Moglie di giorno

1939 may have been the shiniest of Hollywood's Golden Years, but this gilded stinker should certainly keep us from getting too gassy about the whole thing.

Yes, the principals are pretty, and given that (if you can believe the biographical info) Darnell had barely entered puberty by the time she was outfitted in this ermine-lined straitjacket, she acquits herself fairly well (altho her girlish piping seems bizarre vis a vis the later, memorable alto of "Letter to Three Wives").

But if you ever needed proof that Tyrone Power was no Cary Grant, brother, stop here. His double-takes and eye-rolling are appalling and his comic timing non-existent. Power looks heroic in a dinner jacket, but otherwise he's just plain rotten here.

So is most of the dialogue. And the direction.

I suppose "Day-Time Wife" merits some historical attention as one more '30's "comedy of remarriage," but its essential feature is its mind-boggling stupidity.

Day-Time Wife is an absolute gem of a film that is easily enjoyable for its own sake, not merely as a vintage curiosity.

Linda Darnell is sparkling as the young, neglected wife and Tyrone Power very watchable as the handsome but wandering husband.

The scene in which the two secretaries and their bosses end up at the same restaurant, where Darnell more than gets her revenge on her excruciated husband, is exquisite.

The ending also manages to be truly sweet and happy in a plausible way. He's been a fool, but not a total fool.

The only implausibility, perhaps, is the notion of a man neglecting a young wife as beautiful and vivacious as Darnell for his significantly older, less pretty and less amusing secretary. Not that Wendy Barrie isn't a beauty in her own right, but she's eclipsed from every angle by Darnell.

Definitely give this one a watch: it's hugely funny, with a plot that's strong enough to merit a modern remake. This would also be excellent as a play.

When Linda Darnell was a teenager, she had a picture of Tyrone Power in her bedroom. Little did she know that she'd play his wife in only her second film when she was the ripe old age of sixteen, and wind up acting alongside him in four more movies! Isn't that an adorable story, and doesn't it make you want to rent the cute marital comedy Day-Time Wife? If it does, you'll be in for a treat.

Linda wasn't remembered for playing anyone sweet, but after watching this romantic comedy, I wonder why. She's totally adorable! She and Ty make a very sweet newlywed couple, and after worshipping him the year before, I'm sure she was thrilled by all the smooches they got to share. The plot of the movie sounds pretty silly, but the screenplay is cute enough to make it entertaining. Linda suspects Ty is cheating on her with his secretary, so to understand the appeal, she works as a secretary to one of his business associates, Warren William. Warren oozes suave experience, so you can tell it's only a matter of time before he hits on Linda. Sure enough, it only takes him a week before taking her out to lunch and giving her a silver fox cape. "Your mouth is very pretty when you say 'no.' Have you heard that before?" he says, in a smart and clever come-on.

While Linda juggles her secret job during the day and trying to get proof of Ty's affair during the evening, the audience waits for the inevitable: a confrontation. When it finally happens, it's hilarious. Don't even think about pressing pause for a bathroom break. Linda, Ty, and Warren spar so beautifully off each other, you almost hope nothing gets resolved so they can continue. However, this is a romantic comedy, so you can make a safe bet that the ending doesn't leave too much up in the air. And in case you have any doubt as to the meaning of the title, you'll have to wait until the last line is spoken for an explanation. But it's fun while you're waiting!

A light-as-air confection, with very dark overtones. The very young, fresh-faced Linda Darnell is stood up on their second anniversary by husband Tyrone Power. The always delightful Binnie Barnes, her poisonous often-divorced friend Blanche says he's fooling around. Darnell refuses to believe it.

But believe it she must as evidence piles up. So, under the guide of shopping all day, she takes a job as a secretary. Her goal: finding out what about their secretaries appeals to men. (It must be noted that a husband willing to accept five-day-a-week, all-day shopping expeditions goes against many conventions.) Ushered in by goofy but knowing receptionist Joan David -- THE Joan Davis, that divine comedienne here in an early, rather small role -- she interviews for a job. Her boss is Warren William, at his slimiest. He comes on to her like nobody's business, his own wife notwithstanding.

Darnell is determined to keep working rather than depend on Power's money and to pursue her plan: What makes these guys fall for these girls? William and Power are business associates and they all, secretaries and his wife included, end up at a nightclub. She is very firm with Power but in the end makes up with him.

It's an early feminist movie. And in its own gentle way it's a subversive one, too. Unlike Catherine Deneuve in "Belle de jour," she does not become a call girl. But she scandalizes her chauvinistic, narrow-minded husband by becoming a working woman -- and a very smart one at that.

We could even say sixteen going on twenty-six, but the ever gorgeous Linda Darnell, does look achingly sweet and innocent in minor 20th Century Fox comedy Day-Time Wife. Nevertheless she convincingly plays the sophisticated wife of well-off businessman Tyrone Power, married long enough for the cad to be already fooling around with his no-class floozy of a secretary (Wendy Barrie). Only the second picture for the teenage actress, young Linda gives a remarkable performance, especially since she has to more or less carry the movie, being on screen in practically every scene. She holds her own with great poise and verve in the presence of veteran actresses Barrie, Binnie Barns, Joan Davis, and Joan Valerie. Nor does she seem the least bit overawed by the formidable screen presences of dashing leading man Power and old smoothie Warren William. William, always fun to watch, has a field day as a lecherous architect whose secretary Linda becomes in hope of learning what makes men so attracted to their curvaceous dictation takers. But once you have seen Day-Time Wife, you will not be likely to remember any of the cast better than pretty, perky Miss Darnell.

This picture is not a screwball comedy, as some others have labeled it. Just isn't screwy enough, and lacks most of the typical elements of that type. See my review of Go West, Young Man (1936) for a definition of screwball comedy. Day Time-Wife is a species of a genre known as bedroom farce. Hopefully this term will not lead crude types out there to expect naked men and women chasing each other around beds. Bedroom farce is simply the Hollywood trade name for a comedy which involves married people having problems staying married. Day-Time Wife also falls into a category known in the trade as "white telephone movies". Back in those days only the most affluent had a telephones any color or style other than utilitarian black. Thus a white telephone movie is about rich guys and rich dolls hanging out in their plush apartments or palatial mansions, going out to swanky night clubs, sailing on their swell yachts, and gabbing on their white telephones.

Day-Time Wife is ably directed by Gregory Ratoff, who also directed Miss Darnell in her first picture Hotel For Women (1939), with the glossy black and white cinematography, plush sets, and swank costumes for which 20th Century Fox was famous during the halcyon days of the big studios. Editing is silky smooth, as in any big studio picture form this era. The story offers little in the way of originality, but no matter, there hasn't been a new story since 33 A. D. The script by Art Arthur and Robert Harari is reasonably subtle and intelligent for one of this genre, the dialog crisp, engaging, and witty. Day-Time Wife is an amusing little comedy, very funny, especially in the climatic segment. It is a pleasure to watch if only for the knockout production values and the charming cast, led by the very young, very beautiful and very talented Miss Linda Darnell.

A load of slick, smooth entertainment from Old Hollywood's Golden Era packed into an hour and twelve minutes.