I diavoli volanti

An independently-produced effort while contractual disputes with Hal Roach were on-going,THE FLYING DEUCES is possibly the best non-Roach Laurel and Hardy vehicle,because at least Stan Laurel was allowed some say on the plot and script content.The original draft was apparently woefully unsuitable(as were virtually all their wartime Fox and MGM features),and the story itself is pretty thin(an obvious reworking of BEAU HUNKS)and the production rather cheap.What saves the picture from mediocrity are some familiar names in the supporting cast like Charles Middleton and (especially) James Finlayson from the Roach studios,with others like Richard Cramer,Arthur Housman,Eddie Borden and Sam Lufkin in much smaller parts.With such performers in support it does at least give it the feel of a Roach film,with the addition of their favourite cameraman Art Lloyd behind the scenes another plus factor.That said,the comic material itself is not of a particularly high standard,maybe because of the initial weakness of the original story and draft,and the amount of pancake makeup they both wear cannot disguise they were beginning to age somewhat after their Roach studios peak.

Despite funny gags and individual scenes,THE FLYING DEUCES is rather patchy,and one yearns for rather more of Middleton's stentorian tones(their simply isn't enough of him in the film)than Ollie's simpering over Jean Parker.Her on-screen husband Reginald Gardiner starts off in amiable conversation with the boys persuading them to join the Foreign Legion,but he turns decidedly unsympathetic and hostile once they've enlisted,especially when he finds out that Ollie is in love with his wife.Much comic potential is not explored because unlike BEAU HUNKS(which was not perfect but shorter and rather better),there are few jokes about their tribulations in the Legion itself;the best scenes are some charming,if slightly irrelevant, musical interludes,involving Ollie singing 'Shine On Harvest Moon' while Stan performs a nifty soft-shoe shuffle,Stan playing 'The World Is Waiting For Sunrise' on his prison cell bed mattress(Ollie taps his feet amusingly during this number!),and some funny business with their best ever foil James Finlayson.The rest frankly is something of a disappointment,but we can be thankful at least that Laurel and Hardy are still in character here,which was not the case in their films from 1941 onwards,because of big film studio interference and reluctance to give Stan Laurel artistic control.THE FLYING DEUCES is certainly no classic,but is still fairly enjoyable and a decent L & H film thanks to producer Boris Morros' decision to give Stan a degree of creative freedom.Now why didn't the producers at Fox or MGM do that?

I think most fans - myself included - of Laurel & Hardy consider their earlier work (at the beginning of the 1930s) to be their best. The films they made later, like this one, suffered from being a bit too long-winded, and were always bogged down with slightly wearisome romantic sub-plots. Nonetheless, THE FLYING DEUCES is one of their most accessible feature-length productions, and a film that it's difficult to dislike.

Much of the comedy here comes naturally and feels unforced. Watching the guys attempting to simply wash themselves in their room is a delight in itself. The plot makes sense, and when the pair are sent off to Africa to enlist with the Foreign Legion, the laughs don't stop coming. There's a fine song and dance routine, a lovely jail cell interlude (featuring James Finlayson, no less) and a classic chase-based climax. Little to dislike, really.

My favorite Laurel and Hardy film. Many memorable bits in this charming and funny movie. Perhaps the best comedy duo ever, they breeze thru their routines and yet still have fun. Remarkable. Their stuff never seems old. Here they join the Foreign Legion after a failed suicide attempt over Ollie's broken heart. Fast paced film takes them from Paris to Algeria (I guess) where they get insulted over the pay--3 cents a day. My favorite bit it the incongruous song and dance to "Shine on Harvest Moon." It makes NO sense whatever but it's wonderful---a total surprise. Jean Parker (why did she not become a big star?), Reginald Gardner, James Finlayson, and Charles Middleton co-star. Hilarious sight gags and funny bits. Stan Laurel won a special Oscar in 1960; Oliver Hardy died in 1957 and remains one of the most underrated comics in film history. Also love this team in their talkie debut in Hollywood Revue of 1929.

Ollie is in love but it turns out she is already married. He decides to kill himself and suggests that Stan should do the same. But they goof it up and meet a guy who tells them that the French Foreign Legion is the way to forget a crushing romance. Of course, off they go. We know from every military movie they were involved in that disaster is on its way. Naturally, the fact that people like Jimmy Finlayson were already in the Legion doesn't speak all that well for their choices. Soon they are getting a reputation as the worst soldiers in the battalion. They finally manage to get themselves listed as AWOL and as deserters. They risk facing a firing squad. The Flying Deuces thing is from the fact that they end up plane-napping a plane. We all know that while nothing goes right for them, some sort of miracle is going to keep them alive. It doesn't mean things are hunky-dory. There is a great rendition of "Shine on Harvest Moon," one of those great songs they occasionally did.

THE FLYING DEUCES (RKO Radio, 1939), directed by A. Edward Sutherland, stars the comedy team of Stan Laurel and Oliver Hardy in their first feature film away from their home lot of the Hal Roach/MGM Studios. It also marked their return to the screen since BLOCKHEADS (1938), during which time Oliver Hardy had teamed up with another comic, Harry Langdon in ZENOBIA (United Artists, 1939). While it's interesting watching Hardy interact with another comedian other than Stanley (who never worked alone after being initially teamed with Hardy in the late 1920s), it clearly shows that Laurel and Hardy are the screen's most perfect pair. With this being their welcoming return, and more feature films ahead into the 1940s, THE FLYING DEUCES has the distinction of being a Hal Roach comedy without being a Hal Roach comedy. It also marked the team's return into the foreign legion, having already done so in their four-reel featurette, BEAU HUNKS (1931), a "Beau Geste" spoof. Aside from their usual antics, there's also James Finlayson, their frequent foil, doing his familiar double-take as a harassed jailer in the latter portion of the story, and Charles Middleton (of BEAU HUNKS) adding some more of his usual no-nonsense flavor as their commanding officer.

This time around, Stan and Ollie (as they are simply billed in the closing credits), are Americans from Iowa vacationing in Paris. On their last days before returning to their jobs at the fish market, it is learned that Oliver has fallen in love with Georgette (Jean Parker), a café hostess whom he hopes to marry. Refusing his proposal, Ollie decides to end it all by attaching himself to a huge rock, throwing himself into the Seine River (unknown to them to be infested by a shark), and taking Stanley with him. After some failed attempts, thanks to Stanley, Francois (Reginald Gardiner), a legionnaire who happens to be passing by, advises Ollie the best way to forget his troubles is to join the foreign legion, which they do. All goes well until Stan and Ollie learn from their stern commandant (Charles Middleton) that they'll be paid "three cents a day" for their chores, and that Georgette, who's seen around the base, happens to be the wife of Francois. Will Oliver try more suicide attempts? Will Stan and Ollie move up to the ranks in the foreign legion? Will they ever return to their old jobs in Iowa? Stick around and find out.

What's does all this have to do with the flying deuces? Although the title promises air travel, it really doesn't take off until much later where Stan and Ollie escape jail and a firing squad, leading to a merry chase around the base before seeking refuge inside an airplane that takes them to the air but not with the greatest of ease.

In true Laurel and Hardy tradition, slapstick and chase scenes are the focal point along with Oliver telling Stanley the familiar phrase, "Well, here's another fine mess you've gotten me into." There's also a nice musical interlude where Oliver displays his fine vocalization to "Shine On, Harvest Moon" (by Nora Bayes and Jack Norworth) at the post courtyard while Stanley does his own style of dancing. There's also another musical moment where Stanley plays a harp on a prison bed spring to "The World is Waiting for the Sunrise" in the best Harpo Marx tradition while waiting to be shot at sunrise with his pal for desertion.

In the wake of home video, movie rentals and cable television in the early 1980s, THE FLYING DEUCES, was easily accessible by numerous distributors. Some VHS copies contained shorter prints with missing bits from airplane climax, others with inferior picture, sound quality, or both, as well as colorized. Beware of similar problems that may be found on DVD. The best quality happened to be one by Hal Roach Home Video with excellent visuals, sound, and the original RKO Radio Pictures studio logo and closing cast credits restored. In recent years, American Movie Classics has presented the complete 68 minute print into its lineup of Laurel and Hardy festivals from 1994 to 1999; followed by Turner Classic Movies where THE FLYING DEUCES premiered January 5, 2006.

While not quite as spectacular or hilarious as some of their comedies for Hal Roach, yet better than the ones Stan and Ollie made during their declining years over at 20th Century-Fox (1941-1945), THE FLYING DEUCES is something to consider whether it be from the wild airplane ride, the cameo appearance by talking horse with a familiar sounding voice, or for the comedy team of Stan and Ollie. (***)