Il fantasma di mezzanotte

CAT AND THE CANARY still is a great mystery/comedy film. With it's two young stars Bob Hope and Paulette Goddard, who go on to make yet another two films together, THE GHOST BREAKERS and NOTHING BUT THE TRUTH, there is great fun and thrills as they spend the night in a spooky old house with several guests that disappear or are found killed mysteriously. Paulette inherits the place through a will, including a jewel necklace which she promptly places under her pillow before going to bed. There is a scary scene with the damsel in distress in bed sleeping, and a hairy grotesque hand slowly starts to creep over her pillow. A wonderful performance by the supporting cast including Gale Sondergard as an evil-looking housekeeper, George Zucco, again in a thriller, and Elizabeth Patterson and Nydia Westman as the two dizzy relatives. This film put both of the leads over the top and onto major star caliber. Rarely on television, it can be seen around Halloween on American Classics.

Bob Hope murder mystery/old dark house parody film with someone trying to knock off an heiress. A fiendish figure named The Cat appears but all is not what it seems. This was good fun..I quite enjoyed it although it could have benefited from a few more legitimate frights..certainly a good starting point for Hope who went on to make many more delightful films like this.

Most of Bob Hope's films rely heavily on the humour of the times, with references to political and cultural events figuring in significantly. Sometimes this detracts from his films, because the humour is not always self-evident. Not is the case with his performance in the remake of Paul Leni's The Cat and the Canary. Hope has one great one-liner after another in this old dark house mystery-comedy. The story is pretty familiar: a group a relations must stay a night in a house, listen to a will, and then remain there for the evening to see if the inheritor remains sane throughout the evening. Of course, we the audience are treated to secret panels, an occasional murder, hooded culprits, and a great mystery. The Cat and the Canary works so well for a number of reasons. First, it is a very atmospheric film taking place in the swamplands of Louisiana. The film is by no means big budget but does do the most with what it has. The surrounding swampland have an authentic feeling to them and the house itself is magnificently eerie. The cast is quite good with Bob Hope saving the film from tiresome formula with his special brand of humour and his excellent timing. Despite his great performance, he is almost upstaged by Gale Sondergaard as a dark, brooding servant. George Zucco also has a nice supporting role. All in all a nice way to spend an evening.

It may sound strange, but there was something so cute and appealing about Bob Hope in the '30s and '40s. I loved that guileless, spineless sweet character he played.

Here Hope is in top form in "The Cat and the Canary," the 1939 version also starring Paulette Goddard, Gale Sondergaard, John Beal, Douglass Montgomery, George Zucco, and Elizabeth Patterson. A group of relatives have to spend the night in a haunted house after the reading of their late relatives' will.

Hope and the beautiful, vivacious Goddard are wonderful together -- so good, in fact, that they did it again in "Ghost Breakers." No one could do one-liners like Hope.

This movie is a lot of fun, with secret panels and things that go bump in the night. Delightful, funny, and spooky.

This has to be classed as one of Bob Hope's better films, even though it was one of his first in a starring role. He uses the script to perfection with his one-liners while playing the role of a pretty scared coward, and he is admirably supported by Paulette Goddard as the future heiress. In a very good supporting cast there are a number of stalwarts like George Zucco, Elizabeth Patterson and Gale Sondergaard who add so much to the atmosphere of the film. Take it for what it is - a fun scary romp, and you will be spending a most pleasurable 75 minutes, Oh, and by the way it has the required sliding panels, mists, falling bodies, etc that go such a long way in providing Hope with suitable cracks. Enjoy.