VALUTAZIONE IMDb
7,4/10
13.066
LA TUA VALUTAZIONE
Aggiungi una trama nella tua linguaA young socialite is diagnosed with an inoperable brain tumor, and must decide whether or not she'll meet her final days with dignity.A young socialite is diagnosed with an inoperable brain tumor, and must decide whether or not she'll meet her final days with dignity.A young socialite is diagnosed with an inoperable brain tumor, and must decide whether or not she'll meet her final days with dignity.
- Regia
- Sceneggiatura
- Star
- Candidato a 3 Oscar
- 5 vittorie e 4 candidature totali
Black Ace
- Judith's Horse
- (non citato nei titoli originali)
Marian Alden
- Judith's Friend
- (non citato nei titoli originali)
Wilda Bennett
- Judith's Friend
- (non citato nei titoli originali)
Diane Bernard
- Lucy - a Servant
- (non citato nei titoli originali)
Recensioni in evidenza
I was probably 12 years old when I first saw this film on TV. It was shown in two parts and I didn't get to see the second part, so my mother had to tell me what happened.
Forty years later, I still cry every time I see "Dark Victory." It remains one of my favorite films for sheer use of Kleenex and my favorite Bette Davis movie, "All About Eve" being right up there with it. I even saw it on the big screen in a revival house when I was in college.
Yes, some of the dialogue sounds corny now, like the good doctor saying, "Women never meant anything to me before". But the interesting thing is, when I did see it with an audience, though they laughed as some inappropriate spots, by the end you could hear the sobs on the next block.
There have been comments that Humphrey Bogart seems miscast in a somewhat minor role. I frankly thought he was just fine. He certainly was short enough to be a jockey and he pulled off the brogue.
I'm sure it's confusing for some to see him in such a small role in 1939 when only a few years later, he was a total superstar. But he was under contract to Warners and kicked around for years before "High Sierra" and "Casablanca".
He obviously wasn't working when "Dark Victory" was cast, so why let him sit around taking a salary and do nothing?
And of course we have Ronald Reagan as a playboy. I actually find him delightful in this film. It called for charm and he had it.
In today's fast-paced world, there's nothing stronger than a message about time and our use of it. "Oh, give me time for tenderness...just give me time."
Like Bette's character, I want to hear that song again too, in many more viewings of "Dark Victory."
Forty years later, I still cry every time I see "Dark Victory." It remains one of my favorite films for sheer use of Kleenex and my favorite Bette Davis movie, "All About Eve" being right up there with it. I even saw it on the big screen in a revival house when I was in college.
Yes, some of the dialogue sounds corny now, like the good doctor saying, "Women never meant anything to me before". But the interesting thing is, when I did see it with an audience, though they laughed as some inappropriate spots, by the end you could hear the sobs on the next block.
There have been comments that Humphrey Bogart seems miscast in a somewhat minor role. I frankly thought he was just fine. He certainly was short enough to be a jockey and he pulled off the brogue.
I'm sure it's confusing for some to see him in such a small role in 1939 when only a few years later, he was a total superstar. But he was under contract to Warners and kicked around for years before "High Sierra" and "Casablanca".
He obviously wasn't working when "Dark Victory" was cast, so why let him sit around taking a salary and do nothing?
And of course we have Ronald Reagan as a playboy. I actually find him delightful in this film. It called for charm and he had it.
In today's fast-paced world, there's nothing stronger than a message about time and our use of it. "Oh, give me time for tenderness...just give me time."
Like Bette's character, I want to hear that song again too, in many more viewings of "Dark Victory."
Judith is a wealthy Long Island society girl given to a dizzy lifestyle
Self-assured of her affluence and her faculty over men, she is unprepared for tragedy, which strikes in the form of a brain tumor
The underlying bravery and courage with which she faces this physical suffering eventually demonstrates the woman of substance that she is
Among her friends is Ann King (Fitzgerald), her secretary, and handsome young Alex Hamm (Reagan), who directs her toward brain specialist Dr. Frederick Steele (Brent). The doctor diagnoses her illness as one which will end her life within a year Judith falls in love with him and accepts his proposal of marriage When she discovers that her tumor is calamitous, she rejects the doctor's proposal considering it an act with compassion
Davis provides scene after scene with the special magic only she was able of bringing vividly
Swept into the current of events was Bogart playing an Irish horse trainer, who fails in an attempt to make love to her, yet encourages her to enjoy her time with her true love, George Brent
The film was remade in 1963 as "Stolen Hours" with Susan Hayward, and as a 1976 TV movie under its original title with Elizabeth Montgomery
Among her friends is Ann King (Fitzgerald), her secretary, and handsome young Alex Hamm (Reagan), who directs her toward brain specialist Dr. Frederick Steele (Brent). The doctor diagnoses her illness as one which will end her life within a year Judith falls in love with him and accepts his proposal of marriage When she discovers that her tumor is calamitous, she rejects the doctor's proposal considering it an act with compassion
Davis provides scene after scene with the special magic only she was able of bringing vividly
Swept into the current of events was Bogart playing an Irish horse trainer, who fails in an attempt to make love to her, yet encourages her to enjoy her time with her true love, George Brent
The film was remade in 1963 as "Stolen Hours" with Susan Hayward, and as a 1976 TV movie under its original title with Elizabeth Montgomery
"Dark Victory" features a superb performance by Bette Davis, portraying Judy Traherne, a socialite struggling to come to terms with terminal brain cancer, a diagnosis that ironically brings her the greatest joy of her life, as she falls in love with and marries the doctor who diagnosed her, also superbly played by George Brent.
There's nothing really to dislike in this movie. The basic point is simple to figure out: whatever darkness you may face, make the best of it and live life to the fullest, because even in darkness there may be victory. The supporting cast is tremendous, particularly Geraldine Fitzgerald as Ann King, Judy's friend and assistant who helps her through this bewildering time of conflicting emotions. The movie is not exactly filled with suspense and there's no dramatic death scene, but the emotion is raw all the way through, and the sympathy the viewer feels for this couple who are so much in love but have so little time to enjoy it is very real.
This is very well done, and well worth a look see. I would rate it as a 7/10.
There's nothing really to dislike in this movie. The basic point is simple to figure out: whatever darkness you may face, make the best of it and live life to the fullest, because even in darkness there may be victory. The supporting cast is tremendous, particularly Geraldine Fitzgerald as Ann King, Judy's friend and assistant who helps her through this bewildering time of conflicting emotions. The movie is not exactly filled with suspense and there's no dramatic death scene, but the emotion is raw all the way through, and the sympathy the viewer feels for this couple who are so much in love but have so little time to enjoy it is very real.
This is very well done, and well worth a look see. I would rate it as a 7/10.
Bette Davis always cited this as her favourite role: it is probably on a par with Margo Channing in ALL ABOUT EVE as the part which fans identify with as definitive Davis. Naturally, this 1939 film will look a little musty, corny and cliched to modern day viewers, but the poignant sincerity in which Davis instilled via her magnificent performance still has the ability to leave the viewer in helpless tears: you can be dumbfounded to think that something so obviously aimed at your tear ducts could succeed to induce the flow so completely and spontaneously! The role is based upon a 1934 play in which Tallulah Bankhead flopped. The character of Ann King was written especially for the film by director Edmund Goulding: as a kind of Greek Chorus so Judith wouldn't have to complain about the inevitable. Geraldine Fitzgerald, in her American film debut, does a wondrous job with the part of Ann: a beautifully etched supporting performance. As Michael O'Leary, Humphrey Bogart is unfortunately inept in the Irish brogue department (why couldn't they have simply cut out the accent?) and George Brent is adequately wooden as Dr. Frederick Steele whom Judy marries. Davis slams through a gooey collection of cliches in her nerviest style during the early segments but her metamorphasis into a vibrantly humbled married woman is quite a striking contrast to the selfishly brazen spoiled heiress: truly a multi-faceted performance. Ronald Reagan gets to play Alec, one of Judy's drunken swains, and Cora Witherspoon is memorable as the snotty Carrie. The last twenty minutes of the film are expertly crafted and timelessly tear-jerking: the movie sold more kleenex than any other of its day.
This is definitely a tear-jerker involving a young socialite Judith Traherne, (Betty Davis) who is full of life and an only child who gets her own way all the time, but is well liked by everyone. Judith loves horses and enjoys riding them and performing with them in various horse shows. The trainer of these horses is Michael O'Leary, (Humphrey Bogart) who loves his work and likes Judith because of her love for animals. One day Judith is riding her horse and her vision becomes blurred and she sees double and falls off the horse. It seems Judy is having bad headaches but does not mention it to anyone and her own doctor refers her to a Dr. Frederick Steele, (George Brent) who is a brain surgeon. Ronald Reagan appears in this film as a playboy drunk who is always drinking. Great performance by all the actors, but bring the tissue box, you will need it.
Lo sapevi?
- QuizOff-screen, Bette Davis suffered a nervous breakdown during filming as a result of her crumbling marriage to Harmon Nelson. Reportedly, producer Hal B. Wallis convinced Davis that she could benefit by using these real-life emotions of pain and loss to enhance the portrayal of her character. Meanwhile, Davis's marital problems didn't prevent her from embarking on an affair with co-star George Brent. Davis and Brent appeared in a total of 11 movies together.
- BlooperWhen the setting changes to Vermont towards the end of the film, there is snow on the ground and it is obviously winter. Yet most of the trees in front of the house still have leaves on them.
- Versioni alternativeAlso available in computer-coloured version.
- ConnessioniFeatured in Stars on Horseback (1943)
- Colonne sonoreOH, GIVE ME TIME FOR TENDERNESS
(1939) (uncredited)
Music by Edmund Goulding
Lyrics by Elsie Janis
Sung by Vera Van
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Dettagli
Botteghino
- Lordo in tutto il mondo
- 345 USD
- Tempo di esecuzione1 ora 44 minuti
- Colore
- Mix di suoni
- Proporzioni
- 1.37 : 1
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