Il cugino di Paperino

This Donald Duck cartoon starts with cousin Gus Goose who is visiting Donald Duck. Donald has no idea who he is, but after a note from his aunt he lets the goose inside his house. The note said that Gus does not each much, but as soon as he is in he starts eating all of Donald's food. Gus drives Donald crazy and of course he tries to get rid of the goose.

The first minute is pretty nice with some good gags and a well animated sequence where Gus is eating everything. But after that it is too much of the same. After a couple of minutes I wanted this cartoon to end. Not a good thing for a Disney cartoon; I normally enjoy them very much.

There are times when even cartoons become annoying. This big moose of a goose shows up at Donald's door uninvited. Like many worthless relatives, he expects to be fed, big time. He has no manners and no sense of priority. I actually felt sorry for Mr. Duck in this one because he was generous to the guy and he just kept coming back. Quite tiresome.

This is a real shame as I love Donald Duck and Disney. But Donald's Cousin Gus just wasn't them at their best for me. It certainly has its good points. The animation is absolutely beautiful, as pretty much always it is nothing to complain about, and I'll say the exact same for the music too. Donald's trademark personality is put to good use, mainly through his priceless reactions to what's going on, though could have been done better in a more inspiredly written situation. Some of the gags at the beginning and a couple of Gus' sly ways with stealing the food especially the one with the cake work very well, and Clarence Nash's Donald voice is impeccable. Sadly, the story gets routine very quickly, and it doesn't help that most of the gags are too more of the same. The barking hot dog gag was an interesting concept and quite an original one, but came across as contrived here instead. Also not helping is that outside of the sly food-stealing Gus doesn't have much of a personality and his playing dumb gets annoying and predictable at the end of the day. Overall, lacking but not bad. 6/10 Bethany Cox

This cartoon remarkly marked the debut of Cousin Gus, which the only Duck family's members which appeared on Disney animated shorts so early.

On my word, Gus should be OUT for sure, let alone violent-tempered Donald, I truly wondered why did the note was wrote" He doesn't eat much". This could really be a cheater, and when Gus rudely devoured Donald's dishes, like bananas, peas, and even sucked Donald's coffee by the loaf of bread!

Besides the cartoon was being funny, I guess this kind of relative in reality should be kicked out for sure! But Donald can't stop Gus, so poor Donald!

Ranted 8/10.

A Walt Disney DONALD DUCK Cartoon.

DONALD'S COUSIN GUS Goose arrives with his inexhaustible appetite & bottomless maw.

The Donald finally meets his match in this very funny & well-made cartoon. Clarence `Ducky' Nash supplies Donald's voice. Gus did not prove popular enough with viewers to justify his return as a featured player in further films; when last heard from he was operating a tiny seafood restaurant in Redondo Beach, California.

Walt Disney (1901-1966) was always intrigued by drawings. As a lad in Marceline, Missouri, he sketched farm animals on scraps of paper; later, as an ambulance driver in France during the First World War, he drew figures on the sides of his vehicle. Back in Kansas City, along with artist Ub Iwerks, Walt developed a primitive animation studio that provided animated commercials and tiny cartoons for the local movie theaters. Always the innovator, his ALICE IN CARTOONLAND series broke ground in placing a live figure in a cartoon universe. Business reversals sent Disney & Iwerks to Hollywood in 1923, where Walt's older brother Roy became his lifelong business manager & counselor. When a mildly successful series with Oswald The Lucky Rabbit was snatched away by the distributor, the character of Mickey Mouse sprung into Walt's imagination, ensuring Disney's immortality. The happy arrival of sound technology made Mickey's screen debut, STEAMBOAT WILLIE (1928), a tremendous audience success with its use of synchronized music. The SILLY SYMPHONIES soon appeared, and Walt's growing crew of marvelously talented animators were quickly conquering new territory with full color, illusions of depth and radical advancements in personality development, an arena in which Walt's genius was unbeatable. Mickey's feisty, naughty behavior had captured millions of fans, but he was soon to be joined by other animated companions: temperamental Donald Duck, intellectually-challenged Goofy and energetic Pluto. All this was in preparation for Walt's grandest dream - feature length animated films. Against a blizzard of doomsayers, Walt persevered and over the next decades delighted children of all ages with the adventures of Snow White, Pinocchio, Bambi, Peter Pan and Mr. Toad. Walt never forgot that his fortunes were all started by a mouse, or that simplicity of message and lots of hard work always pay off.