Addio, mr. Chips!

As a classic film buff, I consider "Goodbye, Mr Chips" one of the best I have ever seen. In part, that is due to Robert Donat's incredible performance as,"Chips." He WAS Chips, and it was silly to try and remake a proven classic, though Peter O'Toole was not a bad choice in casting.

Donat captured the essence of Chips' shy personna and his love for "his boys," in one of the most sensitive performances I've ever had the pleasure to watch. In a year that arguably produced some of the greatest movies in film in history, "Goodbye, Mr Chips" ranks in the top 5 of all time.

I give it a 10!

The children attending the Brookfield school are no ordinary English boys; they are the the children of the upper classes of society, who for generations have learned from institutions such as the school represented here. They are molded at places like this fictional one to be leaders of their country. Mr. Chipping is a teacher who gives his life to Brookfield, only to be bypassed when promotions are handed out. His love for the profession and his dedication to the formation of these children are his reasons for living. Most of his own life is spent at the school. Only in times of crisis is Mr. Chipps recognized. Mr. Chipps knows happiness only too briefly. He is extremely lucky when he finds Katherine. One can see the rapport in her, although we never see it explicitly on Chipping's face, maybe because a stiff upper lip that doesn't let him express his true feelings to a woman who adored him from their first encounter. Mr. Chipps lives long enough to learn about the death of his beloved students in several world conflicts. As a father figure, his life is full because the love and admiration the young boys feel for him. The film made Robert Donat a favorite of the movie going public. Mr. Donat goes from being a taciturn person into a jolly old man living on his own because Katherine dies young. The film improves tremendously when Greer Garson appears. Her luminous presence changes the tone of the movie because of her incredible charm. Paul Henreid makes a short appearance as Staefel, the fellow teacher who invites Mr. Chipps to accompany on a vacation trip to Austria. Sam Wood direction pays a close look to detail. The film is a classic and will live forever.

A lot of people were mystified that Clark Gable did not win the Oscar for "Gone With The Wind", but as good as he was, he had to play 2nd fiddle to Robert Donat for his amazing performance as Mr. Chipping in "Goodbye Mr. Chips". His was one of the really great acting achievements, and certainly the best he ever did. One has to wonder if ill-health had not shortened his life, just how many more Awards he would have got - but then not many roles like Mr. Chips came along. In what was one of her very early roles, Greer Garson made a lovely Mrs. Chipping - just right for this. Ably supporting was Paul Henreid and Terry Kilburn, but Donat shone like a beacon. The atmosphere of that gentle time in England was well captured by Sam Wood, and this truly is a film for film buffs to really enjoy. If you can get it on DVD or Tape, do so.

Here's another one of those old-fashioned movies in which people are all nice: no villains. It's a refreshing change of pace, once in a while, at least for me.

Sometimes it's relaxing just to just kick back with a story that just makes you feel good, doesn't upset you at any time. There are some touching scenes with some sadness in here, too, however, but the sincere story and great acting make you glad you watched it.

Robert Donat, as Mr. Chippings, is a pleasure to watch, particularly when he plays the character in his declining years. Greer Garson gets equal if not top billing, but that's not right. Her role is not that big in this picture.

Another nice feature you don't see much, at least in post-1960 films - all respectful kids in here, with manners. Nice adults, nice kids, nice story - probably too corny for most people of today in our cynical world. Too bad. Their loss.

Goodbye Mr Chips must be one of the best films ever made.

The acting of boys, masters and other characters is superb, as is the capturing of the late Victorian/Edwardian period in England, the joy of 1914 on the declaration of war, followed by the sombre roll-calls of the dead in chapel during the war years.

The character of Chips is an instruction in how someone's life can be transformed for the better by fortuitous events, in this case the meeting on the mountain between Chips and Katherine, which changed him from being a shy but well-meaning schoolmaster who found it difficult to establish a rapport with his pupils and colleagues into someone whose hidden depths and charisma were brought into view by a woman he loved.

This gentle, decent and moving film illustrates, through both Chips and Katherine, the importance of giving of oneself to others who in their turn will benefit as human beings; concepts which might seem outdated in our modern world but remain valuable and timeless.