gablewith a smile and great light in his eyesis fascinating as the elegant, heroic gentleman ... He is perfect as the ladies man... His dramatic high point is his scene crying in Melanie's presence... His love scenes with Scarlett give the picture a vibrancy that is one of its great attractions... The film begins with their first stormy meeting in the library at Twelve Oaks and intensifies at the Atlanta bazaar, when he shocks the confederacy by bidding $l00 "in gold," to dance with the newly widowed Mrs. Hamilton who cares for nothing but herself
Hattie McDaniel gives a rich characterization as Mammy, Scarlett's shrewd black servant who was never fooled by Scarlett's airs and tears...
With a memorable music score by Max Steiner, the film was an instant classic, winner of eight Academy Awards...
Scarlett, the eldest, worships her mother Yet, under her beauty and Southern coquetry, she is charming, but proud, willful and vain She believes she is in love with Ashley Wilkes (Leslie Howard), a good-hearted young army captain But Ashley loves his cousin, Melanie Hamilton (Olivia de Havilland), a delicate, selfless woman He is frightened by Scarlett's energy and animation And although he admits his feelings for her, he is afraid to marry her and decides to take Melanie for his bride
When Scarlett loses Ashley she is more certain than ever that she must have him On their wedding day, she meets Rhett Butler (Clark Gable), a wealthy adventurer from an old Charleston family Rhett, a gamblerwho believes that self-interest is the motive of all human conductis attracted by Scarlett's beauty and realizes that they are equally merciless and conscienceless
Vivien Leigh is magnificent as the spoiled, selfish southern belle... She carries the picture, and controls it... She reproduces the spirited character of Scarlett in all its fluent complexity...
Clark Gablewith a smile and great light in his eyesis fascinating as the elegant, heroic gentleman ... He is perfect as the ladies man... His dramatic high point is his scene crying in Melanie's presence... His love scenes with Scarlett give the picture a vibrancy that is one of its great attractions... The film begins with their first stormy meeting in the library at Twelve Oaks and intensifies at the Atlanta bazaar, when he shocks the confederacy by bidding $l00 "in gold," to dance with the newly widowed Mrs. Hamilton who cares for nothing but herself
Hattie McDaniel gives a rich characterization as Mammy, Scarlett's shrewd black servant who was never fooled by Scarlett's airs and tears...
With a memorable music score by Max Steiner, the film was an instant classic, winner of eight Academy Awards...
The year 1939 was a busy year for the Hollywood industry. Large-scale, majestic epics were front and center that year. You should look up the list of films released in 1939. It was a very, busy year, with huge titles from the golden age. Lots and lots of entertainment for a pre-WW2 audience. The Wizard of Oz (1939), Stagecoach (1939), Son of Frankenstein (1939), Drums Along the Mohawk (1939) and this little film, are just some of the titles on that list. Everyone was competing for perfection in the film industry. The first two hurtles, being sound and color film, had been implemented into the technical side of the filmmaking process, to this point in film history. Technicolor had been utilized for, about, five years to this point and it was perfectly utilized in this film too. Technicolor always was a good film stock, rich with colors, that pop on the screen. Head cinematographer, Ernest Haller's camera, captures images, not seen before on film and blazes colors across the screen, in Gone With the Wind (1939).
I'm sure everyone knows the basic premise of the film. It boils down to a story about the life of woman, a daughter of a rich cotton plantation owner in 1860s, Georgia, who's life interweaves with the real life events of the American Civil War and the recovery and reconstruction years. It is a fictitious story utilizing events from the real world. Of course, most of us remember the picture on the movie posters of Scarlett O'Hara (Vivien Leigh) and Rhett Butler (Clark Gable), locked in that emotional, romantic embrace, plus it's on the cover of every DVD and Blu-Ray out there these days, but the film is really about Scarlett and all the other characters come into her circle. And, the film needs to be about Scarlett in order to be successful, because it is her spoiled, selfish, smug demeanor that energizes the whole film. Everyone who comes into her circle feels her wrath, even Rhett. Rhett isn't really a very likeable character either and watching these two unlikeable characters square off, through various parts of this film, is something to see. These are the reasons, that make this film so good. A plot involving two unlikeable characters, who eventually, reach a certain amount of maturity, that they earn some respect from the audience, doesn't deter from the overall quality of the film, because it is such a unique character study, while chaos is happening all around them.
The film does contain many sub-plots, involving politically, socially, culturally and racially charged tones, which would be expected, considering the time this period piece takes place. Which, brings up another interesting point to this film. Even though this film is approaching 85 years old now in the 21st century, it is still considered a period piece. The interesting part is the filmmakers had a more recent memory of the events used in the film, being only 75 years before, as opposed to our view, which is roughly 150 years later. In fact, there probably were a couple of Civil War veterans still alive in 1939. Another amazing thing about this film is, they started shooting this thing in January, 1939 and released it just before Christmas that same year. That is impressive, considering the massive runtime of this film. It is the runtime of this film that really hurts it from being a perfect film.
The images the filmmakers (I would list names, but you should see the Crew List on this film), are able to show us on the screen, is incredible. The color you will have stuck in your head, for a week after viewing this film, will be the color of orange, red fire, that is seen throughout the movie and obviously, mostly comes from the burning of Atlanta. A technical achievement, that hadn't been seen in the movies yet. The special effects, art direction, costuming and lighting is fantastic. You still don't notice, even today, that most of this movie was just filmed, out in the Los Angeles countryside and on sound stages. So much is going on in this film, you don't notice it. The performances by the cast is perfect. This is an epic journey about redemption and maturing. A maturity that helps the characters and a nation begin to grow. This film would roll through the Oscars in 1940, including winning the Best Picture Oscar.
9.3 (A MyGrade) = 9 IMDB.
I'm sure everyone knows the basic premise of the film. It boils down to a story about the life of woman, a daughter of a rich cotton plantation owner in 1860s, Georgia, who's life interweaves with the real life events of the American Civil War and the recovery and reconstruction years. It is a fictitious story utilizing events from the real world. Of course, most of us remember the picture on the movie posters of Scarlett O'Hara (Vivien Leigh) and Rhett Butler (Clark Gable), locked in that emotional, romantic embrace, plus it's on the cover of every DVD and Blu-Ray out there these days, but the film is really about Scarlett and all the other characters come into her circle. And, the film needs to be about Scarlett in order to be successful, because it is her spoiled, selfish, smug demeanor that energizes the whole film. Everyone who comes into her circle feels her wrath, even Rhett. Rhett isn't really a very likeable character either and watching these two unlikeable characters square off, through various parts of this film, is something to see. These are the reasons, that make this film so good. A plot involving two unlikeable characters, who eventually, reach a certain amount of maturity, that they earn some respect from the audience, doesn't deter from the overall quality of the film, because it is such a unique character study, while chaos is happening all around them.
The film does contain many sub-plots, involving politically, socially, culturally and racially charged tones, which would be expected, considering the time this period piece takes place. Which, brings up another interesting point to this film. Even though this film is approaching 85 years old now in the 21st century, it is still considered a period piece. The interesting part is the filmmakers had a more recent memory of the events used in the film, being only 75 years before, as opposed to our view, which is roughly 150 years later. In fact, there probably were a couple of Civil War veterans still alive in 1939. Another amazing thing about this film is, they started shooting this thing in January, 1939 and released it just before Christmas that same year. That is impressive, considering the massive runtime of this film. It is the runtime of this film that really hurts it from being a perfect film.
The images the filmmakers (I would list names, but you should see the Crew List on this film), are able to show us on the screen, is incredible. The color you will have stuck in your head, for a week after viewing this film, will be the color of orange, red fire, that is seen throughout the movie and obviously, mostly comes from the burning of Atlanta. A technical achievement, that hadn't been seen in the movies yet. The special effects, art direction, costuming and lighting is fantastic. You still don't notice, even today, that most of this movie was just filmed, out in the Los Angeles countryside and on sound stages. So much is going on in this film, you don't notice it. The performances by the cast is perfect. This is an epic journey about redemption and maturing. A maturity that helps the characters and a nation begin to grow. This film would roll through the Oscars in 1940, including winning the Best Picture Oscar.
9.3 (A MyGrade) = 9 IMDB.
10Turanic
At first you would think, the main theme of the film is the horrors of war and the idea that both sides suffer , but that is not the only case in "Gone with the Wind", the war is just a background...
Scarlet lives almost her entire life in an illusion of love... She has a target she want to achieve and she thinks if she achieves it she will be happy, while missing the point on the way to that target... Something that I realised on a 2nd viewing is that Scarlet is a pretty selfish person with sociopaths behaviour. She can easily manipulate men and sometimes women in order to achieve her goal. She can kill a person and not feel that bad about it,she can exploit prisoners rather than hire free men. The goal is what pushes her forward and sometimes makes her do good things, but these deeds are never done out of big heart, they are usually done in self interest. You would think she ends up achieving everything she wanted, but she does not. Scarlet lives in a personal hell which partially she created herself and only when the last obstacle to her big love, the female friend that loves her is gone, she realises that all this time, she lived the illusion of love, she was hurting the people that loved her. Is scarlet a horrible person? Probably... Does she pay for her sins? She does more than anyone... Does she understand what true love is? Yes in the end she does... What makes this film so great, it's a tragedy like "War And Peace" with monumental character development ...Any scenes of war and racism fade compared to the tragedy of Scarlet which lives in personal hell...
I wish people made more movies like this nowadays..
Yes! The movie is LONG, but the development of the main character has you swinging from liking her to hating her, to agreeing with her, to.. all sort of emotions!! It is well worth anyone's time. These characters feel SO real! It's like a perfect summarized soap opera. Anyone studying movie-writing should check this adaptation of the book. Would recommend to anyone.
And make yourself a favor and don't watch the sequel.. the movie ends the way it does for a reason.
Yes! The movie is LONG, but the development of the main character has you swinging from liking her to hating her, to agreeing with her, to.. all sort of emotions!! It is well worth anyone's time. These characters feel SO real! It's like a perfect summarized soap opera. Anyone studying movie-writing should check this adaptation of the book. Would recommend to anyone.
And make yourself a favor and don't watch the sequel.. the movie ends the way it does for a reason.
I've seen the film many times, have always enjoyed it. But I've been reading the book for the first time. It's a very long novel, and you have to stay with it if you want to see the ending. It's a good read, but Margaret Mitchell, former newspaper reporter, is very thorough in her description of both Southern culture and the changes that the Civil War brought to it. It's the size of the book that was the biggest challenge for David O Selznick. Not what parts to film, but which parts to leave out. So many characters that appeared in the book couldn't be introduced in the movie without extending the film's length to well over four hours. So he had Sidney Howard write the screenplay, then cut that down to a filmable length by hiring several more writers to further pare the script, and was still rewriting it himself while it was being filmed. Selznick was close to running out of money, so he asked his angel, millionaire Jock Whitney, to loan him enough to finish the film. The film was finally completed and edited, then was test-marketed at a theatre not far from LA. The viewers were excited about having seen it and said so on their preview cards, which allowed Selznick to rest easy, knowing he had a hit on his hands.
Oscars Best Picture Winners, Ranked
Oscars Best Picture Winners, Ranked
See the complete list of Oscars Best Picture winners, ranked by IMDb ratings.
Lo sapevi?
- QuizHattie McDaniel became the first Black person to be nominated for - and win - an Academy Award.
- BlooperAfter Ashley Wilkes is carried into his room from a night at Belle's place, Melanie picks up a lamp with an electric cord attached.
- Citazioni
Scarlett: Rhett, Rhett... Rhett, if you go, where shall I go? What shall I do?
Rhett Butler: Frankly, my dear, I don't give a damn.
- Curiosità sui creditiOpening credits prologue: There was a land of Cavaliers and Cotton Fields called the Old South... Here in this pretty world Gallantry took its last bow.. Here was the last ever to be seen of Knights and their Ladies Fair, of Master and Slave... Look for it only in books, for it is no more than a dream remembered. A Civilization gone with the wind...
- Versioni alternativeWhen originally released theatrically in the UK in 1940, the BBFC made cuts to secure a 'A' rating.
- ConnessioniEdited into L'albero della vita (1957)
- Colonne sonoreSelznick International Theme
(1937) (uncredited)
Written by Alfred Newman
Played for the Selznick International Logo
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Dettagli
- Data di uscita
- Paese di origine
- Lingua
- Celebre anche come
- Lo que el viento se llevó
- Luoghi delle riprese
- Aziende produttrici
- Vedi altri crediti dell’azienda su IMDbPro
Botteghino
- Budget
- 3.977.000 USD (previsto)
- Lordo Stati Uniti e Canada
- 200.882.193 USD
- Fine settimana di apertura Stati Uniti e Canada
- 1.192.593 USD
- 28 giu 1998
- Lordo in tutto il mondo
- 402.382.193 USD
- Tempo di esecuzione3 ore 58 minuti
- Mix di suoni
- Proporzioni
- 1.37 : 1
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