La difficile prova del Dr. Kildare

In Calling Dr. Kildare, James Kildare is in even worse trouble than he was in "Young Dr. Kildare." This time, he's gotten involved with a young boy who was shot and is being sought for a murder he says he didn't commit. Kildare helps him and doesn't report the bullet wound to the police. That's one infraction. More heinous than that - he falls hook, line and sinker for Lana Turner!

At this point, Jimmy is more or less juggling three women in his noncommittal fashion - except of course he's committed himself to the seductive Turner. There's Alice (Lynne Carver), pining away in Kildare's hometown - where she'll continue to pine - and the very pretty Mary Lamont (Laraine Day) who obviously is interested in him.

On top of everything else, he has to deal with the irascible Dr. Gillespie (Lionel Barrymore) - it'll be a few years before he mellows out, and by then, James will have left the hospital.

I liked this one better than the first in the series. It is predicated on a realistic incident - the shooting - not necessarily the doctor sticking his neck out to help. And Laraine Day is a wonderful addition as Mary.

All in all, a good entry into the "Dr. Kildare" series with a future MGM star on hand.

Dr. Kildare (Lew Ayres) takes a bullet out of a man wanted for murder but doesn't report it to the police, due in small part to Kildare's believing in the man's innocence and in larger part due to the man having a pretty sister (Lana Turner). Now it's up to Dr. Gillespie (Lionel Barrymore) to try and figure a way to save Kildare from getting himself in deep trouble.

The second in MGM's excellent Dr. Kildare series starring Lew Ayres and Lionel Barrymore. Both are great. Lana Turner is very easy on the eyes and fine in an early role. The wonderful regular supporting cast is also on hand, including Nat Pendleton, Marie Blake, Walter Kingsford, and Alma Kruger. All enjoyable. Samuel S. Hinds and Emma Dunn are particularly touching as Kildare's parents. This is the first appearance of Kildare's love interest, Nurse Mary Lamont, played by Laraine Day. This movie also features the second and final appearance of Lynne Carver as Alice Raymond, Kildare's hometown sweetheart who wants to marry him. Unfortunately, that storyline is not resolved in this movie, despite being touched upon in the beginning. The terrific cast of characters is why this series work so well. The highlight of the movie, not surprisingly, is the irascible Dr. Gillespie and his "tell it like it is" approach to dealing with patients, such as a scene early in this one where he gives a middle-aged woman hell for dangerous dieting. It's a solid entry in the series that should please fans and a good jump-on point for newcomers.

In this second installment of the Dr. Kildare movie series-the Joel McCrea movie wasn't in the linear series-Lew Ayres finds himself adjusting to life in the big city after deciding to take the internship under the stern Dr. Gillespie, played by Lionel Barrymore. In case you don't remember what happened in the first movie, never fear. The first five minutes get you all caught up, with Lew's parents lamenting that he chose to be a big city intern rather than a small town doctor.

I didn't see these movies in order, so I was already used to the regular cast by the time I saw Calling Dr. Kildare. Nat Pendleton is the friendly, none-too-bright ambulance driver, Marie Blake is the telephone operator, Frank Orth is the owner of the hospital cafeteria restaurant, and Alma Kruger is Lionel's right-hand nurse. In this one, Lew is portrayed as a complete idiot with terrible judgement. He's a new intern, yet risks his medical license and jail time by treating a teenage hoodlum with a bullet wound without reporting the incident because Lana Turner turns his head and asks him not to. It was really hard to have any respect for him while watching him make bad decision after bad decision. While Laraine Day makes her first appearance in the series as Nurse Mary Lamont, it's frustrating to see Lew paying more attention to guest star Lana Turner than to the new nurse.

One cute part of the movie is the other guest star: little Bobs Watson as one of Lionel's patients. The same year as On Borrowed Time, Bobs and Lionel are together again, and Bobs is given one of his signature crying scenes as he tries to walk across the room without the brace on his damaged leg. He comes back in the sixth movie, 1940's Dr. Kildare's Crisis to show everyone how his leg is progressing, so be sure to rent that one, too!

Dr. Gillespie (Lionel Barrymore) tells Dr. James Kildare (Lew Ayres) that his terminal cancer diagnosis last movie is another mistake. After this and other disputes, Gillespie sends Kildare to a street clinic with nurse Mary Lamont. In one case, he treats a gunshot wound for suspect Nick in his hideout and gets involved Nick's sister Rosalie.

This one introduces a few things with Kildare and I'm not sure that I like them. He has a new love interest and the hometown gal is left at home. There's also another love interest being set up. Let's face it. The boy is not thinking with his brain. He's using his lesser organ. Gillespie has less screen time and I like his character more. The series is gaining speed.

This Kildare film is a bit different from the others. Just the second in the series, Kildare is trying to find his footing in Blair hospital when he has a run in with Dr. Gillespie that could end their working relationship. But Kildare decides to stay at Blair and finish what he has started, so he begins working at one of the hospital's clinics. Somebody comes to the clinic at closing time and convinces Kildare to come with him, that somebody is very ill and can't get to the clinic. Kildare finds a guy in an abandoned building with a bullet wound. The guy's sister (Lana Turner as Rosalie) convinces Kildare that her brother has done nothing wrong and not to call the police but help her brother. Kildare relents on principle, and Rosalie's big saucer eyes and long legs can't hurt either. And then the next day he reads that a hood has been murdered and that the suspect is the guy he patched up the night before. Complications ensue.

This is where there is an implied changing of the guard as far as Kildare's love life. Remember Kildare had a "girl next door" pseudo fiancee in the first film, now there is this gun moll, and then there is the introduction of nurse Mary Lamont (Laraine Day) who looks like she could be in Kildare's future.

I liked all of the films in this series, but I think I liked this one the least because Kildare does not have a good head on his shoulders in the decisions he makes. Fortunately for him, he has friends who do. That is how it is noir like. You have a solid citizen in the person of Kildare who has temptation in the form of a good looking girl who throws some attention his way, and this causes him to go down the wrong path, all the while justifying his actions to himself. Though Eddie Muller would probably disagree with me completely on describing it as somewhat like a noir.